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Movies / On DVD / Wah-Wah
Wah-Wah

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Wah-Wah (2006)

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Reviews Counted:66

Fresh:34

Rotten:32

Average Rating:5.9/10

Consensus: The ensemble cast is strong, but they get overpowered by the muddled stew of melodrama.

Rated: 15

Runtime: 1 hr 40 mins

Genre: Dramas

Theatrical Release:02-06-2006

Synopsis: Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the... Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the British Empire in Swaziland, South East Africa, in 1969, the plot focuses on the dysfunctional Compton family whose gradual disintegration mirrors the end of British rule. As an 11-year-old, Ralph witnesses his mother's adultery with his father's best friend. His parents divorce and Ralph is sent to boarding school. His father, Harry (Gabriel Byrne), not only loses his wife (Miranda Richardson) and best friend, but also his position as Minister of Education with the coming of Independence, prompting his rapid descent into alcoholism. Now 14, Ralph (Nicholas Hoult) returns home to discover that his father has re-married an American ex-air "hostess" named Ruby whom his father has known all of six weeks. As round a peg as you could find in this square holed society, Ruby (Emily Watson) ridicules the petty snobbery of the restless colonials whose chief amusements are gin, adultery, and their foppish slang of "toodle-pip" and "hobbly-jobbly" - that Ruby identifies as sounding like "Wah-Wah." Although Ralph is initially wary of Ruby, he bonds with her as his father's drinking escalates and becomes dangerously out of control. It's this chaos that stokes Ralph's inner turmoil, and eventually forges his creative mind. --© Roadside Attractions [More]

Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters

Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters, Nicholas Hoult, Celia Imrie

Director: Richard E. Grant

Director: Richard E. Grant
Screenwriter: Richard E. Grant
Producer: Marie-Castille Mention-Schaar
Composer: Patrick Doyle
Studio: Samuel Goldwyn Films

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Reviews for Wah-Wah

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41 - 60 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

Although it's clearly a personal story, Wah-Wah proves as formulaic and meandering as its satirical targets are bloated and obvious.

Full Review Source: Zap2it.com | comment Comment
05/13/06
Dan Fienberg
Dan Fienberg
Zap2it.com

The sort of film that's obviously deeply meaningful to the filmmaker, but he fails to make it particularly meaningful to you.

Full Review Source: AboutFilm.com | comment Comment
05/13/06
Carlo Cavagna
Carlo Cavagna
AboutFilm.com

Though the raw material is juicy stuff, the details and the larger picture never come together and the cast is uneven.

Full Review Source: TV Guide's Movie Guide | comment Comment
05/12/06
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

Decadence as metaphor for decadence, how original.

Full Review Source: Entertainment Insiders | comment Comment
05/12/06
Eric Lurio
Eric Lurio
Entertainment Insiders

The film plays like a scattered collection of memories rather than a straight story. The emotional and political aspects of the movie never converge to make a point.

Full Review Source: Newark Star-Ledger | comment Comment
05/12/06
Lisa Rose
Lisa Rose
Newark Star-Ledger

The story lacks focus. The senses blur as wives and ex-wives come and go, and Harry regularly falls off the wagon, only to reform the next day.

Full Review Source: New York Post | comment Comment
05/12/06
V.A. Musetto
V.A. Musetto
New York Post

As a story, Wah-Wah is far from perfect, but its wonderful cast brings it a complexity all too rare today.

Full Review Source: New York Magazine | comment Comment
05/12/06
Bilge Ebiri
Bilge Ebiri
New York Magazine

Grant captures the essence both of boyhood rites of passage and a particular time and place for which he clearly holds affection, bumps, ruts and all.

Full Review Source: New York Daily News | comment Comment
05/12/06
Jami Bernard
Jami Bernard
New York Daily News

Grant opens up his life, not with embarrassment or explanation but with humanity and gratitude. Emotional, melodramatic and sentimental, the film unabashedly wears its heart on its sleeve, and is the better for it.

Full Review Source: Los Angeles Times | comment Comment
05/12/06
Kevin Crust
Kevin Crust
Los Angeles Times
Top Critic Icon Top Critic

A perfectly respectable filmmaking debut, Wah-Wah simply leaves us feeling that there could have been more to the story.

Full Review Source: Los Angeles Daily News | comment Comment
05/12/06
Bob Strauss
Bob Strauss
Los Angeles Daily News

A lovably eccentric actor, Mr. Grant has created a lovably eccentric dramady.

Full Review Source: Dallas Morning News | comment Comment
05/12/06
Philip Wuntch
Philip Wuntch
Dallas Morning News

Theatrical in the worst possible way. People are so busy shouting out abuse, or delivering it, that you wonder if the entire cast is somehow hard of hearing.

Full Review Source: Boxoffice Magazine | comment Comment
05/12/06
Kevin Courrier
Kevin Courrier
Boxoffice Magazine

The film has that Merchant-Ivory look and feel to it (which means grade A cinematography, a first-rate British cast, and a scandal).

Full Review Source: TheMovieChicks.com | comment Comment
05/12/06
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

Grant's unblinking but sympathetic depiction of this emotionally unhinged world makes the viewer feel like an illicit, enlightened gawker, and it has the enormous fringe benefit of fine performers.

Full Review Source: Washington Post | comment Comment
05/11/06
Desson Thomson
Desson Thomson
Washington Post

Set to the death rattle of the British Empire in Africa, Wah-Wah observes the disintegration of the Compton family through the eyes of its young son, Ralph.

comment Comment
05/11/06
Jeannette Catsoulis
Jeannette Catsoulis
New York Times
Top Critic Icon Top Critic

Switching hats from actor to writer/director, Grant smoothly serves up everything you expect in a coming-of-age tale.

Full Review Source: Newsday | comment Comment
05/11/06
Jan Stuart
Jan Stuart
Newsday

As you'd expect, Grant works expertly with a terrific ensemble.

Full Review Source: L.A. Weekly | comment Comment
05/11/06
Ella Taylor
Ella Taylor
L.A. Weekly

Above all, the film has a wonderful sense of ensemble in the portrayal of its inbred community, and the focus stays tight on the people rather than political events.

Full Review Source: Variety | comment Comment
05/11/06
Derek Elley
Derek Elley
Variety
Top Critic Icon Top Critic

[Grant's] ambitions to make a movie about the loss of innocence and the passing of empire are unrealized, but there are some fine grace notes and a few resounding minor chords to be heard along the way.

Full Review Source: Christian Science Monitor | comment Comment
05/11/06
Peter Rainer
Peter Rainer
Christian Science Monitor

Wah-Wah is guilty of numerous crimes: sweeping theme music, meaningful close-ups, endless sunsets, a boatload of quirky supporting characters who fail to entertain.

Full Review Source: About.com | comment Comment
05/11/06
Marcy Dermansky
Marcy Dermansky
About.com
 
 
41 - 60 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 >> >|
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