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Vanity Fair (2004)
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Reviews Counted:160
Fresh:79
Rotten:81
Average Rating:5.8/10
Consensus: A more likable Becky Sharp makes for a less interesting movie.
Rated: PG [See Full Rating] for some sensuality/partial nudity and a brief violent image
Runtime: 2 hrs 21 mins
Genre: Dramas
Theatrical Release:14-01-2005
Synopsis: One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever... One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever created, Rebecca (Becky) Sharp. The new film version of the classic novel by William Makepeace Thackeray introduces a new audience to the beautiful, funny, passionate, and calculating Becky. The daughter of a starving English artist and a French chorus girl, Becky is orphaned at a young age. Even as a child, she yearns for a more glamorous life than her birthright promises. As she leaves Miss Pinkerton's Academy at Chiswick, Becky resolves to conquer English society by any means possible. She deploys all of her wit, guile, and sexuality as she makes her way up into high society during the first quarter of the 19th century. Becky's ascension to the heights of society commences when she gains employment as governess to the daughters of eccentric Sir Pitt Crawley (Bob Hoskins). Becky wins over the children, and the Crawley family's rich spinster aunt Matilda (Eileen Atkins) as well. The rural Hampshire household comes to find her indispensable, and Matilda comes to confide in the bright young woman. But Becky knows that she cannot be a true part of English society until she moves to the city. When Matilda invites her to come live in London, Becky eagerly accepts. There, Becky is reunited with her best friend Amelia Sedley (Romola Garai), who - having grown up comfortably - does not share Becky's more brazen ambitions. Hewing close to the family she already knows so well, Becky secretly marries dashing heir Rawdon Crawley (James Purefoy) - but when Matilda discovers their union, she casts the newlyweds out. When Napoleon invades Europe, Rawdon bravely reports to the front lines. Pregnant Becky stands by distraught newlywed Amelia, whose own husband George Osborne (Jonathan Rhys Meyers) is also called to fight. When George does not survive the Battle of Waterloo, Becky's friendship with Amelia is strained beyond repair. Becky is reunited with Rawdon and gives birth to a boy, but, post-war, money and comforts are sparse for the trio. More intent than ever on gaining acceptance into London society and living well, Becky finds a patron in the powerful Marquess of Steyne (Gabriel Byrne). Steyne's whims enable Becky to realize her dreams, but the ultimate cost may be too high for her. [More]
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai, Gabriel Byrne, Eileen Atkins, Jim Broadbent, Bob Hoskins, Rhys Ifans, Geraldine McEwan, Douglas Hodge
Director: Mira Nair
Director: Mira Nair
Screenwriter: Mark Skeet, Julian Fellowes, Matthew Faulk
Producer: Janette Day, Lydia Dean Pilcher, Donna Gigliotti
Composer: Mychael Danna
Studio: Focus Features
Reviews for Vanity Fair
Even though the central stories are compelling, dividing the film between them means we never have anyone to grab hold of.
Chock-full of praiseworthy performances and impeccably directed by Nair, the film’s flaw is that there’s something standoffishness about the whole production.
"Vanity Fair is to Reese Witherspoon as "Erin Brockovich" was to Julia Roberts – only with a much better wardrobe.
With a novel of such length, you either have to make a miniseries or adapt it more ruthlessly.
A few cast members bring a scene or two alive, but Vanity Fair is mostly mismanaged.
This film, which aims to expose the banal reality behind the grande facade of high society, itself proves to have no depth.
Starts with energetic glee, but, by the end, it's mocking itself more than skewering society.
Though it's an accomplished production, Vanity Fair ranks as a standard costume drama populated by snide old biddies, aging lords and ladies, manipulative business barons and dashing soldiers.
...this post-modern version of Vanity Fair has a surfeit of humor and some delightful surprises
What it needs is more emphasis on the 'vanity' and less on the 'fair.'
In Vanity Fair, Witherspoon presents a complex character beautifully, even when her character’s choices vastly depart from her own values.
A Vanity Fair with a lovable Becky Sharp has no reason to exist. It's as if Shakespeare had put Hamlet on Prozac: What's the point?
More or less a vanity project for Reese Witherspoon, Mira Nair’s adaptation of the great William Makepeace Thackeray novel is long and legally bland.
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