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Walk on the Wild Side (1962)
Tomatometer
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Reviews Counted:4
Fresh:2
Rotten:2
Average Rating:N/A
Runtime: 1 hr 54 mins
Genre: Dramas
Synopsis: In WALK ON THE WILD SIDE, a drifter from Texas named Dove (Laurence Harvey) heads for New Orleans with attractive, fellow drifter Kitty (Jane Fonda). Once there he finds work with a good-hearted,... In WALK ON THE WILD SIDE, a drifter from Texas named Dove (Laurence Harvey) heads for New Orleans with attractive, fellow drifter Kitty (Jane Fonda). Once there he finds work with a good-hearted, Mexican café owner (Ann Baxter) who falls in love with him. Poor old Dove though, he'd rather hunt after the girl he's been carrying a torch for the last three years--a jaded sculptress named Hallie (Capucine), now working in a brothel run by tough lesbian Jo Courtenay (Barbara Stanwyck). When Dove finally tracks Hallie down, she hides her fallen status from his naive eyes and gradually lets his earnest simplicity win her over, with tragic results. Helped along by beautiful black-and-white photography and a great Elmer Bernstein score, this Edward Dmytryk adaptation of the Nelson Algren novel is hampered by a lack of romantic chemistry between the two leads. Luckily, the rest of the women are amazing: Stanwyck is a great butch bitch, Baxter is superbly earthy, and Fonda is as dangerously gorgeous as the strutting black cat in the memorable Saul Bass designed opening credits. [More]
Starring: Laurence Harvey, Capucine, Jane Fonda, Barbara Stanwyck
Starring: Laurence Harvey, Capucine, Jane Fonda, Barbara Stanwyck, Anne Baxter, Joanna Cook Moore, Richard Rust, Karl Swenson
Director: Edward Dmytryk
Director: Edward Dmytryk
Producer: Charles K. Feldman
Screenwriter: John Fante, Edmund Morris
Composer: Elmer Bernstein
Reviews for Walk on the Wild Side
Sharply uneven, this lurid, intense drams is pseudo Tennessee Williams (say Fugitive Kind), about a Texas drifer and desperate women in his life, but it showcases Stanwyck as a lesbian (one of Hollywood's first) and early signs of Jane Fonda's talent
best known for that marvelous opening credit sequence created by Saul Bass.
Tame by today's standards, but the Saul Bass title sequnce can't be beat.
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