It’s all too ridiculous for even the make-believe world of movies.
Vantage Point (2008)
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Reviews Counted:151
Fresh:53
Rotten:98
Average Rating:5/10
Consensus: Vantage Point has an interesting premise that is completely undermined by fractured storytelling and wooden performances.
Rated: 12A [See Full Rating] for sequences of intense violence and action, some disturbing images and brief strong language.
Runtime: 90 mins
Genre: Action/Adventure
Theatrical Release:07-03-2008
Synopsis: A presidential assassination attempt is told from multiple points of view in Pete Travis's directorial debut, VANTAGE POINT. U.S. president Ashton (William Hurt) is in Salamanca, Spain (though much... A presidential assassination attempt is told from multiple points of view in Pete Travis's directorial debut, VANTAGE POINT. U.S. president Ashton (William Hurt) is in Salamanca, Spain (though much of the film was actually shot in Mexico), to announce plans for a major global summit on terrorism. But as he stands behind the podium in front of an adoring crowd (with protesters blocked off from the stage), he is shot twice, followed shortly by a small explosion and then a massive blast. Secret Service Agents Barnes (Dennis Quaid), Taylor (Matthew Fox), and Holden (Richard T. Jones) immediately jump into action, trying to find the terrorists responsible amid all the chaos. The thriller first shows the events through the eyes of television news producer Rex Brooks (Sigourney Weaver), and then the film rewinds, replaying the action from a different point of view. Each perspective reveals a few more clues, then rewinds again, taking the audience through the assassination attempt and its aftermath again. VANTAGE POINT has the feel of the 1950 Akira Kurosawa classic RASHOMON, told with the speed of the television show 24. The all-star cast also includes Forest Whitaker, who gives another fine performance, playing an American tourist recording everything on his video camera. The rewind device--reminiscent of the Bill Murray comedy GROUNDHOG DAY--could have been gimmicky, but instead Travis and first-time screenwriter Barry L. Levy make it work, as more details are revealed with each flashback, leading to a pulse-pounding chase and surprising finale. [More]
Starring: Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver
Starring: Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver, William Hurt, Zoe Saldana
Director: Pete Travis
Director: Pete Travis
Screenwriter: Barry L. Levy
Producer: Neal H. Moritz
Composer: Atli Orvarsson
Studio: Sony Pictures Entertainment
Reviews for Vantage Point
One of those flicks that relies purely on momentum to keep your disbelief suspended, and director Pete Travis rarely allows the pace to slow enough for the plot holes to shine through.
...counts on its audience not thinking about what they're seeing, but instead being mesmerized by flash and boom ...This is a movie to make you angry, but not with the straw evildoers it puts on screen.
It starts off strong but quickly becomes so contrived and repetitive that by the time it finally lumbers to its deeply unsatisfying and ludicrously melodramatic finale, you feel like an idiot for having wasted your time watching it
Trying, monotonous, and not anywhere near as relevant or clever as it imagines itself to be, Vantage Point proves once again that while it's easy to rely on a gimmick, it's usually not the best idea to trust it.
It's easy to pick apart an action movie. It's much harder to produce one this clever, fast-paced and involving.
I forgave its sins for delivering at least an hour of undiluted enjoyment.
A movie that features very intense, action-packed moments, but a story that gets overly complicated and borders on spinning out of control as it becomes too farfetched by the end
We view this event from every possible point of view except a logical -- or entertaining -- one.
Less would have definitely been more in this case; if viewers squint their eyes hard enough, they might just be able to locate a kitchen sink lurking somewhere in the background.
The fact that the screenplay refrains from smug political commentary and instead focuses on action and mystery enhances the experience.
A gimmicky thriller without much of a gimmick or many thrills, "Vantage Point" suffers, too, from being out of synch with its time.
It's a marginally successful attempt to flare up the senses through shocking repetition, but this is Moritz after all, so if you must go, leave your brain at home and sneak in a cocktail to help wash down the nonsense.
A lot of vigorous actors doing vigorous work in the service of a crafty, fast-moving, well-told story.
I'm starting to think that '24' and 'The Bourne Identity' have made it nearly impossible for me to enjoy the average or even slightly above average spy thriller.
The cascade of coincidences and logical lapses drains it of excitement and leaves it seeming overwhelmingly ridiculous.
Barry Levy's script slavers for comparisons to Rashomon but misses the point. Akira Kurosawa argued that truth was slippery; Levy believes there's one answer, he just likes withholding it.
Straight out of the slice-and-dice school of filmmaking, Vantage Point fractures chronology and perspective in a vain attempt to disguise its flimsiness.
A 23-minute movie dragged out, via some narrative gimmickry, to a punishing hour and a half.
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