The cert and name suck, but don’t let that put you off. Bashir is history without being hard graft. Immensely moving, the world may stubbornly refuse to move on, but cinema like this can nudge it in the right direction.
Waltz With Bashir
Tomatometer
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Reviews Counted:122
Fresh:117
Rotten:5
Average Rating:8.3/10
Consensus: A wholly innovative, original, and vital history lesson, with pioneering animation, Waltz With Bashir delivers its message about the Middle East in a mesmerizing fashion.
Rated: 18 [See Full Rating] for some disturbing images of atrocities, strong violence, brief nudity and a scene of graphic sexual content.
Genre: Education/General Interest
Theatrical Release:21-11-2008
Synopsis: In reflecting upon his time spent in the Israeli army, filmmaker Ari Folman has produced WALTZ WITH BASHIR, a profoundly moving antiwar meditation that is equal parts personal memoir, history... In reflecting upon his time spent in the Israeli army, filmmaker Ari Folman has produced WALTZ WITH BASHIR, a profoundly moving antiwar meditation that is equal parts personal memoir, history lesson, and animated fever dream. In 1982, Folman was a soldier during Israel's first invasion of Lebanon. This was a painful moment in history, when the newly elected president of Lebanon, Bashir Gemayel, was killed in an explosion. Furious, his party, the Christian Phalangists, retaliated by storming into the Sabra and Shatila refugee camps and massacring thousands of innocent victims. Over 20 years later, Folman is disturbed to realize that he has no memory of this incident even though he was there at the time. In order to remember, he tracks down several of his friends and soldiers who were there with him to find out what really happened. WALTZ WITH BASHIR is as difficult to categorize as it is to forget. It is a truly startling achievement, a film that can be classified as animation and documentary and history and fiction. It is all of those things at once, and it is also much more than that. Folman uses a combination of Flash animation, 3D, and classic animation to bring his film to visual life, but it is the beautifully haunting score by acclaimed German composer Max Richter that provides the film with its heart and soul. As WALTZ WITH BASHIR unfolds in dreamlike waves, Folman understands that guilt is a dangerous thing, and war is even worse. [More]
Director: Ari Folman
Director: Ari Folman
Screenwriter: Ari Folman
Producer: , Serge Lalou, Gerhard Meixner, Roman Paul
Composer: Max Richter
Studio: Sony Pictures Classics
Reviews for Waltz With Bashir
A powerfully ambiguous meditation on personal and collective avoidance.
In this animated 'leisure trip' back through an atrocity, the nightmarish hell of war assumes a new kind of reality. Devastatingly good.
It's undeniably distinctive, and anyone interested in the unconventional end of animation should take a look.
It’s messy and unusual, not always gratifying, sometimes frustrating, always compelling.
Painting each frame of Waltz With Bashir took almost four years and many doubted it could be done. But there is no question that the result is one of the most resonant films of its year from any source, and quite probably a landmark in animation.
As calm and thoughtful a history lesson as ever needed to be taught, Waltz With Bashir is a moving picture in every sense.
The power of the film is the cartoon “shield” between the witness and the audience. It has the unsettling effect of intensifying the trauma.
A beautifully animated, superbly directed documentary that is both deeply moving and utterly mesmerising.
An investigative war documentary done as an animated feature is a pioneering concept, powerfully realised.
An extraordinary film - a military sortie into the past in which both we and Folman are embedded like traumatised reporters.
Quite possibly the first-ever feature animated documentary, this strong story of war and memory from Israel is essential viewing for anyone interested in film. Or in the Middle East.
Unlike Body Of Lies and a thousand other fighting movies that glorify killing, this is revealing of war by merging truth and hallucination.
An arresting concept, yet the resulting film is skimpy, numbing, and less searching than it believes it is
The camera’s ability to privilege the perspective of its wielder has rarely been abused as blatantly as it is in this film. This is a singularly self-serving work.
The animation serves as a distancing device akin to the way that Folman's mind used concealment to shield him from horrific traumas, a canny marriage of thematic and aesthetic concerns that nonetheless can't cover up the unsubtle redundancy of his story.
The aloof quality of the film gnaws away at you... it's a fluid, slippery thing that seems to be discovering itself as you watch it.
Unfortunately, in Waltz With Bashir, the medium is superior to the message.
Latest News for Waltz With Bashir
June 22, 2009:
RT on DVD: Waltz with a Shopaholic Pink Panther in Wonderland
There's something for everyone this week on DVD, starting with an Oscar-nominated animated documentary (Waltz with Bashir), a Jerry Bruckheimer-produced chick flick (Confessions... More...
January 13, 2009:
Academy Names Nine Foreign Film Finalists
The Academy has narrowed its choices for this year's recipient of the Best Foreign Language Film Award, choosing its favorite nine releases from a field of 65. More...
January 08, 2009:
The Israeli Apocalypse Now blasts into movie theaters, in animation! And pulls it off to vividly surreal effect. Director Folman, a soldier and eyewitness to the 1982 Sabra and Shatila Palestinian massacres, painfully dredges up his own personal demons. ![]()
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January 08, 2009:
Broadcast Film Critics Name Critics' Choice Winners
The 14th Annual Critics' Choice Awards were given on January 8, 2009, to honor the finest achievements in 2008 filmmaking. A list of nominees follows below, with winners in bold: More...
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