Works better in its various parts than as a whole.
The Weight of Water (2002)
Tomatometer
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Reviews Counted:62
Fresh:20
Rotten:42
Average Rating:5.1/10
Consensus: The story is too muddled to build any interest.
Runtime: 1 hr 53 mins
Genre: Dramas
Synopsis: Two stories unravel simultaneously in this dark and suspenseful film. The first story, set in the present day, concerns a photographer, Jean (Catherine McCormack). She is working on an article for... Two stories unravel simultaneously in this dark and suspenseful film. The first story, set in the present day, concerns a photographer, Jean (Catherine McCormack). She is working on an article for a magazine about a pair of bloody murders that happened 200 years before on the Isle of Shoals, just off the coast of New Hampshire. To get the pictures she needs she must visit the location of the murders, and so her husband, Thomas (Sean Penn), arranges a yachting trip with his brother, Rich (Josh Lucas), and Rich's girlfriend, Adaline (Elizabeth Hurley). The foursome pal around, enjoying the sea and the sun, while Adaline shamelessly seduces Thomas. Meanwhile, Jean is reliving the Isle of Shoals murders in her head, which is where the second story comes in. Maren (Sarah Polley) is a Norwegian woman who has recently immigrated to America with her husband. When her sister (Katrin Cartlidge) and sister-in-law (Vinessa Shaw) are brutally bludgeoned to death with an axe, she is the sole survivor, and thus the only one who knows the truth about what happened. THE WEIGHT OF WATER draws a parallel between these two tense episodes, as the surf swirls menacingly, foretelling imminent disaster. [More]
Starring: Elizabeth Hurley, Catherine McCormack, Sean Penn, Sarah Polley
Starring: Elizabeth Hurley, Catherine McCormack, Sean Penn, Sarah Polley, Anders W. Berthelsen, Katrin Cartlidge, Ciaran Hinds, Joshua Lucas, Vinessa Shaw, Ulrich Thomsen
Director: Kathryn Bigelow
Director: Kathryn Bigelow
Producer: Janet Yang, Joni Sighvatsson, A. Kitman Ho
Screenwriter: Alice Arlen, Christopher Kyle
Composer: David Hirschfelder
Studio: Lions Gate Films
Reviews for The Weight of Water
It's a 100-year old mystery that is constantly being interrupted by Elizabeth Hurley in a bathing suit.
Shreve's graceful dual narrative gets clunky on the screen, and we keep getting torn away from the compelling historical tale to a less-compelling soap opera.
You can feel the restlessness in the repressed emotions and unspoken passions of the characters, but exactly what they yearn for is not always clear.
Though it never rises to its full potential as a film, still offers a great deal of insight into the female condition and the timeless danger of emotions repressed.
An intelligently made (and beautifully edited) picture that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the Hollywood pipeline without a hitch.
Bigelow perfectly establishes a feel of place and time for both stories, and they're so radically different that you may find yourself shocked when 100 years flash by in a single cut.
In old-fashioned screenwriting parlance, Ms. Shreve's novel proved too difficult a text to 'lick,' despite the efforts of a first-rate cast.
Maneuvers skillfully through the plot's hot brine -- until it's undone by the sogginess of its contemporary characters, and actors.
Kathryn Bigelow, it's like she's directing two films. They have very distinct styles, and everybody gets their say and gets their moment.
Her film is like a beautiful food entrée that isn't heated properly, so that it ends up a bit cold and relatively flavorless.
It's got a good director. Good cast. Good source material. Yet it still sinks like a stone.
Flat and melancholy, a muted tale of throttled feelings that never builds emotional momentum.
Weaves a spell over you, with its disturbingly close-up look at damaged psyches and its subtle undercurrents of danger. But its awkward structure keeps breaking the spell.
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