While some may have used this fascinating subject matter to craft a serious drama with historical significance, Woo and his writers choose instead to stay with the high-octane action format.
Windtalkers (2002)
Tomatometer
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Reviews Counted:165
Fresh:54
Rotten:111
Average Rating:5.1/10
Consensus: The action sequences are expertly staged. Windtalkers, however, sinks under too many clichés and only superficially touches upon the story of the code talkers.
Runtime: 2 hrs 34 mins
Genre: Dramas
Synopsis: WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach)... WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach) and Charlie Whitehorse (Roger Willie). It's 1943, and the U.S. has developed an indecipherable secret military code based on the Navajo language. Yahzee and Whitehorse are to be trained as code talkers. Then John Woo's Pacific war film erupts into violence, with a savage battle that has one survivor, Joe Enders (Nicolas Cage). Badly wounded and feeling guilty at the loss of his companions, Joe recuperates in Hawaii where he is helped by a sympathetic nurse (Frances O'Connor). Joe disguises his hearing loss and he is promoted as Yahzee's battlefield bodyguard. Ordered to "protect the code at all times," Joe must prevent Yahzee from being captured. At first, Yahzee and Whitehorse, whose bodyguard is Ox Henderson (Christian Slater), are subjected to prejudice--particularly from Rogers (Noah Emmerich). But when the unit is shipped to Saipan, the Marines begin to appreciate the code talkers. Director Woo has created a powerful drama. The visceral battle sequences are strikingly filmed and there is fine acting from Cage, Beach, Willie, Slater, Emmerich, and Frances O'Connor, who portrays the poignancy of love in uncertain times. [More]
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare, Noah Emmerich, Mark Ruffalo, Brian Van Holt, Roger Willie, Frances O'Connor
Director: John Woo
Director: John Woo
Screenwriter: John Rice, Joe Batteer
Producer: John Woo, Terence Chang, Tracie Graham, Alison Rosenzweig
Composer: James Horner
Studio: MGM/UA
Reviews for Windtalkers
Here, [Woo] has to deal with visual chaos. And he doesn't do a good job of it.
More than passable summer entertainment and I think if they were still making war westerns today, it would feel right at home.
...Windtalkers is one of the most exciting (not to mention violent) war movies to emerge in quite some time.
Inspired by true events, this war-is-hell action drama from John Woo is a failed epic that doesn't rise to meet the material that inspired it.
The history is fascinating; the action is dazzling. They just don't work in concert.
At the end of the day, nothing particularly spectacular, especially when you consider the two men leading the project, director John Woo and actor Nicolas Cage.
The subject may be new to him, but in Windtalkers Mr. Woo abandons none of his obsessions with loyalty, duty, religious ritual, even birds in flight.
It resuscitates a neglected slice of World War II history (the use of Navajo tribesmen as secret-code radiomen) only to smother it with clichés and repetitive massacres.
...given its potential for telling a story about the courageous exploits of unsung heroes, the movie is a decided letdown.
It's vintage American Woohothouse theatrics with overdone violence that beats you over the head with its excess and implausibility
Navajos will question Woo's credibility with a silly cigarette tobacco 'ceremony' and his reliance on stereotypes
The prolonged scenes of brutality are unable to realize their serious impact against James Horner's rabble-rousing score.
A genuinely fascinating piece of American history reduced by Woo to a near-psychopathic bloodbath full of transparent jingoism.
Buena, pero....Woo pudo haberlo logrado, pero pequeños detalles y errores marcan la diferencia entre una gran cinta y un clásico de género.
Those 400 important Marine code talkers should have been the focus of this movie instead of one shell-shocked Marine.
About the best that can be said for Windtalkers is that it’s a John Woo movie. It’s too bad it’s not a good John Woo movie
Something we'd never expect from a guy like John Woo: dull, lifeless, unexciting filmmaking
The directive to protect the code at all costs also begins to blur as the importance of the man and the code merge
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