Despite being true, it feels fictional: a distillation of human values rather than an objective chronicle. That's not necessarily a bad thing; to tell the truth, it's rather comforting.
World Trade Center (2006)
Tomatometer
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Reviews Counted:220
Fresh:153
Rotten:67
Average Rating:6.7/10
Consensus: As a visually stunning tribute to lives lost in tragedy, World Trade Center succeeds unequivocally, and it is more politically muted than many of Stone's other works.
Rated: 12A [See Full Rating] for intense and emotional content, some disturbing images and language
Runtime: 2 hrs 8 mins 58 secs
Genre: Dramas
Theatrical Release:29-09-2006
Synopsis: The events of September 11 left an indelible mark on most Americans, and certainly on those in the New York City area. Yet as fresh as the images seem, it's easy to forget the actual grit,... The events of September 11 left an indelible mark on most Americans, and certainly on those in the New York City area. Yet as fresh as the images seem, it's easy to forget the actual grit, sacrifice, and uncertainty of that day. Director Oliver Stone captures the essence of 9/11 by focusing on the true story of two Port Authority Police Department officers who were trapped beneath the wreckage of the fallen World Trade Center. Veteran officer Sergeant John McLoughlin (Nicholas Cage) and his team, including rookie Will Jimeno (Michael Pena) are gathering equipment to enter the burning Twin Towers when the concourse comes crashing down around them. Twenty feet below the surface, pinned by debris and unable to reach anyone by radio, the officers must rely on their own will--and on each other--to survive. Above ground, their families watch the towers fall, uncertain whether or not McLoughlin and Jimeno are there, since they are normally assigned to the Port Authority Bus Terminal. Like so many that day, Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) wait for news at home surrounded by their families, fearing the worst and praying for the best. Stone's film depicts the horror and heartbreak of the victims, survivors, and their families with an understated, subtle touch. From the ash and dust covering everyone and everything to the dazed expressions of the workers leaving the towers to the steaming twisted metal remains of the World Trade Center, attention to detail is exceedingly realistic. Rather than being political or sensationalistic, this is a film about everyday heroes--men and women doing their best in the face of an unspeakable event. It may be just one story of many from September 11, but it represents the efforts, emotions, and reactions of so many on that fateful day. [More]
Starring: Nicolas Cage, Michael Pena, Maggie Gyllenhaal, Maria Bello
Starring: Nicolas Cage, Michael Pena, Maggie Gyllenhaal, Maria Bello, Stephen Dorff, Jay Hernandez, Michael Shannon, Jude Ciccolella, Patti D'Arbanville, Frank Whaley, Donna Murphy
Director: Oliver Stone
Director: Oliver Stone
Screenwriter: Andrea Berloff
Producer: Michael Shamberg, Debra Hill, Stacey Sher, Moritz Borman
Composer: Craig Armstrong
Studio: Paramount Pictures
Reviews for World Trade Center
Destiny pervades the project, and anyone who expected Stone to toe anything other than the company line was gravely mistaken.
So factual and earnest that it misses the chance to say something meaningful.
A tentative mixture of tearjerker and disaster movie, cautious due to the requirement that it bear witness to the true-life heroism, staying within the tonal range that is sanctioned for American films depicting 9/11.
It’s a reasonably entertaining movie, but it comes nowhere close to the sheer, heart-pounding terror of the ultimate 9/11 film, United 93.
It's almost as if Stone wants to ingratiate himself with the mainstream public that rejected his historical blockbuster Alexander and win the approval of his right-wing critics.
Even without his box of political tricks, Oliver Stone remains the foremost cinematic shrink for America’s distress.
Well-made and frequently harrowing, but the powerful sequences and strong performances are counter-balanced by an overdose of flag-waving sentimentality and some sub-par dialogue.
These are voices that deserve to be heard and that there are filmmakers like Stone willing to hear them is more important than anything that might follow.
No who, why or how about the terrorist attacks but plenty on home-life in New Jersey.
As much as I tried to resist it, I found World Trade Center to be genuinely affecting, even if Stone relies too heavily on the soaring soundtrack at times.
A highly effective, old-fashioned, bigger-than-life American melodrama, full of heartbreak and heroism, tragedy and triumph.
Piercingly moving and utterly unpolitical, World Trade Center holds us in a fierce grip.
Will & John: A fantastic story, beautiful & hope filled, one that should be told, but the set up of the film and title itself subtract from the power of the storytelling here.
It's a straightforward, respectful, carefully upbeat survival story and tribute to the victims, survivors and rescuers of that day five years ago that changed our world forever.
Oliver Stone's take on one of history's most notorious and devastating days is white-washed with the sentimental veneer of the Lifetime Channel.
With so many lives affected, and so recently, by the tragic attack on New York's twin towers, there are the obvious questions of taste and timing, as well as the notion that you can't possibly pay tribute to so many people. Yet it is precisely these obsta
Although the conclusion is heavily sentimentalized, Stone finds the common ground Americans can rally around for relief from the devastation: We are, in the final analysis, good people.
Polls since 'JFK' show a rise in the number of people who attribute Kennedy's assassination to conspiracy; will polls in the wake of 'WTC' show a bump in the percentage of Americans who connect Iraq with 9/11 (even though the film doesn't make the link)?
World Trade Center is Stone's most potent motion picture since Platoon, and may be the most accessible across-the-board since Wall Street.
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