If Sarif improves with experience, she might regret ever having allowed this effort to be seen by the public.
The World Unseen (2008)
Tomatometer
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Reviews Counted:25
Fresh:7
Rotten:18
Average Rating:4.7/10
Rated: 12A [See Full Rating] for mature thematic material involving sexuality, and violence
Runtime: 1 hr 52 mins
Genre: Dramas
Theatrical Release:03-04-2009
Synopsis: In this drama set in 1950s South Africa, two women find love in surprising places. Lisa Ray (WATER) stars as Miriam, a married mother, while Sheetal Sheth (AMERICAN CHAI) plays Amina, a progressive... In this drama set in 1950s South Africa, two women find love in surprising places. Lisa Ray (WATER) stars as Miriam, a married mother, while Sheetal Sheth (AMERICAN CHAI) plays Amina, a progressive owner of a café. Though the women appear to have little in common, they are instantly drawn to one another, and a forbidden affair begins. THE WORLD UNSEEN is a stirring film that addresses issues of race, gender, and desire. Shamin Sarif directs this adaptation of her own novel. [More]
Starring: Lisa Ray, Sheetal Sheth, Parvin Dabas, Nandana Sen
Starring: Lisa Ray, Sheetal Sheth, Parvin Dabas, Nandana Sen, David Dennis, Grethe Fox, Colin Moss, Natalie Becker
Director: Shamim Sarif
Director: Shamim Sarif
Screenwriter: Shamim Sarif
Producer: Hanan Kattan
Composer: David Martin, Richard Blackford
Studio: Regent Releasing
Reviews for The World Unseen
Both films are politically daring as well as what used to be called risque. Neither, I'm afraid, is well directed or acted.
No amount of heaving bosom or quivering bottom lip can evoke a romantic frisson if the emotion simply isn’t there.
You wait all year for a lesbian comedy drama with the production values of a 1980s TV movie and the acting standard of a carpet shampoo advert, and then two come along at once.
While the visuals never rise above TV-movie adequacy and some background acting hovers at am-dram level, The World Unseen's central story is strong enough to hold attention.
Intimacy, nuance and emotional punch are conspicuous only by their absence. Dreary.
This tale of forbidden love in the early days of apartheid South Africa suffers from heavy-handed direction and stodgy exposition, but it is made tolerable by its two central performances.
Sharif's second film maintains the small screen soap opera feel of I Can't Think Straight, but it remains a watchable lesbian romance, heightened by strong central performances from Ray and Sheth.
It suffers from an abundance of transparent acting, simplistic plot twists and music that essentially screams, 'These are important scenes to behold!'
Possibly too restrained for its own good, the fictional story still makes a quiet impact.
Drawing upon her own heritage as a descendant of South Africa's large Indian community, Sarif brings more than a dozen interconnected characters to life.
It doesn't leave you cold, but it doesn't exactly make an impression, either.
Less an account of hatred and injustice in apartheid-torn South Africa than it is a soap opera-ish romance that could easily be an episode of The L-Word.
When dialogue and pacing get bogged down in L Word soap opera and the rich social context in S. Africa fades to mostly background, the appealing cast holds the eye.
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October 05, 2008:
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