One of Almodóvar's more subdued works, 'Volver' mixes genres but in the end achieves neither serious drama nor serious comedy.
Volver (2006)
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Reviews Counted:158
Fresh:144
Rotten:14
Average Rating:7.7/10
Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.
Theatrical Release:25-08-2006
Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]
Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo
Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz
Director: Pedro Almodovar
Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics
Reviews for Volver
the mad spark which is Almodóvar's alone is only improving with each passing film
Volver admittedly remains a rather slight work, neither as flashy nor as wildly unpredictable as his past few films, preferring instead a quieter elegance and more intimate tone than Almodóvar’s more elastic marvels of screenwriting architecture.
Touches the heart with its wonderful portraits of Spanish women whose nurturing and loving powers are a stay against the powers of violence and death.
This is a movie about mothers and children that dispatches with the usual goopy sentiment. Volver reassures us that you can go home again -- if only in the movies.
The characters in Volver are complexly drawn, with intricate relationships and motivations. Even the theme of death is more than it seems on the surface.
Volver (roughly translated: "To Return") is a magical film, but that magic is in the filmmaking [...] itself.
What seem like needlessly digressive plot strands in the first hour are eventually knitted into a moving melodrama.
A tale of sisterhood, told with playful affection and abiding gratitude.
The story is too conventional, ghostly presence notwithstanding, but watch Penelope Cruz's best performance to date.
Almodovar-land may not be as familiar as Hollywoodland but give it a chance and you'll apply for a passport.
There's enough intrigue and good humor that you barely mind the clichés, the misdirection, and the easy capitulation to formula.
...there's a lot here that works, but there's far more that's simply interminable.
Proves to be one of Almodóvar's most temperamentally restrained efforts, though such a muted tone doesn't detract from its emotional power.
Pedro Almodóvar regresa a terrenos familiares: La Mancha, la comedia, la fortaleza femenina y, por supuesto, Carmen Maura. Un regreso esperado y satisfactorio.
Mildred Pierce won Joan Crawford an Oscar, and Almodóvar's quaint riff on the Michael Curtiz classic may do the same for Penélope Cruz.
what we have here is an at-times plaintive love letter to women: a paean to their humor, their loyalty, and especially their ability to survive their encounters with cheating, lying fornicators who employ their penises as weapons of submission.
One of the few artistic highlights in Cannes Fest, Volver finds Almodovar in top form with a personal movie that celebrates powerful mothers, while paying tribute to Italian neo-relaism and the strong heroines played by Anna Magnani and Sophia Loren.
Volver (literally, 'to return') finds Spain's favorite cinematic son Pedro Almodovar at the peak of his powers.
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