Gabriel Byrne gives a great performance as Ralph’s troubled father, Harry, and Miranda Richardson and Emily Watson are enjoyable as Harry’s wife and American lover.
Wah-Wah (2006)
Tomatometer
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Reviews Counted:66
Fresh:34
Rotten:32
Average Rating:5.9/10
Consensus: The ensemble cast is strong, but they get overpowered by the muddled stew of melodrama.
Theatrical Release:02-06-2006
Synopsis: Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the... Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the British Empire in Swaziland, South East Africa, in 1969, the plot focuses on the dysfunctional Compton family whose gradual disintegration mirrors the end of British rule. As an 11-year-old, Ralph witnesses his mother's adultery with his father's best friend. His parents divorce and Ralph is sent to boarding school. His father, Harry (Gabriel Byrne), not only loses his wife (Miranda Richardson) and best friend, but also his position as Minister of Education with the coming of Independence, prompting his rapid descent into alcoholism. Now 14, Ralph (Nicholas Hoult) returns home to discover that his father has re-married an American ex-air "hostess" named Ruby whom his father has known all of six weeks. As round a peg as you could find in this square holed society, Ruby (Emily Watson) ridicules the petty snobbery of the restless colonials whose chief amusements are gin, adultery, and their foppish slang of "toodle-pip" and "hobbly-jobbly" - that Ruby identifies as sounding like "Wah-Wah." Although Ralph is initially wary of Ruby, he bonds with her as his father's drinking escalates and becomes dangerously out of control. It's this chaos that stokes Ralph's inner turmoil, and eventually forges his creative mind. --© Roadside Attractions [More]
Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters
Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters, Nicholas Hoult, Celia Imrie
Director: Richard E. Grant
Director: Richard E. Grant
Screenwriter: Richard E. Grant
Producer: Marie-Castille Mention-Schaar
Composer: Patrick Doyle
Studio: Samuel Goldwyn Films
Reviews for Wah-Wah
An unforced, engaging and surprisingly incisive account of the disintegration of British rule in Africa.
Engaging, deeply personal film with strong performances and impressive cinematography - this is an assured debut by Grant.
It's a remarkable ode to both an imperfect father and an emerging nation.
The only feeling it successfully provokes is annoyance. By the time it's over, you feel like slapping some sense into the lot of them.
As a story, Wah-Wah is far from perfect, but its wonderful cast brings it a complexity all too rare today.
A perfectly respectable filmmaking debut, Wah-Wah simply leaves us feeling that there could have been more to the story.
Above all, the film has a wonderful sense of ensemble in the portrayal of its inbred community, and the focus stays tight on the people rather than political events.
Grant's unblinking but sympathetic depiction of this emotionally unhinged world makes the viewer feel like an illicit, enlightened gawker, and it has the enormous fringe benefit of fine performers.
What the movie lacks in depth -- it's really little more than a glimpse of this boy and these people in this place at this time -- it makes up for in its well-observed details and sneaky humor.
Rare is the honest labor of love that doesn't have some redeeming value, and Wah-Wah ultimately wins you over with its sincerity.
An incisively observed, richly detailed and wonderfully unpredictable portrait of a young man's journey to maturity,...a singularly affecting movie.
Grant is an impressively assured filmmaker, especially for a first-timer.
Grant captures the essence both of boyhood rites of passage and a particular time and place for which he clearly holds affection, bumps, ruts and all.
Switching hats from actor to writer/director, Grant smoothly serves up everything you expect in a coming-of-age tale.
Latest News for Wah-Wah
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