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Volver

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Volver (2006)

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Reviews Counted:158

Fresh:144

Rotten:14

Average Rating:7.7/10

Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.

Rated: 15

Runtime: 2 hrs 1 min

Genre: Comedies

Theatrical Release:25-08-2006

Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz

Director: Pedro Almodovar

Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics

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Reviews for Volver

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1 - 20 (sorted by fresh rating; UK critics are listed first)
Text View | 1 2 3 4 5 6 7 8 9 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

...It’s some achievement that the film is both funnier and more moving on repeated viewing, when its pervasive dramatic ironies emerge.

Full Review Source: Time Out | comment Comment
08/24/06
Ben Walters
Ben Walters
Time Out
Top Critic Icon Top Critic

A mature and beautifully told tale of family and the ghosts that haunt us.

Full Review Source: Empire Magazine | comment 1 Comment
08/22/06
Helen OHara
Helen OHara
Empire Magazine
Top Critic Icon Top Critic

The humour and the heartstring-pulling hit the mark, as do most of the cast, not least Cruz.

Full Review Source: BBC | comment Comment
08/22/06
Matthew Leyland
Matthew Leyland
BBC
Top Critic Icon Top Critic

Penelope Cruz has never looked more beautiful and she gives a sensational, career best performance as Raimunda.

Full Review Source: ViewLondon | comment Comment
08/24/06
Matthew Turner
Matthew Turner
ViewLondon

A touching, beautifully plotted film, full of memorable images and jokes, it zips along without a wasted second in its 121 minutes.

Full Review Source: Observer [UK] | comment Comment
08/26/06
Philip French
Philip French
Observer [UK]

A deeply resonant, thought-provoking story about how making sense of the past can help clarify our present and future.

Full Review Source: FilmFocus | comment Comment
09/02/06
Rich Cline
Rich Cline
FilmFocus

Almodovar infuses proceedings with a horrible sense of self-satisfaction and also has a disconcerting habit of lots of lingering, leery shots of his lead actresses’ bodies, including a pervy close-up of a teenage girl’s groin.

Full Review Source: Daily Mirror [UK] | comment 4 Comments
08/25/06
David Edwards
David Edwards
Daily Mirror [UK]

Though it may seem churlish to knock a film-maker whose only crime has been a naked desire to please audiences, Volver really is one of Pedro Almodóvar's weaker efforts.

Full Review Source: Sight and Sound | comment 1 Comment
09/28/06
Peter Matthews
Peter Matthews
Sight and Sound

Click to read the article

Full Review Source: Film Threat | comment Comment
04/16/07
Film Threat

Pedro Almodóvar has made yet another picture that moves beyond camp into a realm of wise, luxuriant humanism.

comment Comment
11/02/06
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

It's up to charm to twinkle our attention away from the loose threads and daytime TV plotting.

Full Review Source: I.E. Weekly | comment Comment
07/02/09
Amy Nicholson
Amy Nicholson
I.E. Weekly

[A] gritty melodrama tempered by surreal black humor.

Full Review Source: Chicago Reader | comment Comment
12/21/06
Andrea Gronvall
Andrea Gronvall
Chicago Reader

The late François Truffaut was frequently described as a filmmaker who loved women, but not even Monsieur Truffuat could come close to Señor Almodóvar in his intelligent, perceptive and creative appreciation of women in Volver.

Full Review Source: New York Observer | comment Comment
11/08/06
Andrew Sarris
Andrew Sarris
New York Observer

The characters' situations may be dire, but Almodóvar knows how to present them in a way that is humorous without ever seeming condescending.

Full Review Source: Los Angeles CityBeat | comment Comment
11/02/06
Andy Klein
Andy Klein
Los Angeles CityBeat

Spanish director Pedro Almodóvar always has fun toying with our perceptions and expectations and does it yet again with Volver, a darkly comic look at mortality and family secrets.

Full Review Source: Arizona Republic | comment Comment
12/21/06
Bill Muller
Bill Muller
Arizona Republic

Volver is really Cruz's coronation as the Spanish Sophia Loren.

Full Review Source: Los Angeles Daily News | comment Comment
11/03/06
Bob Strauss
Bob Strauss
Los Angeles Daily News

Typically unpredictable Almodovar surprise, but this time it's enjoyable.

Full Review Source: Denton Record Chronicle (TX) | comment Comment
12/22/06
Boo Allen
Boo Allen
Denton Record Chronicle (TX)

Cruz has never been better or looked lovelier. The same could be said of Almodovar (well, at least the talent part).

Full Review Source: european-films.net | comment Comment
05/23/06
Boyd van Hoeij
Boyd van Hoeij
european-films.net

Pedro Almodovar's Volver is amazingly bright, fresh and clean for a film dealing with murder, adultery, incest, malignant disease and the occasional supernatural apparition.

Full Review Source: BrandonFibbs.com | comment Comment
02/28/08
Brandon Fibbs
Brandon Fibbs
BrandonFibbs.com

what we have here is an at-times plaintive love letter to women: a paean to their humor, their loyalty, and especially their ability to survive their encounters with cheating, lying fornicators who employ their penises as weapons of submission.

Full Review Source: New York Theatre Wire | comment Comment
08/13/06
Brandon Judell
Brandon Judell
New York Theatre Wire
 
 
1 - 20 (sorted by fresh rating; UK critics are listed first)
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