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Volver

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Volver (2006)

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Reviews Counted:158

Fresh:144

Rotten:14

Average Rating:7.7/10

Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.

Rated: 15

Runtime: 2 hrs 1 min

Genre: Comedies

Theatrical Release:25-08-2006

Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz

Director: Pedro Almodovar

Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics

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Reviews for Volver

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41 - 60 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

It's clever and entertaining. It's marvelously deft, but never daffy. It works well enough, despite feeling like the most conventional film this great, envelope-pushing Spanish director has ever made.

Full Review Source: Orlando Sentinel | comment Comment
01/19/07
Roger Moore
Roger Moore
Orlando Sentinel

Although no director has ever been as fascinated with and supportive of women as Almodóvar, in Volver he outdoes himself. Though the plot is fictitious, the characters are designed as a memory and tribute to the women in Almodóvar's childhood.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
01/19/07
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

A light, charming comedy with three murders and a death.

Full Review Source: Laramie Movie Scope | comment Comment
01/18/07
Robert Roten
Robert Roten
Laramie Movie Scope

The unpredictable way all these stories begin to weave together makes it impossible to know where Volver is going until the final act. But it’s the exploration of the ties that bind mothers to daughters that offers the real substance.

Full Review Source: Orlando Weekly | comment Comment
01/18/07
Cole Haddon
Cole Haddon
Orlando Weekly

I'm not supposed to say this, as a woman, as a film critic, and particularly as a woman film critic, but I'm not a fan of Pedro Almodóvar.

Full Review Source: Flick Filosopher | comment Comment
01/17/07
MaryAnn Johanson
MaryAnn Johanson
Flick Filosopher

Almodovar finds unusual camera angles to break up the straightforward storytelling. But for the first time I recall, not a single male character is crucial to his story, and no actor has a leading role. You won't miss them.

Full Review Source: Charlotte Observer | comment Comment
01/12/07
Lawrence Toppman
Lawrence Toppman
Charlotte Observer

Volver shifts effortlessly from suspense to pathos to giddy humor; the cast members negotiate all these changes while delivering low-keyed, reality-rooted performances.

Full Review Source: Kansas City Star | comment Comment
01/12/07
Robert W. Butler
Robert W. Butler
Kansas City Star

The film is realistic, yet Almodóvar’s touch of the absurd and the madcap infiltrate everything that occurs while his candy-colored visual palette lends a brightness to what in other hands might have taken the form of a sordid tale.

Full Review Source: Austin Chronicle | comment Comment
01/11/07
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

[Almodóvar] raises some intriguing and moving ideas in Volver, but the plot strands are not woven tightly together, remaining loose and frayed. It's a shame, because the potential was there for a great film. Instead, we merely get a good one.

Full Review Source: Murphy's Movie Reviews | comment Comment
01/11/07
Ted Murphy
Ted Murphy
Murphy's Movie Reviews

Almodovar's in a playful mood here, yet there's no mistaking the seriousness with which he takes the movie's theme of empowerment through sisterhood.

Full Review Source: Creative Loafing | comment Comment
01/11/07
Matt Brunson
Matt Brunson
Creative Loafing

By the time it gets back to Raimunda and Paula and their never-too-heavy plight you've all but forgotten about them, and really couldn't care much either.

Full Review Source: Film Threat | comment 4 Comments
01/02/07
Graham Rae
Graham Rae
Film Threat

Moderately enjoyable, but a step back rather than forward.

Full Review Source: One Guy's Opinion | comment Comment
12/31/06
Frank Swietek
Frank Swietek
One Guy's Opinion
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
12/30/06
St. Louis Post-Dispatch
N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
12/30/06
Sydney Morning Herald

It is an impossible hybrid, (in the words of at least one observer) an epic comedy.

Full Review Source: culturevulture.net | comment Comment
12/30/06
Les Wright
Les Wright
culturevulture.net

Far and away the best and most convincing work that she has ever done.

Full Review Source: eFilmCritic.com | comment Comment
12/30/06
Peter Sobczynski
Peter Sobczynski
eFilmCritic.com

Pedro Almodóvar whipstitches a movie from patches of those mother-daughter melodramas Mildred Pierce, Bellissima and Two Women and makes it seamless and original, funny as it is fierce, breathtaking as it is life-affirming.

Full Review Source: Philadelphia Inquirer | comment Comment
12/28/06
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer

Once Almodovar gets all the nasty men out of the picture, he's free to create his utopia of women, whose chronic widowhood must have been achieved by boring their husbands to death.

Full Review Source: Boulder Weekly | comment Comment
12/26/06
Thomas Delapa
Thomas Delapa
Boulder Weekly

A rare success in the overcrowded (with formulaic disappointments) field of movies about estranged mothers and daughters who, at last, find a way to understand each other.

Full Review Source: Philadelphia Daily News | comment 3 Comments
12/22/06
Gary Thompson
Gary Thompson
Philadelphia Daily News

Whatever the director asks of Cruz she delivers with poise and sincerity. It's easily her finest work, and one of the year's best performances.

Full Review Source: Oregonian | comment Comment
12/22/06
Shawn Levy
Shawn Levy
Oregonian
 
 
41 - 60 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
all

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