One of the most imaginatively made and individual pieces of work that the audacious Pixar has developed.
WALL-E (2008)
Tomatometer
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Reviews Counted:224
Fresh:215
Rotten:9
Average Rating:8.4/10
Consensus: Charming, audacious, and timely, Wall-E's lighthearted magic and stellar visuals testify once again to Pixar's ingenuity.
Theatrical Release:18-07-2008
Synopsis: Even for Pixar, this might be a first: an animated film that contains not only a fully realized world as photorealistic as it is teeming with wonder, but also the Gargantuan themes and visuals of... Even for Pixar, this might be a first: an animated film that contains not only a fully realized world as photorealistic as it is teeming with wonder, but also the Gargantuan themes and visuals of 2001: A SPACE ODYSSEY, the kind of stripped-down sad-clown pathos reserved for classic Buster Keaton comedies, and one of the most moving love stories in a long time. Director Andrew Stanton kicked up the visual acuity of an already-stellar Pixar Studios in 2003 with his reflective, refractive, color-shimmery realization of FINDING NEMO's oceanic world, which genuinely felt as though it spanned the entire earth. Now, with WALL-E, Stanton replaces an estranged journeyer of an apprehensively fishy disposition with a curious and love-struck robotic one, allowing the quest for eternal love to extend from a desolate, dust-covered, palpably polluted future Earth and into an even more mysterious abyss: the far reaches of outer space. With virtually no dialogue, WALL-E's neatly contained, eerily vaudevillian first act introduces the tragic robot of the title. Whirring amid dilapidated skyscrapers and equally tall compacted trash heaps, he's the last living thing on Earth (aside from a little cockroach friend). WALL-E has developed a tender and inquisitive personality doing what he was built to do--allocate and dispose of human waste--day in and day out for the past 700 years simply because no one turned him off when the human race left the now-hostile planet. Soon though, the directive-oriented automaton Eve comes crashing into WALL-E's life from above, immediately becoming the object of his infatuation. At the drop of a hat, the little guy follows her back into the dangerous unknown, where the sight of two robots gliding through the cosmic ether, dancing via fire-extinguisher propulsion, joins the many memorable moments of a deceptively simple, expansively romantic story. [More]
Starring: Fred Willard, Jeff Garlin, Ben Burtt, Sigourney Weaver
Starring: Fred Willard, Jeff Garlin, Ben Burtt, Sigourney Weaver, John Ratzenberger, Kathy Najimy
Director: Andrew Stanton
Director: Andrew Stanton
Screenwriter: Andrew Stanton, Jim Reardon
Story: Andrew Stanton, Pete Docter
Producer: Jim Morris
Composer: Thomas Newman
Studio: Disney/Pixar
Reviews for WALL-E
Praise Pixar for trying to raise the stakes, but the longer the film goes on the more one appreciates the impact of that amazing first half-hour.
It's probably not right for a greying moviegoer to love a robot, but each R2D2-type beep, rattle and eye roll makes him even more irresistible.
Oddly, the humans have a lot less personality than the machines and the more time we spend in their company, the less fun the film becomes.
It is indeed a hard movie to explain, but a good story told well transcends any age even without words.
The wit, invention and sheer charm of WALL-E will win over anyone with a heart. And maybe, given long enough, even those without.
The confidence and skill with which Stanton's team have extended the parameters of their art form are amazing.
Does Andrew Stanton's film amount to much more than a brilliant aesthetic exercise? I'm not convinced it does.
For once, the artful nods to Huxley, Kubrick and Philip K. Dick are not the preserve of trainspotters.
Another in the long line of Pixar classics -- beautiful, energetic, intelligent, satirical, crammed full of gorgeous design, and genuinely heartwarming.
It's unlikely Mr Bean inspired this tale yet there's a resemblance. WALL.E is for the most part a silent comedy dependent on ingenious sight gags.
This endearing post-apocalyptic romantic adventure never puts a foot wrong.
That it ultimately falls short reflects less a failing than a raising of the bar: when you aim this high, you can beat all the competition even if you fail to set a new world record.
Vastly overrated movie with all the charm of two vacuum cleaners making love.
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