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Wattstax (1973)
Tomatometer
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Reviews Counted:21
Fresh:18
Rotten:3
Average Rating:7.4/10
Runtime: 2 hrs 24 mins
Genre: Education/General Interest
Synopsis: Originally released in 1973, WATTSTAX is a musical and cultural artifact that pays tribute to the Watts riots, which ravaged Los Angeles for six days beginning August 11, 1965. The film's main... Originally released in 1973, WATTSTAX is a musical and cultural artifact that pays tribute to the Watts riots, which ravaged Los Angeles for six days beginning August 11, 1965. The film's main focus is the Watts Summer Festival's 1972 concert held at the Los Angeles Coliseum, featuring performances by Isaac Hayes, Rufus Thomas, The Staple Singers, The Bar-Kays, Luther Ingram, and a host of other soul singers. Concert footage is intercut with interviews of African-Americans, who discuss the state of black America in the early 1970s, as well as the effects the riots had on Los Angeles and America at large. Mel Stuart, most famous for helming 1971's WILLY WONKA AND THE CHOCOLATE FACTORY, maintains an objective point-of-view, allowing the film's subjects to reveal insights as the concert unfolds throughout the course of a long day. Highlights include the unforgettable performance of Rufus Thomas, and Richard Pryor, whose tireless energy keeps the film crew in hysterics throughout his interview. WATTSTAX is a documentary that works on a variety of levels--entertaining, enlightening, engaging--in order to paint a portrait of the black race at a crucial time in American history. [More]
Starring: Isaac Hayes, Richard Pryor, Rufus Thomas, Ted Lange
Starring: Isaac Hayes, Richard Pryor, Rufus Thomas, Ted Lange, Rev. Jesse Jackson, Bar-Kays, Staple Singers, Kim Weston, Dramatics, Luther Ingram
Director: Mel Stuart
Director: Mel Stuart
Producer: Larry Shaw, Mel Stuart
Reviews for Wattstax
Whether or not you call it "blaxploitation," there was something like a riot goin' on in the American cinema of 1973.
Even Richard Pryor's tired old rant gets more screen time than any of the musicians
The restored rerelease is a time capsule of Afros, anger and attitude.
Hardcore fans of the music of the times will get a kick out of seeing their old idols in their former glory, and footage of the city of Watts is fascinating.
As Richard Pryor says, it's 'a soulful expression of the black experience'...
Wattstax was more than just an elaborate musical gathering of gifted energetic artists out to corral a spirited mood—it was an undeniably ultimate black lyrical experience...this stylish funky forum is infectious.
A time when not only a single record company could put together a day like this, but could then give every dollar made to charity.
It just has the air of something too carefully laid out in advance. It's so busy being glossy and optimistic that it doesn't even allow its performers time to create on screen a measure of the excitement they might have created in person.
This gem of a concert documentary makes you realize how much of America's pop culture has been lost, ignored or left to rot since soul music's golden era three decades ago.
Commentary from shockingly outspoken Watts residents on topics ranging from revolution to infidelity are a vital part of the documentary, as are the several Richard Pryor monologues upon which the film is structured.
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