Roger Michel knows how to do People-in-Rooms better than most directors do, but the joys of it really are the performances and it's worth seeing for O'Toole and Phillips together.
Venus (2006)
Runtime: 1 hr 35 mins
Genre: Dramas
Starring: Peter O'Toole, Jodie Whittaker, Leslie Phillips, Vanessa Redgrave, Beatrice Savoretti
Composer: David Arnold, Corinne Bailey Rae
Director: Roger Michell
DVD Info
Release:
Oct 5, 2008
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 1.85
Audio:
- Dolby Digital 5.1 Surround - English
Additional Release Material:
- Audio Commentary - Roger Michell - Director; Kevin Loader - Producer
- Deleted Scenes - Deleted Scenes With Optional Commentary
- Featurette - VENUS: A REAL WORK OF ART
Reviews
A witty and delicately handled faltering romance. Delightful.
A threadbare comedy-drama, with an insubstantial story and the patronising, post-Pygmalion theme of a working-class slob being reformed by the power of art.
Like a variation on Death in Venice, only this could be Death in Kentish Town.
Even performances as good as these can't totally transcend material that hovers between near farce and tragi-comedy without ever landing on a convincing level.
You never know – it might just be eighth time lucky for the old dog come the Oscars.
Although a little contrived in places, and with some dialogue that probably looked better on the page, this is still enjoyable fare that proves there’s plenty of life in the old dogs yet.
A gentle, funny and melancholy look at the ravages of age and time, with an irresistible star performance at its heart. Oscar prospects, surely?
He's got his Oscar nomination, but, if we might politely ask, how much of a stretch can it really be for Peter O'Toole to play a saucy old lush again?
This is an indulgent movie and needs to be watched in the same spirit.
O’Toole is a lecherous marvel, and worth every ounce of his Oscar nomination for Best Actor.
The brilliant O'Toole shows you're never too old to have a go, while Kureishi and Michell add another idiosyncratic work to their creative double act.
Who could be better suited than Peter O'Toole to the role of an actor growing old disgracefully?
The lingering impressions here are of regret, resignation and renewal, the fascination of firm flesh and O’Toole growling ‘Come on, old man!’ as he slaps his own sagging face.
A screen-acting showcase by a man whose best days, many thought, were behind him. There’s life in the old dog yet.
An affirmation of pleasure and generous-mindedness as well as credible takes on the different aches of adolescence and senescence.
Witty dialog and a strong story keep it thoroughly entertaining, as do the sparky performances.
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