[The love story] between the two young, uncorrupted stars suffuses the entire movie and has made me forgive, if not forget, the movie's flaws.
The Village (2004)
Tomatometer
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Reviews Counted:194
Fresh:82
Rotten:112
Average Rating:5.4/10
Consensus: The Village is appropriately creepy, but Shyamalan's signature twist ending disappoints.
Runtime: 2 hrs
Genre: Horror/Suspense
Synopsis: M. Night Shyamalan's THE VILLAGE finds the renowned writer-director crafting a suspenseful story of a small community whose inhabitants are plagued by fear of the unknown forest that surrounds... M. Night Shyamalan's THE VILLAGE finds the renowned writer-director crafting a suspenseful story of a small community whose inhabitants are plagued by fear of the unknown forest that surrounds them. For years, they have kept a truce with mysterious creatures in the woods by vowing never to breach a clearly defined border. However, when a young man (Joaquin Phoenix) becomes determined to explore the nearby towns, his actions are met with menacing consequences. Shyamalan continues his remarkable streak of entrancing and entertaining thrillers (THE SIXTH SENSE, UNBREAKABLE, SIGNS) with THE VILLAGE. A meticulous filmmaker, Shyamalan displays his penchant for setting up a fascinating atmosphere in every aspect of the movie, from its distinctive color scheme to its intentionally genteel dialogue to its outstanding cinematography, courtesy of Roger Deakins. Renowned cast members Phoenix, William Hurt, Sigourney Weaver, and Adrien Brody are excellent, but the true standout is Bryce Dallas Howard (daughter of director Ron Howard), who embodies the heart of the film with her vulnerable but fiercely vital performance. Like Shyamalan's other movies, THE VILLAGE has a distinct twist that offers shocking revelations, but this film's overwhelming sense of menace is what is sure to resonate with viewers long after it's over. [More]
Starring: Joaquin Phoenix, Bryce Dallas Howard, William Hurt, Sigourney Weaver
Starring: Joaquin Phoenix, Bryce Dallas Howard, William Hurt, Sigourney Weaver, Adrien Brody, Brendan Gleeson, Michael Pitt, Cherry Jones
Director: M. Night Shyamalan
Director: M. Night Shyamalan
Screenwriter: M. Night Shyamalan
Producer: Scott Rudin, Sam Mercer
Composer: James Newton Howard
Studio: Buena Vista Pictures
Reviews for The Village
... a Sleepy Hollow-like folk tale that is light on character development and heavy on symbolism and suggestion.
...an enigma to which each viewer must bring something and from which each viewer will most likely take something away. In my case, I brought a lot more than I took away.
If you're willing to follow Shyamalan wherever he goes in his inquiry into how the US got so terrorism-fixated, he leads you into provocative, if uneven, territory.
Es el típico ejemplo de cómo una película puede (o intenta) manipular a su audiencia y hacerle creer que va a ver una cosa cuando en realidad se trata de otra bien diferente.
How I wanted to flee the dreadful 'Village' after its first 20 minutes. What happened? It's the story. It's the direction. It's Shyamalan.
Definitivamente no será recordada entre lo más selecto de su filmografía, pero si gustan del género y del sudor frío, esta es una obligada.
The Village is an enormous disappointment -- not because the ending is so banal, but because Shyamalan has become a director who no longer trusts his talent.
The film's biggest disservice is Shyamalan's uneven, confusing script that concludes with a surprise, but a dismal one.
the color Red is forbidden because it attracts Those We Do Not Speak Of - except, apparently, for all of the Red herrings Shyamalan has left strewn about
Shyamalan deveria abandonar a carreira de roteirista e dedicar-se apenas à de diretor: seu talento é grande demais para ser desperdiçado em tramas cada vez piores.
A well-meaning, half-hour Twilight Zone episode stretched to the outer limits of a two-hour feature.
In this election year, our cinemas have been overrun by insincere communities headed by dissemblers-in-chief.
Unfortunately, the chills here are poorly thought out, and the plot twists are more predictable than interesting.
...doesn’t even begin to ignite the protrusive passion that trademark Shyamalan films are known for...a solitary thrill-maker in search of an imaginative spark
Shyamalan made a big impression with his out-of-the-blue twist in his first blockbuster, but now I wonder if he's capable of anything else but twists.
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