There may be a great movie in this little-known (until recently classified) aspect of WW2, but Windtalkers ain't it.
Windtalkers (2002)
Tomatometer
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Reviews Counted:165
Fresh:54
Rotten:111
Average Rating:5.1/10
Consensus: The action sequences are expertly staged. Windtalkers, however, sinks under too many clichés and only superficially touches upon the story of the code talkers.
Runtime: 2 hrs 34 mins
Genre: Dramas
Synopsis: WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach)... WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach) and Charlie Whitehorse (Roger Willie). It's 1943, and the U.S. has developed an indecipherable secret military code based on the Navajo language. Yahzee and Whitehorse are to be trained as code talkers. Then John Woo's Pacific war film erupts into violence, with a savage battle that has one survivor, Joe Enders (Nicolas Cage). Badly wounded and feeling guilty at the loss of his companions, Joe recuperates in Hawaii where he is helped by a sympathetic nurse (Frances O'Connor). Joe disguises his hearing loss and he is promoted as Yahzee's battlefield bodyguard. Ordered to "protect the code at all times," Joe must prevent Yahzee from being captured. At first, Yahzee and Whitehorse, whose bodyguard is Ox Henderson (Christian Slater), are subjected to prejudice--particularly from Rogers (Noah Emmerich). But when the unit is shipped to Saipan, the Marines begin to appreciate the code talkers. Director Woo has created a powerful drama. The visceral battle sequences are strikingly filmed and there is fine acting from Cage, Beach, Willie, Slater, Emmerich, and Frances O'Connor, who portrays the poignancy of love in uncertain times. [More]
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare, Noah Emmerich, Mark Ruffalo, Brian Van Holt, Roger Willie, Frances O'Connor
Director: John Woo
Director: John Woo
Screenwriter: John Rice, Joe Batteer
Producer: John Woo, Terence Chang, Tracie Graham, Alison Rosenzweig
Composer: James Horner
Studio: MGM/UA
Reviews for Windtalkers
Feels flabby and long, an intimate story trapped in a big-budget body.
Disappointing in comparison to other recent war movies…or any other John Woo flick for that matter.
John Woo and Nicolas Cage do little to enhance their reputations with this one, which is not to say that an indiscriminate war film buff might not get a fix out of the action content here.
John Woo superficially glosses over what should have been the most interesting parts of his story to get to cliched drama and stylized violence.
Redundant action sequences and character types that have largely worn out their welcome.
Has more in common with Michael Bay than with the fever-dream lunacy and go-for-broke kick of Hard Boiled. Too bad.
As hard as Woo may try, some of this stuff falls below Bruckheimer/Pearl Harbor levels.
a film that would make Randall Wallace blush... an outrageous collection of war movie clichés
Undermines its purpose by becoming a movie about the code-protectors and not the code-talkers.
A relentless, bombastic and ultimately empty World War II action flick.
In Windtalkers, one of the most fascinating stories of World War II falls prey to the White Man Syndrome.
Strip it of all its excess debris, and you'd have a 90-minute, four-star movie. As it is, it's too long and unfocused.
Someone needs to break it to Nicolas Cage that World War II is over. First, Captain Corelli's Mandolin, now Windtalkers. And while Windtalkers has some things going for it, it's ultimately just another war picture tarted-up in ever-gorier effects.
It's a film so terrifically inept, on so many levels of direction, performance and intent, that it demands and receives its audience's full, stunned attention.
Woo probably expected that Enders' battle with his demons would drive the movie but, unfortunately, Rice and Batteer's hackneyed script constantly gets in the way.
If you allow yourself to be seduced by Woo’s unusual vision, you’ll be rewarded with two hours of rich irony: a war film filled with cliches unlike any you’ve seen before.
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August 20, 2001:
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