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Water Drops on Burning Rocks (2000)
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Reviews Counted:22
Fresh:16
Rotten:6
Average Rating:6.8/10
Runtime: 82 mins
Genre: Foreign Films
Synopsis: Without leaving the space of a chic 70s-style art deco apartment in Berlin, WATER DROPS ON BURNING ROCKS unfurls the beginning, middle, and end of a focused, suffocating love relationship between... Without leaving the space of a chic 70s-style art deco apartment in Berlin, WATER DROPS ON BURNING ROCKS unfurls the beginning, middle, and end of a focused, suffocating love relationship between 50-year-old business man Leopold (a superb Bernard Giraudeau), and 20-year-old boy toy Franz (Malik Zidi). Director Francois Ozon (CRIMINAL LOVERS) has made his masterpiece with this film, creating a static intensity between his two protagonists through long shots of each man examining himself in the mirror, and through nearly sarcastic camera work that seems to crack jokes at its subjects' expense. The amusingly cruel plot which explores Leopold's ability to dominate Franz, making him a pathetic love-slave, nonetheless shows the realistic blend of pain, love, obsession, and aggression existant in the relationship. The finale of the film is outrageous and terrible--and somehow funny, especially during the notorious dance scene--as Franz's ex-girlfriend and Leopold's ex-lover appear for a menage a quatre. Based on a play written by Rainer Werner Fassbinder, Ozon's adaptation is divided in to three "acts," each beginning with a different sexual pairing, and is a perfect tribute to the ridiculous complexity of love. [More]
Starring: Bernard Giraudeau, Malik Zidi, Anna Thomson, Ludivine Sagnier
Starring: Bernard Giraudeau, Malik Zidi, Anna Thomson, Ludivine Sagnier
Director: Francois Ozon
Director: Francois Ozon
Screenwriter: Francois Ozon
Producer: Olivier Delbosc, Marc Missonnier
Reviews for Water Drops on Burning Rocks
...though it's not exactly good, there's something oddly compelling about the whole thing...
Hilarity, tragedy and a bizarre dance number ensue in this well-executed film debut.
It's a film that should satisfy followers of both Fassbinder and Ozon.
What first comes off as a simple satire brimming with an almost John-Waters-esque absurdity, can bear far deeper scrutiny and still not come up empty.
Franz -un adolescente de sexualidad aún no definida del todo- es seducido por un adulto en su departamento, Leopold, y después de la ...
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