Brutal scenes are undercut with lyricism and deadpan wit.
The Way of the Gun (2000)
Tomatometer
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Reviews Counted:103
Fresh:49
Rotten:54
Average Rating:5.3/10
Consensus: The Way of the Gun has some good parts, but overall, the movie is derivative, sloppy, and sluggish.
Runtime: 1 hr 59 mins
Genre: Action/Adventure
Synopsis: Two professional criminals, Parker (Ryan Phillippe) and Longbaugh (Benicio Del Toro), think they've devised the plan of a lifetime: kidnap Robin (Juliette Lewis), a pregnant surrogate mother, then... Two professional criminals, Parker (Ryan Phillippe) and Longbaugh (Benicio Del Toro), think they've devised the plan of a lifetime: kidnap Robin (Juliette Lewis), a pregnant surrogate mother, then collect on the ransom money from the parents-to-be. However, when Parker begins to take a shine to the kidnapping victim, the plan begins to crumble. But it is not until a heavily armed group of mob hit men arrive with the ransom money that Parker and Longbaugh realize they've cooked up a spicy stew of chaos, violence, and confusion. The unborn baby tops it off, making Christopher McQuarrie's THE WAY OF THE GUN a terrifically tense nail-biter. [More]
Starring: Ryan Phillippe, Benicio Del Toro, James Caan, Taye Diggs
Starring: Ryan Phillippe, Benicio Del Toro, James Caan, Taye Diggs, Juliette Lewis, Nicky Katt
Director: Christopher McQuarrie
Director: Christopher McQuarrie
Screenwriter: Christopher McQuarrie
Producer: Kenneth Kokin
Reviews for The Way of the Gun
McQuarrie not only invested his characters with nasty charm and compelling ruthlessness, his direction is confident, original, and satirical.
McQuarrie misfires occasionally, and his target -- hip, violent, Tarantino-esque noir -- is already bullet-riddled. But that doesn’t stop this Gun from finding its mark.
The material seems agonizingly stale and the movie just doesn't have the same kind of power to carry us away.
McQuarrie, who won an Oscar for scripting The Usual Suspects, has a few visual ideas but no idea how to keep even a gunfight from being dull.
The Way of the Gun will be too bloody for many viewers, but for those who aren't turned off by the high level of violence, McQuarrie's first venture behind the camera offers an involving experience.
In The Usual Suspects, McQuarrie's manifold plot of collective collusion all came together in the shocker finale. But in here the complexities never congeal. They just serve as a backdrop for an exercise in vacant movie cool.
A threepenny opera of lurid plot turns, oceanic bloodletting, and pseudo-existential dialogue.
Packed with gory confrontations and racking up a body count that's high enough for all but the most demanding crime-film connoisseur, The Way of the Gun benefits from a palpable sense of dread and impending doom.
True to the film's title, the gun, in all its many, many forms is exalted to the point of becoming a religious icon, flashing forth in the always stylized but numbingly boring shoot-outs that seem to occupy more than half the film's length.
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