Vantage Point's summed up by its name; from some angles, it looks like an above-average studio thriller, but from others it falls out of sight fast.
Vantage Point (2008)
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Reviews Counted:151
Fresh:53
Rotten:98
Average Rating:5/10
Consensus: Vantage Point has an interesting premise that is completely undermined by fractured storytelling and wooden performances.
Rated: 12A [See Full Rating] for sequences of intense violence and action, some disturbing images and brief strong language.
Runtime: 90 mins
Genre: Action/Adventure
Theatrical Release:07-03-2008
Synopsis: A presidential assassination attempt is told from multiple points of view in Pete Travis's directorial debut, VANTAGE POINT. U.S. president Ashton (William Hurt) is in Salamanca, Spain (though much... A presidential assassination attempt is told from multiple points of view in Pete Travis's directorial debut, VANTAGE POINT. U.S. president Ashton (William Hurt) is in Salamanca, Spain (though much of the film was actually shot in Mexico), to announce plans for a major global summit on terrorism. But as he stands behind the podium in front of an adoring crowd (with protesters blocked off from the stage), he is shot twice, followed shortly by a small explosion and then a massive blast. Secret Service Agents Barnes (Dennis Quaid), Taylor (Matthew Fox), and Holden (Richard T. Jones) immediately jump into action, trying to find the terrorists responsible amid all the chaos. The thriller first shows the events through the eyes of television news producer Rex Brooks (Sigourney Weaver), and then the film rewinds, replaying the action from a different point of view. Each perspective reveals a few more clues, then rewinds again, taking the audience through the assassination attempt and its aftermath again. VANTAGE POINT has the feel of the 1950 Akira Kurosawa classic RASHOMON, told with the speed of the television show 24. The all-star cast also includes Forest Whitaker, who gives another fine performance, playing an American tourist recording everything on his video camera. The rewind device--reminiscent of the Bill Murray comedy GROUNDHOG DAY--could have been gimmicky, but instead Travis and first-time screenwriter Barry L. Levy make it work, as more details are revealed with each flashback, leading to a pulse-pounding chase and surprising finale. [More]
Starring: Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver
Starring: Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver, William Hurt, Zoe Saldana
Director: Pete Travis
Director: Pete Travis
Screenwriter: Barry L. Levy
Producer: Neal H. Moritz
Composer: Atli Orvarsson
Studio: Sony Pictures Entertainment
Reviews for Vantage Point
I would love to say that everyone who sees Vantage Point will have a different point of view, and let that be the stupidest thing ever said relating to the movie. Unfortunately, it is plenty stupid on its own.
Jittery, Bourne-style-lite mayhem, with edits every one-half to one-third a second.
I was quite literally on the edge of my seat for all of its lightning fast ninety minutes. It's not just merely good -- it's nothing less than one of the best pictures of the year
Movies used to boast of being 'torn from the headlines.' Now, they're torn from an electronics catalog. Who needs James Bond's Q when you've got Best Buy?
Sure the movie's multiple viewpoint contrivance is just an excuse to get to a car chase, but it's a good car chase.
A high caliber international cast, an Irish television director and a green screenwriter with a marketable ad concept all add up to one big slice of cheese with Vantage Point, a movie that cannot even stay the course with its own story telling devi
Enjoy Vantage Point while the thrills last, and try to ignore the 'what the heck?' stretches of credulity in the final reels.
A genuine crowd-pleaser overall, brisk and suspenseful%u2014more or less everything it promises to be.
While the title, trailer and commercials imply that we'll be carefully piecing together clues to a complex assassination attempt as seen from several perspectives, the final product turns out to be a tepid thriller that promises more than it delivers.
At a certain point its sheer can-you-top-this excess takes over, credibility flies out the window and there's no reason to continue paying attention.
Vantage Point is a thriller that has quite a lot on its mind. The very structure of the movie challenges the audience’s patience, if not its wit.
All this visual caffeine is in service to a story that isn't worth telling, and that too frequently resorts to the cheap technique of putting an adorable little girl in peril, then cutting away.
When everything is finally revealed, the story Vantage Point tells is fairly pedestrian, and nothing special is gained from all the stopping and restarting.
An overplotted, gimmicky presidential-assassination thriller, its interlocking pieces have to fit just so for it to stay coherent and ratchet up the tension.
For the most part, the film races boldly past this material, but it never quite transcends it. Still, it's good fun while the clock is ticking back and forth.
Travis dutifully pastes the story-shards together, but he and the actors are hamstrung by a script that's so busy piling on the twists that it never pauses to consider what they mean.
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