If you've not jumped onto the daisy chain of Burt Munro cheerleaders by the film's siss-boom-bah climax, you'll probably end up toasting in the holidays with the Ghost of Christmas Past.
The World's Fastest Indian (2005)
Tomatometer
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Reviews Counted:134
Fresh:109
Rotten:25
Average Rating:6.9/10
Consensus: Overcomes its formulaic storyline thanks to Anthony Hopkins' warm and endearing portrayal of an age-defying thrill seeker.
Theatrical Release:10-03-2006
Synopsis: The life and triumph of Burt Munro, the elderly Kiwi man who, at the far from spritely age of 68, broke motorcycle racing records in Utah, has fueled director Roger Donaldson's creative energy for... The life and triumph of Burt Munro, the elderly Kiwi man who, at the far from spritely age of 68, broke motorcycle racing records in Utah, has fueled director Roger Donaldson's creative energy for years. In the early 1970s, just a few years after Munro's incredible triumph, Donaldson directed OFFERINGS TO THE GOD OF SPEED, a documentary on the sensational senior. Here, with the help of the fine actors Anthony Hopkins and Diane Ladd, the director brings the story to vivid, dramatic life yet again, constructing a gripping and inspirational narrative. Hopkins's Munro is a rich and magnetic character, a man who wears his notable physical ailments (which include an embarrassing prostate condition and deficient eardrums) like quirky idiosyncrasies rather than debilitating defects. An active playboy, Munro is a lovable character in his small New Zealand town, an attractively unique old man with a zest for life and a love of his vintage motorcycle--a bright red 1920 Indian model. After racing his own times obsessively every day, he becomes determined to live out his dream of participating in the annual Speed Week motorcycle event at Utah's Bonneville Salt Flats. Through local support and innovative fundraising, Munro is finally able to afford the long nautical journey across the world to Mormon-land and, beating all the incredible odds, not only enter the race but break its records with a jaw-dropping speed of 201 miles an hour. Besides telling a classic tale of individual triumph, THE WORLD'S FASTEST INDIAN offers a sociological look at the American West of the late 1960s, an iconic landscape peppered with colorful characters that include a wizened Native American and a generous drag queen, both of whom help the eccentric elder on his quixotic quest. [More]
Starring: Anthony Hopkins, Diane Ladd, Paul Rodriguez, Christopher Lawford
Starring: Anthony Hopkins, Diane Ladd, Paul Rodriguez, Christopher Lawford, Aaron Murphy, Bruce Greenwood
Director: Roger Donaldson
Director: Roger Donaldson
Studio: Magnolia Pictures
Reviews for The World's Fastest Indian
This based-on-fact story of a New Zealand coot who defies age by racing his motorcycle competitively is a big mushy piece of ice cream cake for Anthony Hopkins.
A tour de force performance by Anthony Hopkins as an elderly character who prefers riding a bike to playing bingo or rocking in a chair.
It's hard to resist the film's pleasantly rambling narrative and market-defying eccentricity.
There's no moment during this true-life Little Codger That Could tale that doesn't drip with unabashedly calculated schmaltz.
An enjoyable, entertaining and uplifting film, even though it is highly formulaic.
Donaldson's ham-fisted direction leads to multiple soppy, cringe-inducing moments (Burt talking about his brother Ernie takes the cake).
Sometimes goes cornball, but comes out of that spill on its feet due to Hopkin's warm-hearted vulnerable performance and the lovable nature of the story.
The handy parade of enablers for an old, personable traveler smacks of fantasy, but his devotion to achievement will make you root for the outcome.
An enthusiastic man from New Zealand proves that age is no impediment toward fulfilling his dreams.
No mystery why Hopkins climbed on board, the only mystery is why anyone else did.
The twin novelties of Sir Anthony Hopkins racing a motorcycle and speaking in a Kiwi dialect make The World's Fastest Indian worth seeing -- just barely.
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