Dull and mostly lifeless... leaving viewers with little but a series of pretty pictures of pretty actors in pretty costumes.
Vanity Fair (2004)
Tomatometer
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Reviews Counted:160
Fresh:79
Rotten:81
Average Rating:5.8/10
Consensus: A more likable Becky Sharp makes for a less interesting movie.
Rated: PG [See Full Rating] for some sensuality/partial nudity and a brief violent image
Runtime: 2 hrs 21 mins
Genre: Dramas
Theatrical Release:14-01-2005
Synopsis: One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever... One of America's most popular stars, Reese Witherspoon, unites with one of the world's most acclaimed directors, Mira Nair, to bring to the screen one of the greatest female characters ever created, Rebecca (Becky) Sharp. The new film version of the classic novel by William Makepeace Thackeray introduces a new audience to the beautiful, funny, passionate, and calculating Becky. The daughter of a starving English artist and a French chorus girl, Becky is orphaned at a young age. Even as a child, she yearns for a more glamorous life than her birthright promises. As she leaves Miss Pinkerton's Academy at Chiswick, Becky resolves to conquer English society by any means possible. She deploys all of her wit, guile, and sexuality as she makes her way up into high society during the first quarter of the 19th century. Becky's ascension to the heights of society commences when she gains employment as governess to the daughters of eccentric Sir Pitt Crawley (Bob Hoskins). Becky wins over the children, and the Crawley family's rich spinster aunt Matilda (Eileen Atkins) as well. The rural Hampshire household comes to find her indispensable, and Matilda comes to confide in the bright young woman. But Becky knows that she cannot be a true part of English society until she moves to the city. When Matilda invites her to come live in London, Becky eagerly accepts. There, Becky is reunited with her best friend Amelia Sedley (Romola Garai), who - having grown up comfortably - does not share Becky's more brazen ambitions. Hewing close to the family she already knows so well, Becky secretly marries dashing heir Rawdon Crawley (James Purefoy) - but when Matilda discovers their union, she casts the newlyweds out. When Napoleon invades Europe, Rawdon bravely reports to the front lines. Pregnant Becky stands by distraught newlywed Amelia, whose own husband George Osborne (Jonathan Rhys Meyers) is also called to fight. When George does not survive the Battle of Waterloo, Becky's friendship with Amelia is strained beyond repair. Becky is reunited with Rawdon and gives birth to a boy, but, post-war, money and comforts are sparse for the trio. More intent than ever on gaining acceptance into London society and living well, Becky finds a patron in the powerful Marquess of Steyne (Gabriel Byrne). Steyne's whims enable Becky to realize her dreams, but the ultimate cost may be too high for her. [More]
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai
Starring: Reese Witherspoon, James Purefoy, Jonathan Rhys-Myers, Romola Garai, Gabriel Byrne, Eileen Atkins, Jim Broadbent, Bob Hoskins, Rhys Ifans, Geraldine McEwan, Douglas Hodge
Director: Mira Nair
Director: Mira Nair
Screenwriter: Mark Skeet, Julian Fellowes, Matthew Faulk
Producer: Janette Day, Lydia Dean Pilcher, Donna Gigliotti
Composer: Mychael Danna
Studio: Focus Features
Reviews for Vanity Fair
Watching it is the equivalent of investing ten million dollars at 0.2% interest.
...demands too many abrupt about-faces for characters who are given episodic screen time to make epic evolutions
A 'Vanity Fair' with a half-realized Becky Sharp is, in the end, a Vanity Unsatisfactory.
Witherspoon is not really a girl who flaunts sexuality; she is more of a prepster’s pinup, akin to her persona in Election as opposed to say Kathleen Turner in Body Heat.
Unfortunately (Witherspoon) fails to inspire much sympathy for the novel’s cunning, charmingly conniving, social-climbing heroine.
Witherspoon takes on the movie the way Becky takes on the world, with oceans of sheer star quality to dazzle and beguile. Resistance is futile.
A catastrophe! Reese Witherspoon's bad acting turns Becky Sharp into Becky Stupid.
The pacing feels choppy, and the characters' emotions are sometimes too sudden to be believable.
Nair's least persuasive film, in part because Becky has been reimagined as such a modern, proto-feminist heroine that she sometimes seems advanced beyond her environment...
This exquisite screen adaptation of Thackeray's 1847 morality play has great relevance to our time when envy and efforts to make it into the Winning Class are widespread.
Chock-full of praiseworthy performances and impeccably directed by Nair, the film’s flaw is that there’s something standoffishness about the whole production.
Vanity Fair is a timeless story about life lived, and a skewering of upper class society. Am I less of a man for falling in love with this female friendly movie?
Aaw, the exquisite dullness of bourgeois cinema, so intensely preoccupied with period detail, solemn men and pale girls.
Not unpleasant in a bland Masterpiece Theatre way, but not very faithful to its astringent source either...easy to sit through but not particularly engaging.
Taking a cue from Thackeray's spry, witty, self-referential narration, Indian director Nair emphasizes the allusions to her native country...as a land of exotic escape...
a lush, sprawling, sensual film that totters unevenly under the weight of its own ambition . . . an apt metaphor considering that its heroine has the same Achilles Heel.
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