There's only one certain conclusion: Woody Allen finds it terrifically uncomfortable being Woody Allen.
Wild Man Blues (1998)
Runtime: 1 hr 43 mins
Synopsis: As though opening a door into a life that the press had been trying to bang down during his tumultuous breakup from Mia Farrow, comedian-filmmaker-clarinetist Woody Allen decided to allow documentary filmmmaker Barbara Kopple to follow him with a camera on a 1996 tour of Europe with his New... As though opening a door into a life that the press had been trying to bang down during his tumultuous breakup from Mia Farrow, comedian-filmmaker-clarinetist Woody Allen decided to allow documentary filmmmaker Barbara Kopple to follow him with a camera on a 1996 tour of Europe with his New Orleans jazz band. He's also joined by his sister Letty and, of course, his new wife, Soon-Yi Previn, who seems, on the evidence of the film, to be as serene as her husband is anxious. Indeed, the autobiographical nature of Allen's films becomes clear after a couple of hours of watching a man who seems to believe that the inanimate objects of the world are waging war on him: An omelet seems "vulcanized," he fears that his hotel room sheets will be breaded. The animate world is no improvement. In Venice, Allen fears that a gondolier could easily cut his throat, and the crowds and paparazzi that pursure him inspire a revulsion that's ironic in so public a figure. Yet the amused, pragmatic Soon-Yi takes it all in stride, calming her husband's fears, albeit occasionally with a hint of condescension. The director is clearly happiest in the film when playing the clarinet, and, as anyone who has seen him at Michael's Pub can vouch, his dedication to the music is wholehearted. In an amusing and revealing visit to his parents' home upon his return, the underwhelmed response of his parents to Allen's achievements may suggest the source of his fabled anxiety. WILD MAN BLUES is a must for Allen fans. [More]
Genre: Musical & Performing Arts
Starring: Woody Allen
Reviews
It's hardly a revelation, but Allen emerges as genuinely neurotic. He's also funny.
The subject is Woody Allen, but anyone interested in his career as a writer, stand-up comedian, actor or filmmaker will learn little from Barbara Kopple's new documentary.
Kopple's discreet, quietly revelatory style creates a fine balance between public and private personae that veers more pointedly toward the personal in an incongruous but fascinating coda.
It provides some generous insights into his psychic background when his unsupportive parents greet him back in New York at the end.
Not quite the type of political punchiness one would expect from Kopple, but it does answer a lot of questions about Allen who obviously had a strong hand in the film's compilation.
Craftsmanship and wit are as present here as in [director Barbara Kopple's] more socially-minded, dramatic work.
An interesting documentary covering a tour of Woody Allen's New Orleans Jazz band. If you enjoy the music, or are a fan of all things Woody, then you should give this one a rental. Others probably wouldn't enjoy it.
This is a very fine film, especially for film buffs and fans of Woody Allen.
There is a quiet agenda here of keeping the personal relationship visible, natural, and low keyed.
If you'd like to see what 90 minutes of Woody's neurotic home life is like, punctuated by some clarinet blowing, this is the movie for you.


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