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Volver

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Volver (2006)

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Reviews Counted:158

Fresh:144

Rotten:14

Average Rating:7.7/10

Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.

Rated: 15

Runtime: 2 hrs 1 min

Genre: Comedies

Theatrical Release:25-08-2006

Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz

Director: Pedro Almodovar

Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics

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Reviews for Volver

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121 - 140 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

Volver is really Cruz's coronation as the Spanish Sophia Loren.

Full Review Source: Los Angeles Daily News | comment Comment
11/03/06
Bob Strauss
Bob Strauss
Los Angeles Daily News

A women's film -- about women, fueled by the instincts of women -- that doesn't resort to obvious melodrama or push-button emotions.

Full Review Source: Window to the Movies | comment Comment
11/02/06
Jeffrey Chen
Jeffrey Chen
Window to the Movies

...for a couple of hours, I was transported to Pedro's Spain.

Full Review Source: Reeling Reviews | comment Comment
11/02/06
Robin Clifford
Robin Clifford
Reeling Reviews

From the very first shot of Volver... you know you're in masterful hands.

Full Review Source: Wall Street Journal | comment Comment
11/02/06
Joe Morgenstern
Joe Morgenstern
Wall Street Journal

Volver is suspenseful, clever, gently funny and always emotionally resonant.

Full Review Source: USA Today | comment Comment
11/02/06
Claudia Puig
Claudia Puig
USA Today

Like most homecomings (or at least most good ones), Pedro Almodóvar's Volver is warm, emotional and forever on the brink of tears -- peppered with bouts of pique, old resentments that flare up and moments of intense and lyrical longing.

Full Review Source: Los Angeles Times | comment Comment
11/02/06
Carina Chocano
Carina Chocano
Los Angeles Times
Top Critic Icon Top Critic

Pedro Almodóvar has made yet another picture that moves beyond camp into a realm of wise, luxuriant humanism.

comment Comment
11/02/06
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

I have always felt that Almodóvar was at his best as an artist when he was at his most playful. Volver is about deadly serious matters of the heart, but it often has a screwball spirit. The darker things are, the funnier.

Full Review Source: Christian Science Monitor | comment Comment
11/02/06
Peter Rainer
Peter Rainer
Christian Science Monitor

[A] vibrant film that’s pure class, pure imagination and pure Almodovar.

Full Review Source: Associated Press | comment Comment
11/02/06
David Germain
David Germain
Associated Press

Cruz has never been more radiant and funny: Comparisons to Sophia Loren in her Vittorio DeSica heyday are flying about, and richly warranted.

Full Review Source: Newsday | comment Comment
11/02/06
Jan Stuart
Jan Stuart
Newsday

The movie is enjoyable, but not passionately engaging in the way we’ve come to expect from Almodóvar, and it leaves you somewhat cold in spite of the warmth of Cruz’s galvanic performance.

Full Review Source: L.A. Weekly | comment Comment
11/02/06
Scott Foundas
Scott Foundas
L.A. Weekly

The characters' situations may be dire, but Almodóvar knows how to present them in a way that is humorous without ever seeming condescending.

Full Review Source: Los Angeles CityBeat | comment Comment
11/02/06
Andy Klein
Andy Klein
Los Angeles CityBeat

Once again, the director confronts women on the verge of a nervous breakdown in a film full of humor and affection.

Full Review Source: New York Observer | comment Comment
11/01/06
Rex Reed
Rex Reed
New York Observer

Watching Volver, Pedro Almodóvar's latest poker-faced extravagance, you realize just how far his women have come from the days when they were living on the verge of a nervous breakdown.

Full Review Source: Entertainment Weekly | comment Comment
11/01/06
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly

Almodóvar's generous vision isn't just unique, it's color-coordinated.

Full Review Source: Newsweek | comment Comment
10/31/06
David Ansen
David Ansen
Newsweek

Although Volver has a tendency to stray too far down tangential paths, it is ultimately satisfying.

Full Review Source: ReelViews | comment Comment
10/31/06
James Berardinelli
James Berardinelli
ReelViews

Red, in every conceivable shade, is, not surprisingly, a key color in Volver, a movie about the towering virtues of high heels and the indomitable power of good old 35mm celluloid.

Full Review Source: Village Voice | comment Comment
10/31/06
Rob Nelson
Rob Nelson
Village Voice

Will leave you with a smile on your face and a tear in your eye that cinema can be this gorgeous and glorious.

Full Review Source: ComingSoon.net | comment Comment
10/31/06
Edward Douglas
Edward Douglas
ComingSoon.net

What a run this millennium for Pedro Almodóvar: one strange and fabulous feature after the next, each in a different style, each so deftly controlled that you hardly register its subversiveness until after you’ve been hooked by its story.

Full Review Source: New York Magazine | comment Comment
10/30/06
David Edelstein
David Edelstein
New York Magazine

...The film, against my wishes, left me unmoved.

Full Review Source: New Yorker | comment Comment
10/30/06
Anthony Lane
Anthony Lane
New Yorker
 
 
121 - 140 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
all

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