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Movies / On DVD / Volver
Volver

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Volver (2006)

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Reviews Counted:158

Fresh:144

Rotten:14

Average Rating:7.7/10

Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.

Rated: 15

Runtime: 2 hrs 1 min

Genre: Comedies

Theatrical Release:25-08-2006

Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz

Director: Pedro Almodovar

Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics

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Reviews for Volver

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101 - 120 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

The pleasures of the new Pedro Almodovar film Volver, and they are many, have less to do with deep wells of feeling than they do with mastery of craft and a magnificent sort of artifice.

Full Review Source: Chicago Tribune | comment Comment
11/21/06
Michael Phillips
Michael Phillips
Chicago Tribune

One excellent performance does not a captivating drama make; this is just a colorful, great-looking but weepy telenovela that will require three cups of coffee to endure.

Full Review Source: Metromix.com | comment 1 Comment
11/21/06
Matt Pais
Matt Pais
Metromix.com

From start to finish, there is just nothing to Volver.

Full Review Source: Internet Reviews | comment 7 Comments
11/21/06
Steve Rhodes
Steve Rhodes
Internet Reviews

Almodovar is back! Not that he ever actually left....

Full Review Source: Greenwich Village Gazette | comment Comment
11/20/06
Eric Lurio
Eric Lurio
Greenwich Village Gazette

As perfect moments go, this one was odd and incomplete; and yet, when a plump droplet spilled across Cruz's eyelashes, tears came to me, too.

Full Review Source: Nation | comment Comment
11/11/06
Stuart Klawans
Stuart Klawans
Nation
N/R

Click to read the article

Full Review Source: Entertainment Insiders | comment Comment
11/11/06
Jonathan W. Hickman
Jonathan W. Hickman
Entertainment Insiders

Almodóvar retorna ao mundo das mulheres com seu talento e sensibilidade particulares e, no processo, retoma também sua habitual paleta de cores, cuja intensidade é proporcional à dos sentimentos que representa."

Full Review Source: Cinema em Cena | comment Comment
11/10/06
Pablo Villaca
Pablo Villaca
Cinema em Cena

The late François Truffaut was frequently described as a filmmaker who loved women, but not even Monsieur Truffuat could come close to Señor Almodóvar in his intelligent, perceptive and creative appreciation of women in Volver.

Full Review Source: New York Observer | comment Comment
11/08/06
Andrew Sarris
Andrew Sarris
New York Observer

It’s very moving, It’s beautifully done.

Full Review Source: Ebert & Roeper | comment Comment
11/06/06
Richard Roeper
Richard Roeper
Ebert & Roeper

[Almodóvar's] once-kitschy obsession with color and surface continues to deepen into a big, bold, almost painterly style.

Full Review Source: Slate | comment Comment
11/06/06
Dana Stevens
Dana Stevens
Slate

Almodovar delves deep into the darkness of a woman's maternal instincts, finding alternate humor and harrowing emotion in one of the year's most fascinating films.

Full Review Source: IGN Movies | comment Comment
11/05/06
Todd Gilchrist
Todd Gilchrist
IGN Movies

Cruz is glorious to watch here, all voluptuous emotion and energy, a sure fire Best Actress nominee.

Full Review Source: Reeling Reviews | comment Comment
11/04/06
Laura Clifford
Laura Clifford
Reeling Reviews

Though its humble pleasures give cause to pause and reflect on the Spanish filmmaker's occasionally overpraised output, Volver is a diverting melodrama...

Full Review Source: Groucho Reviews | comment Comment
11/03/06
Peter Canavese
Peter Canavese
Groucho Reviews

Almodóvar is still one of the few directors worth watching just for how he uses color on the screen. But the pleasures have always run much deeper, and now they run deeper still.

Full Review Source: AV Club | comment Comment
11/03/06
Keith Phipps
Keith Phipps
AV Club

Crammed with outrageous turns of fortune and quicksilver shifts in tone, Almodovar's film is held together by performances so subtle and complex it's hard to single out only one as exceptional.

Full Review Source: TV Guide's Movie Guide | comment Comment
11/03/06
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

You do not want to miss this one.

Full Review Source: Rolling Stone | comment Comment
11/03/06
Peter Travers
Peter Travers
Rolling Stone

In another director's hands, Volver could have been as heavy-handed as those films, yet Almodovar maintains a buoyant, lighthearted, and often comic mood.

Full Review Source: Reel.com | comment Comment
11/03/06
Pam Grady
Pam Grady
Reel.com

Almodóvar is a great filmmaker, and his skills remain intact -- Volver is polished, well-acted, completely personal cinema. Yet it still feels slight -- more a tapas than a meal.

Full Review Source: Newark Star-Ledger | comment Comment
11/03/06
Stephen Whitty
Stephen Whitty
Newark Star-Ledger

Almodóvar milks this premise for all it's worth with witty dialogue, terrific performances -- and less-flamboyant-than-usual visuals that are still a red-accented treat for the eye.

Full Review Source: New York Post | comment Comment
11/03/06
Lou Lumenick
Lou Lumenick
New York Post

For a black comedy whose tangled sequence of events is completely improbable, Pedro Almodóvar's Volver feels absolutely authentic. So, think of everything as metaphor and enjoy one of the year's most delectably twisted treats.

Full Review Source: New York Daily News | comment Comment
11/03/06
Jack Mathews
Jack Mathews
New York Daily News
 
 
101 - 120 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
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