Slow but totally compelling.
Vertigo (1958)
Tomatometer
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Reviews Counted:8
Fresh:7
Rotten:1
Average Rating:7.9/10
Runtime: 2 hrs 9 mins
Genre: Dramas
Synopsis: VERTIGO is Alfred Hitchcock's haunting tale of deception, madness, and death--a masterful exploration of fantasy and anxiety. The film ranks with REAR WINDOW as one of the director's most closely... VERTIGO is Alfred Hitchcock's haunting tale of deception, madness, and death--a masterful exploration of fantasy and anxiety. The film ranks with REAR WINDOW as one of the director's most closely studied films for its psychological complexity, while the obsession of its protagonist--John "Scottie" Ferguson (James Stewart)--can also be seen to parallel that of Hitchcock's own fascination with the icy-blonde leading lady he re-created at the center of so many of his films. Ferguson is a retired detective, his career ended by the onset of a paralyzing fear of heights. An old friend, the wealthy Gavin Elster (Tom Helmore), hires Ferguson to follow his wife (Kim Novak), whom, he explains, has grown obsessed with an ancestor of hers. The assignment, however, draws Ferguson out of his comfortable role as observer and into a complex web of intrigue, mingled with the detective's own fantasies and fears. Stewart gives an exceptional performance as the disintegrating detective, while Novak, who was left largely undirected by Hitchcock, conveys a subtle and powerful psychological journey. Another star of the film is its San Francisco setting. VERTIGO is considered one of Hitchcock's most complex, finest films. [More]
Starring: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore
Starring: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Henry Jones, Raymond Bailey, Ellen Corby, Konstantin Shayne, Lee Patrick, Paul Bryar, Roland Got, Jack Richardson
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Composer: Bernard Herrmann
Producer: Alfred Hitchcock
Screenwriter: Alec Coppel, Samuel W. Taylor
Story: Pierre Boileau, Thomas Narcejac
Reviews for Vertigo
Picture yourself on a rollercoaster at the highest peak of its circuit.
The old master, now a slave to television, has turned out another Hitchcock-and-bull story in which the mystery is not so much who done it as who cares.
James Stewart, on camera almost constantly, comes through with a startlingly fine performance as the lawyer-cop who suffers from acrophobia.
With less playfulness and much more overt libido than other Hitchcock classics, Vertigo was always anomalous.
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