The screenwriters struggle to integrate the coded transmissions with the action, and the flamboyant set piece battles feel like so much empty rhetoric.
Windtalkers (2002)
Tomatometer
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Reviews Counted:165
Fresh:54
Rotten:111
Average Rating:5.1/10
Consensus: The action sequences are expertly staged. Windtalkers, however, sinks under too many clichés and only superficially touches upon the story of the code talkers.
Runtime: 2 hrs 34 mins
Genre: Action/Adventure
Synopsis: WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach)... WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach) and Charlie Whitehorse (Roger Willie). It's 1943, and the U.S. has developed an indecipherable secret military code based on the Navajo language. Yahzee and Whitehorse are to be trained as code talkers. Then John Woo's Pacific war film erupts into violence, with a savage battle that has one survivor, Joe Enders (Nicolas Cage). Badly wounded and feeling guilty at the loss of his companions, Joe recuperates in Hawaii where he is helped by a sympathetic nurse (Frances O'Connor). Joe disguises his hearing loss and he is promoted as Yahzee's battlefield bodyguard. Ordered to "protect the code at all times," Joe must prevent Yahzee from being captured. At first, Yahzee and Whitehorse, whose bodyguard is Ox Henderson (Christian Slater), are subjected to prejudice--particularly from Rogers (Noah Emmerich). But when the unit is shipped to Saipan, the Marines begin to appreciate the code talkers. Director Woo has created a powerful drama. The visceral battle sequences are strikingly filmed and there is fine acting from Cage, Beach, Willie, Slater, Emmerich, and Frances O'Connor, who portrays the poignancy of love in uncertain times. [More]
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare, Noah Emmerich, Mark Ruffalo, Brian Van Holt, Roger Willie, Frances O'Connor
Director: John Woo
Director: John Woo
Screenwriter: John Rice, Joe Batteer
Producer: John Woo, Terence Chang, Tracie Graham, Alison Rosenzweig
Composer: James Horner
Studio: MGM/UA
Reviews for Windtalkers
If Windtalkers is overlong and hopelessly overwrought, it is also thrilling and beautiful.
Replete with Cage's finest angsty acting and John Woo's requisite concerns of friendship and rivalry in the face of violence.
In the wake of Saving Private Ryan, Black Hawk Down and We Were Soldiers, you are likely to be as heartily sick of mayhem as Cage's war-weary marine.
What should be a moving story with spectacular battle scenes by one of the world's greatest action directors is a huge let-down.
A merely competent action war pic, boasting neither Woo's trademark balletic violent set-pieces nor any convincing insight into the tensions between the native Americans and their Anglo-Saxon commanders in the Marine Corps.
Woo simply seems lost in all the emotional claptrap, war movie cliches, cornball dialog and mumbo jumbo about bravery and patriotism.
Despite the promise of a Native American history lesson, Cage hogs most of the film, overshadowed only by the spectacle of it all and an annoying score.
It's a film so terrifically inept, on so many levels of direction, performance and intent, that it demands and receives its audience's full, stunned attention.
A powerful and involving film that bears the unmistakeable imprint of the greatest action director of our time.
What begins as the enlightening story of unsung heroes turns into a standard war drama, full of tiresome predictability.
Always a brilliant technician, Woo has, in Windtalkers, applied his skills to a handsome production, with several battle scenes of nearly unbearable tension. Yet in many ways, Windtalkers feels like he's playing against his strengths.
While not coming up with anything new or particularly original, Woo makes the genre sing like a chorus on steroids.
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