The movie isn't Cliffs Notes, so much as it is a fast-food drive-thru for a classic novel. Beautifully filmed and its costumes are seamless, though the story's not.
Vanity Fair (2004)
Tomatometer
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Reviews Counted:160
Fresh:79
Rotten:81
Average Rating:5.8/10
Consensus: A more likable Becky Sharp makes for a less interesting movie.
Rated: PG [See Full Rating] for some sensuality/partial nudity and a brief violent image
Runtime: 2 hrs 21 mins
Genre: Dramas
Theatrical Release:14-01-2005
Synopsis: One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever... One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever created, Rebecca (Becky) Sharp. The new film version of the classic novel by William Makepeace Thackeray introduces a new audience to the beautiful, funny, passionate, and calculating Becky. The daughter of a starving English artist and a French chorus girl, Becky is orphaned at a young age. Even as a child, she yearns for a more glamorous life than her birthright promises. As she leaves Miss Pinkerton's Academy at Chiswick, Becky resolves to conquer English society by any means possible. She deploys all of her wit, guile, and sexuality as she makes her way up into high society during the first quarter of the 19th century. Becky's ascension to the heights of society commences when she gains employment as governess to the daughters of eccentric Sir Pitt Crawley (Bob Hoskins). Becky wins over the children, and the Crawley family's rich spinster aunt Matilda (Eileen Atkins) as well. The rural Hampshire household comes to find her indispensable, and Matilda comes to confide in the bright young woman. But Becky knows that she cannot be a true part of English society until she moves to the city. When Matilda invites her to come live in London, Becky eagerly accepts. There, Becky is reunited with her best friend Amelia Sedley (Romola Garai), who - having grown up comfortably - does not share Becky's more brazen ambitions. Hewing close to the family she already knows so well, Becky secretly marries dashing heir Rawdon Crawley (James Purefoy) - but when Matilda discovers their union, she casts the newlyweds out. When Napoleon invades Europe, Rawdon bravely reports to the front lines. Pregnant Becky stands by distraught newlywed Amelia, whose own husband George Osborne (Jonathan Rhys Meyers) is also called to fight. When George does not survive the Battle of Waterloo, Becky's friendship with Amelia is strained beyond repair. Becky is reunited with Rawdon and gives birth to a boy, but, post-war, money and comforts are sparse for the trio. More intent than ever on gaining acceptance into London society and living well, Becky finds a patron in the powerful Marquess of Steyne (Gabriel Byrne). Steyne's whims enable Becky to realize her dreams, but the ultimate cost may be too high for her. [More]
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai, Gabriel Byrne, Eileen Atkins, Jim Broadbent, Bob Hoskins, Rhys Ifans, Geraldine McEwan, Douglas Hodge
Director: Mira Nair
Director: Mira Nair
Screenwriter: Mark Skeet, Julian Fellowes, Matthew Faulk
Producer: Janette Day, Lydia Dean Pilcher, Donna Gigliotti
Composer: Mychael Danna
Studio: Focus Features
Reviews for Vanity Fair
"Vanity Fair is to Reese Witherspoon as "Erin Brockovich" was to Julia Roberts – only with a much better wardrobe.
What might work powerfully on the page comes off on the screen as not terribly interesting.
Mira Nair’s keen eye and artistic flair are abundantly evident in this lush screen adaptation.
Witherspoon's simply terrific, and it's amazing how quickly and easily she sheds speculation that she was too modern for the role.
By film's end, audiences are bound to be left dissatisfied with the choppy and confusing storytelling style and unhappy about the missed opportunity.
The main trouble with softening Becky is that after a certain point she no longer makes sense: Thackeray's plot eventually requires her to act in ways that are entirely at odds with Nair's more heroic conception of Becky.
Lively and mostly successful treatment -- at least until the barbs are blunted in the messy third act.
Nair, who also directed Monsoon Wedding, has trouble juggling all the characters here, but she brings to Vanity Fair some of her previous film's zest for life.
[Nair] has achieved a near-miracle of literary transmutation, taking a supremely rich, complicated and clear-eyed 19th century novel and turning it into a coherent and highly entertaining movie.
A pared-down but wonderfully cluttered rendition of Thackeray's work, beautifully acted by a dream troupe of performers.
This Becky is a bawdier, lustier woman who, by giving us a character who aspires to be that which she already is by nature, peppers this humorously raw telling with a weightier conflict, conscience and irony.
The satire is sharply observed and the performances acutely felt, most of all Witherspoon's.
A lot of things happen, all of it fairly absorbing, some of it rendered vividly.
A feel-good gift to moderns, yet why not feel so good? Thackeray, and his Becky, would have relished it.
Few other young actresses can jut out their jaw in ambitious determination as charmingly as Witherspoon -- and remain sympathetic.
Beyond the performances, it's Nair's vision that makes Vanity Fair appealing. The production is stunning, with evocative location shooting.
Much like its conniving heroine: witty, frequently charming, but not quite up to snuff.
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