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Volver

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Volver (2006)

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Reviews Counted:158

Fresh:144

Rotten:14

Average Rating:7.7/10

Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.

Rated: 15

Runtime: 2 hrs 1 min

Genre: Comedies

Theatrical Release:25-08-2006

Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz

Director: Pedro Almodovar

Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics

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Reviews for Volver

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81 - 100 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

Almodóvar has described Volver as a blend of Mildred Pierce and Arsenic and Old Lace, which is to say essentially urgent but wry.

Full Review Source: FilmStew.com | comment Comment
12/15/06
Brent Simon
Brent Simon
FilmStew.com

Volver is one of his most self-assured works, nestled into a style and filmmaking breadth that has officially become synonymous with the Almodovar brand.

Full Review Source: DVDTalk.com | comment Comment
12/15/06
Brian Orndorf
Brian Orndorf
DVDTalk.com

Volver has it all: comedy, drama, Penelope Cruz, death and unexpected life, perfectly strung together with a little old fashioned intrigue.

Full Review Source: About.com | comment Comment
12/13/06
Marcy Dermansky
Marcy Dermansky
About.com

Pedro Almodovar's "Volver" stars Penelope Cruz in a comeback performance that's so good, it recalls the film's title itself. In Spanish, "volver" means "to return," and that's exactly what Cruz has done here. She's fantastic.

Full Review Source: Bangor Daily News (Maine) | comment Comment
12/11/06
Christopher Smith
Christopher Smith
Bangor Daily News (Maine)

If ever there was such a thing as grand melodrama, many of Pedro Almodóvar's works would certainly fit the description, and Volver (accent on the second v and long last syllable) is the grandest of them all.

Full Review Source: Urban Cinefile | comment Comment
12/08/06
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile

Pedro Almodóvar has returned to his abiding, psychologically prescient adoration of women with what is his strongest film in years.

Full Review Source: Film Journal International | comment Comment
12/01/06
David Noh
David Noh
Film Journal International

I am a huge Pedro Almodovar fan, and his latest offering, "Volver", is another gem in his repertoire of films about women.

Full Review Source: Kaplan vs. Kaplan | comment Comment
11/28/06
Jeanne Kaplan
Jeanne Kaplan
Kaplan vs. Kaplan

The movie is almost unbearably slow at times, and it was way too long at a little over two hours.

Full Review Source: Kaplan vs. Kaplan | comment Comment
11/28/06
David Kaplan
David Kaplan
Kaplan vs. Kaplan

Cruz delivers an award worthy performance in this delightful comedy.

Full Review Source: Three Movie Buffs | comment Comment
11/25/06
Scott Nash
Scott Nash
Three Movie Buffs

A feast of colours, swooning camera movements, lushly orchestrated musical cues and meticulously fetishized symbolism.

Full Review Source: Toronto Star | comment Comment
11/24/06
Geoff Pevere
Geoff Pevere
Toronto Star

A celebration of what women can and will do to survive this mortal coil. Penelope Cruz is transformed into a classic woman for all the ages.

Full Review Source: Jam! Movies | comment Comment
11/24/06
Bruce Kirkland
Bruce Kirkland
Jam! Movies

The result is intoxicating; a free-spinning story that's by its end enormously satisfying, creating its own kind of magic.

Full Review Source: Seattle Times | comment Comment
11/22/06
Moira MacDonald
Moira MacDonald
Seattle Times

The women are left to do the best they can. That turns out to be enough to keep you watching through to the final twist -- as unlikely as everything else in this nonetheless extremely likable movie.

Full Review Source: San Francisco Chronicle | comment Comment
11/22/06
Ruthe Stein
Ruthe Stein
San Francisco Chronicle

What a distinctive filmmaker Almodovar has become.

Full Review Source: Chicago Sun-Times | comment Comment
11/22/06
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

One of the amazing things about Volver is that Almodóvar once again manages to make a preposterous, overloaded plot seem sublime and organic.

Full Review Source: Miami Herald | comment Comment
11/22/06
Rene Rodriguez
Rene Rodriguez
Miami Herald

Compared to something as extraordinary as his Talk to Her, Volver may seem like a light little soap opera, but its strength, grace and resiliency should not be underestimated.

Full Review Source: Contra Costa Times | comment Comment
11/22/06
Mary F. Pols
Mary F. Pols
Contra Costa Times

Pity Pedro Almodóvar. He's so good so often that the world has come to expect a masterpiece with every new picture.

Full Review Source: Boston Globe | comment Comment
11/22/06
Wesley Morris
Wesley Morris
Boston Globe

The general rule in Hollywood is that an actress can give either a glamorous performance or an 'important' one. But Pedro Almodovar allows his actresses to do both.

Full Review Source: Sun Publications (Chicago, IL) | comment Comment
11/21/06
Josh Larsen
Josh Larsen
Sun Publications (Chicago, IL)

For all of the film's pleasures, it's missing the daring creativity that distinguishes the director's best work.

Full Review Source: Show Business Weekly | comment Comment
11/21/06
Ethan Alter
Ethan Alter
Show Business Weekly

Is there another male filmmaker who so celebrates the mystery of women as much as Pedro Almodovar? Only maverick director George Cukor similarly delighted in the intricacies and moods of the female sex.

Full Review Source: Seattle Post-Intelligencer | comment Comment
11/21/06
Paula Nechak
Paula Nechak
Seattle Post-Intelligencer
 
 
81 - 100 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
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