Where The Way of the Gun falters seriously is its too-leisurely pacing.
The Way of the Gun (2000)
Tomatometer
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Reviews Counted:103
Fresh:49
Rotten:54
Average Rating:5.3/10
Consensus: The Way of the Gun has some good parts, but overall, the movie is derivative, sloppy, and sluggish.
Runtime: 1 hr 59 mins
Genre: Action/Adventure
Synopsis: Two professional criminals, Parker (Ryan Phillippe) and Longbaugh (Benicio Del Toro), think they've devised the plan of a lifetime: kidnap Robin (Juliette Lewis), a pregnant surrogate mother, then... Two professional criminals, Parker (Ryan Phillippe) and Longbaugh (Benicio Del Toro), think they've devised the plan of a lifetime: kidnap Robin (Juliette Lewis), a pregnant surrogate mother, then collect on the ransom money from the parents-to-be. However, when Parker begins to take a shine to the kidnapping victim, the plan begins to crumble. But it is not until a heavily armed group of mob hit men arrive with the ransom money that Parker and Longbaugh realize they've cooked up a spicy stew of chaos, violence, and confusion. The unborn baby tops it off, making Christopher McQuarrie's THE WAY OF THE GUN a terrifically tense nail-biter. [More]
Starring: Ryan Phillippe, Benicio Del Toro, James Caan, Taye Diggs
Starring: Ryan Phillippe, Benicio Del Toro, James Caan, Taye Diggs, Juliette Lewis, Nicky Katt
Director: Christopher McQuarrie
Director: Christopher McQuarrie
Screenwriter: Christopher McQuarrie
Producer: Kenneth Kokin
Reviews for The Way of the Gun
Self-indulgent, excessive, overly personal and wears out its welcome sooner than the filmmaker had ever anticipated.
So glacially paced and relentlessly unpleasant that it quickly becomes hard to care who's doing or did what to whom.
McQuarrie has inserted some of the most groan-worthy dialogue outside of the porn world.
McQuarrie, who won an Oscar for scripting The Usual Suspects, has a few visual ideas but no idea how to keep even a gunfight from being dull.
If one looks past the carnage, one can see a solid entertainment further distinguished by fine performances.
In a way, [McQuarrie] almost seems motivated by the same things that drive his killers: desperation and loot.
McQuarrie shows a sure hand in his first time as director, with a muted color palatte, strong rhythm, and effective action sequences.
Missing the compelling characters and exuberance that made Usual Suspects such a kick.
True to the film's title, the gun, in all its many, many forms is exalted to the point of becoming a religious icon, flashing forth in the always stylized but numbingly boring shoot-outs that seem to occupy more than half the film's length.
Rotten, pretentious movie full of minimalist dialogue and self-consciously arty cinematography.
Packed with gory confrontations and racking up a body count that's high enough for all but the most demanding crime-film connoisseur, The Way of the Gun benefits from a palpable sense of dread and impending doom.
For all its post-modern quirks, The Way of the Gun can't help but feel pointlessly derivative.
In The Usual Suspects, McQuarrie's manifold plot of collective collusion all came together in the shocker finale. But in here the complexities never congeal. They just serve as a backdrop for an exercise in vacant movie cool.
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