Bad idea. Bad film.
The Wicker Man (2006)
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Reviews Counted:100
Fresh:15
Rotten:85
Average Rating:3.5/10
Consensus: Puzzlingly misguided, Neil LaBute's update The Wicker Man struggles against unintentional comedy and fails.
Rated: 12A [See Full Rating] for disturbing images and violence, language and thematic issues
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:01-09-2006
Synopsis: Neil LaBute's THE WICKER MAN stars Nicholas Cage as Edward Malus, a policeman thrust into some dangerous detective work by a series of strange events that begin with a horrific car crash. This... Neil LaBute's THE WICKER MAN stars Nicholas Cage as Edward Malus, a policeman thrust into some dangerous detective work by a series of strange events that begin with a horrific car crash. This incident leaves the cop haunted, with images of the accident replaying in his heavily medicated mind. Edward's hiatus from work is interrupted when he receives a mysterious letter from his ex-fiancé, pleading with him to help find her missing daughter, Rowan. Against his better judgment, Edward travels to the remote, privately owned island of Summerisle, home to a close-knit, secretive community with a clear dislike for outsiders. Considering Edward an intruder, the Sisters of Summerisle offer little information regarding the missing girl. Edward is at a loss, finding even his ex-love Willow to be little help. With vacant eyes and a strange, listless way about her, Willow should be the first of many red flags to send Edward running. But in firm horror-movie tradition, the seasoned cop throws caution to the winds, staying in the place longer than seems smart. This 2006 remake veers away from the 1973 film in several key ways. For one, it replaces the original's eerily upbeat folk soundtrack with a tasteful Angelo Badalamenti score. With a mild PG-13 rating, the 2006 version is relatively tame compared to the original. While the 1973 film freely mixed pornographic elements with horror themes and musical numbers, the new film confines itself to horror, abandoning that strange mixture of genres that made Anthony Shaffer's film a cult classic. While LaBute's film adds a back-story and romantic interest, it requires equal suspension of disbelief. Despite their differences, both films end in the same disturbing way, leaving an indelible image that may haunt viewers long after the credits roll. [More]
Starring: Nicolas Cage, Ellen Burstyn, Molly Parker, Leelee Sobieski
Starring: Nicolas Cage, Ellen Burstyn, Molly Parker, Leelee Sobieski, Frances Conroy, Kate Beahan, Diane Delano, Michael Wiseman, Erika-Shaye Gair
Director: Neil LaBute
Director: Neil LaBute
Screenwriter: Neil LaBute
Producer: Nicolas Cage, Randall Emmett, Avi Lerner
Composer: Angelo Badalamenti
Producer: Nicolas Cage
Studio: Warner Bros.
Reviews for The Wicker Man
Cage lumbers around in full-on shouty mode and his character is never particularly likeable ... whilst decent actresses like Frances Conroy and Ellen Burstyn are given very little to do beyond trying to keep a straight face.
To his credit Cage plays it with an admirably straight face, even when mugging a woman for her bear costume. But then he must have known from the beginning he was backing a loser.
Neil LaBute’s utterly misconceived remake of Robin Hardy’s 1973 cult horror film is a boring, fright-free catastrophe.
This film falls into the 'good wierd' catagory-even if you don't care for it, you will love telling people about it.
I may be alone in this -- and you'll have to give it the benefit of a lot of doubt -- but I thought it was interesting.
...there's just something inherently entertaining about watching [Nicolas Cage] one-up himself every few minutes...
Though downgraded perhaps in comparison to the 1973 original, this version is competent enough and holds sufficient suspense.
LaBute's remake could be an atonement, a perversely clever way of turning the gun on himself... or a conspiracy theorist's invective against a gender he fears and loathes.
LaBute does a decent job of translating it to 2006, but the idea behind it just isn't as cool as it once was.
...features an over-the-top leading man utilizing every single tic in his arsenal that has ever been impersonated by a comedian, and doing so seemingly with gleeful abandon and blissful unawareness
The plot is nonsensical but the cast and Edenic setting is worth a look.
It's a troubled strangeness - the uncommon sight of a literate studio film extolling messages most literate audiences can't get behind - that makes the movie's whole presence fascinating.
The whole thing is transparently a concoction, and so even though the movie holds you, its climax lacks that tingle of madness. All that's burning is some sticks.
Critics will readily seize on the new film's quirks and deem it a turkey. But the film has many (moderate) strengths.
A half-compelling, half-goofy and half-redundant piece of remake revisionism. (Yes, that's three halves, but it's that weird a movie.)
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January 23, 2007:
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