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The Way of the Gun (2000)
Tomatometer
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Reviews Counted:103
Fresh:49
Rotten:54
Average Rating:5.3/10
Consensus: The Way of the Gun has some good parts, but overall, the movie is derivative, sloppy, and sluggish.
Runtime: 1 hr 59 mins
Genre: Action/Adventure
Synopsis: Two professional criminals, Parker (Ryan Phillippe) and Longbaugh (Benicio Del Toro), think they've devised the plan of a lifetime: kidnap Robin (Juliette Lewis), a pregnant surrogate mother, then... Two professional criminals, Parker (Ryan Phillippe) and Longbaugh (Benicio Del Toro), think they've devised the plan of a lifetime: kidnap Robin (Juliette Lewis), a pregnant surrogate mother, then collect on the ransom money from the parents-to-be. However, when Parker begins to take a shine to the kidnapping victim, the plan begins to crumble. But it is not until a heavily armed group of mob hit men arrive with the ransom money that Parker and Longbaugh realize they've cooked up a spicy stew of chaos, violence, and confusion. The unborn baby tops it off, making Christopher McQuarrie's THE WAY OF THE GUN a terrifically tense nail-biter. [More]
Starring: Ryan Phillippe, Benicio Del Toro, James Caan, Taye Diggs
Starring: Ryan Phillippe, Benicio Del Toro, James Caan, Taye Diggs, Juliette Lewis, Nicky Katt
Director: Christopher McQuarrie
Director: Christopher McQuarrie
Screenwriter: Christopher McQuarrie
Producer: Kenneth Kokin
Reviews for The Way of the Gun
Uplifting? Not for a second. But if you're in the mood for a furious ride, The Way of the Gun delivers.
If The Usual Suspects is all plot, a winding road map on the printed page, then The Way of the Gun takes place between the lines.
At first you're surprised when you get the rug pulled out from under you. Eventually, if you're a quick study, you stop stepping on it.
Ambles on with a lot of perfectly good individual scenes but no real point.
The uneven film generally drags along as if it were trying to approximate slow motion.
Before you rush out to see what all the noise is about, though, know that The Way of the Gun mounts more aural bullets, swagger and pretense than substance.
You will either be endlessly entertained by its over-the-top outrageousness or be repulsed and offended that anyone could be entertained.
McQuarrie misfires occasionally, and his target -- hip, violent, Tarantino-esque noir -- is already bullet-riddled. But that doesn’t stop this Gun from finding its mark.
A threepenny opera of lurid plot turns, oceanic bloodletting, and pseudo-existential dialogue.
McQuarrie not only invested his characters with nasty charm and compelling ruthlessness, his direction is confident, original, and satirical.
The material seems agonizingly stale and the movie just doesn't have the same kind of power to carry us away.
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