Like a jazz solo that touches familiar themes on its way to a triumphant and unexpected conclusion.
When Will I Be Loved (2004)
Tomatometer
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Reviews Counted:70
Fresh:23
Rotten:47
Average Rating:4.7/10
Consensus: Neve Campbell bares all in this seemingly misogynistic trifle.
Runtime: 81 mins
Genre: Dramas
Synopsis: "When Will I Be Loved" is a hip, scintillating, post-feminist film that takes a classic Hollywood form . that of leading lady as black widow -- and brings it edgy new life. James Toback, a... "When Will I Be Loved" is a hip, scintillating, post-feminist film that takes a classic Hollywood form . that of leading lady as black widow -- and brings it edgy new life. James Toback, a writer and director known for provocative explorations of race and gender relations in films such as "Black and White," "Two Guys and a Girl" and "The Pick-Up Artist," has created a femme fatale for the 21st century. His leading lady is Vera -- played by Neve Campbell -- a beautiful young woman who is exploring the limits of her vast sexual and intellectual power. We see Vera picking up men on the street, videotaping her romps with a female lover, and having sexually frank discussions with her potential employer. The daughter of wealthy and supportive parents, she is seemingly improvising her way through the beginning of her life as an adult . but how much of her behavior is spontaneous and how much is cunningly calculated? Vera is dating a young hustler named Ford, played by Fredrick Weller. Ford --verbally nimble, shameless and shamelessly manipulative -- seems compelled to use women to make himself rich and famous, from straight loans to a (unintentionally) comical effort to entice hip-hop impresario Damon Dash. Ford sees his chance to make serious money when he meets an aging Italian media mogul, Count Tommaso Lupo, played by Dominic Chianese. The Count has developed an obsession with Vera and Ford concocts a plan to pimp Vera out to Lupo for $100,000. To Ford.s naïve surprise, Vera agrees leading Ford into the delusion that his powers as a psychologically gifted fast talker are unsurpassed. The Count is a self-made billionaire aesthete, who in the course of what he thinks is a skillful manipulation; ends up being manipulated himself into providing Vera with 1 million dollars instead of the intended $100,000. Vera is a natural improviser and each of her faithful decisions (faithful to both Ford and the Count) is a spontaneous response to circumstances as they arise. As a result, "When Will I Be Loved" has a feel of freshness and surprise. -- © IFC Films [More]
Starring: Neve Campbell, Fred Weller, Dominic Chianese, Karen Allen
Starring: Neve Campbell, Fred Weller, Dominic Chianese, Karen Allen, Barry Primus, Joelle Carter, Michael Mailer, James Toback
Director: James Toback
Director: James Toback
Screenwriter: James Toback
Producer: Ron Rotholz
Studio: IFC Films
Reviews for When Will I Be Loved
Weller has a bright future; he's compelling and funny as Ford. Campbell, with her little-girl voice and easy, guileless smile, is the perfect choice for the role of a woman everyone underestimates.
Toback doesn't seem to have much more in mind than looking for new ways to give his festering observations about Manhattan a kinky pull on the whiskers.
A funny, sexy and always compelling report from the front lines of the never-ending battle between the sexes.
The conglomeration of shtick never adds up to be anything particularly interesting, the story has no compulsion or bite as a dark melodrama or psychological voyeurism.
When Will I Be Loved isn't so much a variation on the indie director's earlier themes as it is an amusing riff.
Once you get past the sleazy residue of the borderline soft-core porn scenes, When Will I Be Loved gets into a kind of low-rent Cassavetes groove.
It offers no new insights into the corrupting effects of money and erotic power.
Toback's tangled noirish plot, with Vera as a post-feminist femme fatale, isn't particularly clever or original. Nor is its feminist slant totally convincing.
It's unfortunate that, nudity and all, this is one of Toback's absolute worst efforts.
About half an hour worth of story seasoned with a lot of sex and other padding. More failed experiment in speed film production than serious attempt at making a feature film.
Part Indecent Proposal, part Toback wordiness and is so short it feels like a one-act play with a curtain that never rises again.
Toback makes it perfectly clear that this is a woman making the best out of a man's world that has hemmed her in.
Campbell is surprisingly good in a role that calls for sweetness on the outside and black-eyed predatory ennui within, while Weller and Chianese deliver their single-notes on the sweet spot.
This is far from a coherent picture, but it does contain a complete performance.
announce Neve Campbell’s transformation into a stunning actress — but it does make clear that she’s ready to be used by a better director
Can't we at least pretend that we didn't get into the film business so we could meet beautiful actresses and desperate starlets? Guess not.
While this is represented as a 'new kind of noir,' it’s actually just ill-informed, ignorant, nihilistic nonsense.
Toback...forces his characters to spout the most inane dialogue imaginable...
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