The pleasures of the new Pedro Almodovar film Volver, and they are many, have less to do with deep wells of feeling than they do with mastery of craft and a magnificent sort of artifice.
Volver (2006)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:158
Fresh:144
Rotten:14
Average Rating:7.7/10
Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.
Theatrical Release:25-08-2006
Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]
Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo
Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz
Director: Pedro Almodovar
Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics
Reviews for Volver
One excellent performance does not a captivating drama make; this is just a colorful, great-looking but weepy telenovela that will require three cups of coffee to endure.
As perfect moments go, this one was odd and incomplete; and yet, when a plump droplet spilled across Cruz's eyelashes, tears came to me, too.
Almodóvar retorna ao mundo das mulheres com seu talento e sensibilidade particulares e, no processo, retoma também sua habitual paleta de cores, cuja intensidade é proporcional à dos sentimentos que representa."
The late François Truffaut was frequently described as a filmmaker who loved women, but not even Monsieur Truffuat could come close to Señor Almodóvar in his intelligent, perceptive and creative appreciation of women in Volver.
[Almodóvar's] once-kitschy obsession with color and surface continues to deepen into a big, bold, almost painterly style.
Almodovar delves deep into the darkness of a woman's maternal instincts, finding alternate humor and harrowing emotion in one of the year's most fascinating films.
Cruz is glorious to watch here, all voluptuous emotion and energy, a sure fire Best Actress nominee.
Though its humble pleasures give cause to pause and reflect on the Spanish filmmaker's occasionally overpraised output, Volver is a diverting melodrama...
Almodóvar is still one of the few directors worth watching just for how he uses color on the screen. But the pleasures have always run much deeper, and now they run deeper still.
Crammed with outrageous turns of fortune and quicksilver shifts in tone, Almodovar's film is held together by performances so subtle and complex it's hard to single out only one as exceptional.
In another director's hands, Volver could have been as heavy-handed as those films, yet Almodovar maintains a buoyant, lighthearted, and often comic mood.
Almodóvar is a great filmmaker, and his skills remain intact -- Volver is polished, well-acted, completely personal cinema. Yet it still feels slight -- more a tapas than a meal.
Almodóvar milks this premise for all it's worth with witty dialogue, terrific performances -- and less-flamboyant-than-usual visuals that are still a red-accented treat for the eye.
For a black comedy whose tangled sequence of events is completely improbable, Pedro Almodóvar's Volver feels absolutely authentic. So, think of everything as metaphor and enjoy one of the year's most delectably twisted treats.
Latest News for Volver
May 20, 2009:
Cannes 2009: The Tomato Report – Almodovar's Broken Embraces a Comfortable Favourite
Pedro Almodovar is a firm favourite in Cannes, so it's no surprise to see his new film Broken Embraces receiving largely positive reviews from the assembled critics. The... More...
May 10, 2009:
Cannes 2009: RT's 10 Most Anticipated Movies
The Cannes Film Festival will screen nearly 100 films as part of its Official Selection and associated sidebars when it kicks off next week in the Southern France town. The... More...
January 30, 2007:
SAG Award Winners Revealed, Oscar Predicting Hits Full Steam
Known as a big predictor of what'll go down Oscar night, the Screen Actors Guild Awards ceremony took place last Sunday to a rapturous Hollywood crowd without a hitch (or... More...
January 29, 2007:
Box Office Guru Wrapup: "Epic Movie" Conquers Box Office
Proving that there's always money in spoof comedies, Fox's "Epic Movie" shot straight to number one over the weekend in its debut frame beating out three other new... More...
More DVDs
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
What’s Hot On RT
Other News
Sponsored Links
Fresh Links
Featured

Subscribe to RT's YouTube channel and don't miss a second of our cracking video content.

Follow Rotten Tomatoes and join us as we tweet about the week's releases.





