What the movie boils down to is a rather queasy rumination on good science vs. bad science, good faith vs. bad faith.
The X-Files: I Want to Believe (2008)
Tomatometer
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Reviews Counted:160
Fresh:51
Rotten:109
Average Rating:4.9/10
Consensus: The chemistry between leads David Duchovny and Gillian Anderson do live up to The X-Files' televised legacy, but the roving plot and droning routines make it hard to identify just what we're meant to believe in.
Rated: 15 [See Full Rating] for violent and disturbing content and thematic material.
Runtime: 1 hr 48 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:01-08-2008
Synopsis: THE X-FILES(TM): I WANT TO BELIEVE is a new motion picture based on the phenomenally popular, award-winning series The X-Files. Long-anticipated, the film reunites series stars David Duchovny and... THE X-FILES(TM): I WANT TO BELIEVE is a new motion picture based on the phenomenally popular, award-winning series The X-Files. Long-anticipated, the film reunites series stars David Duchovny and Gillian Anderson under the direction of series creator Chris Carter, who co-wrote the screenplay with Frank Spotnitz. In grand The X-Files tradition, the film's storyline is being kept under wraps, known only to top studio brass and the project's principal actors and filmmakers. This much can be revealed: The supernatural thriller is a stand-alone story in the tradition of some of the show's most acclaimed and beloved episodes, and takes the always-complicated relationship between Fox Mulder (Duchovny) and Dana Scully (Anderson) in unexpected directions. Mulder continues his unshakable quest for the truth, and Scully, the passionate, ferociously intelligent physician, remains inextricably tied to Mulder's pursuits. Months after shooting had wrapped, Carter remained as circumspect about the story as he was during its development and production. "Mulder and Scully are drawn back into the world of the X-Files by a case," is all he'll add about the plot. Perhaps more clues...to something....can be found in the film's title. "I Want to Believe" is a familiar phrase for fans of the series; it was the slogan on a poster that Mulder had hanging in his office at the FBI. "It's a natural title," says Chris Carter. "It's a story that involves the difficulties in mediating faith and science. It really does suggest Mulder's struggle with his faith." Carter is much more revealing about his goals for the film. "Simply put, we want to scare the pants off of everyone in the audience," he says. While the scale and scope inherent in the medium of film allowed the filmmakers to take the story and characters where the show couldn't go, Carter says THE X-FILES: I WANT TO BELIEVE also marks a return to the series' roots, when it was the lone beacon on television for fans of thrillers, supernatural tales, and of horror stories. "The film encompasses all the best things people loved about the show. It's scary, creepy, and has a good mystery. With The X-Files, we often scared people by what they didn't show, and we use that device for the movie." Adds writer-producer Frank Spotnitz: "I think the best part of The X-Files was that it could make you afraid of anything. They didn't tell typical horror stories or adhere to popular genre conventions. And this movie is in that tradition of showing things that you would not see in most scary movies." Unlike the first The X-Files motion picture, released in 1998, Carter and Spotnitz's story for THE X-FILES: I WANT TO BELIEVE does not require audiences to understand the series' complex mythology that stretched across its nine seasons on the air. "The first movie was kind of an epic episode of the show, but THE X-FILES: I WANT TO BELIEVE is a real, stand-alone movie," explains Carter. "If the show hadn't existed, this is a story that still would have found its way to the big screen." --© 20th Century Fox [More]
Starring: David Duchovny, Gillian Anderson, Amanda Peet, Billy Connolly
Starring: David Duchovny, Gillian Anderson, Amanda Peet, Billy Connolly, Callum Keith Rennie, Adam Godley, Nicki Aycox
Director: Chris Carter
Director: Chris Carter
Screenwriter: Chris Carter, Frank Spotnitz
Producer: Chris Carter, Frank Spotnitz
Composer: Mark Snow
Studio: 20th Century Fox
Reviews for The X-Files: I Want to Believe
The good news: I Want to Believe plays like a solid, albeit unexceptional stand-alone episode, broad enough to ensnare the uninitiated without alienating the show's loyal base.
The return of Scully and Mulder turns out to be a welcome return. While the movie has nothing on the popular television show that inspired it, it does have its moments, and a nice little undercurrent of evil that's appealingly dark.
There are no alien abductions, no space invaders, no conspiracy theories, nolthing spooky or supernatural - just a routine crime drama, like "C.S.I.: West Virginia."
Not close to the worst X-Files story ever filmed. It is nothing more dire than a colossal irrelevancy.
The stand-alone story is an uninspired excuse to drag Fox Mulder and Dana Scully through the same faith vs. reason debates that encumbered the TV program.
Ironic, then, that 20th Century Fox's quiescent sales job may ultimately cost the film a suitable first-weekend box office splash.
A tight, entertaining and thought-provoking thriller that accomplished something movie spinoffs of TV shows rarely do. It allowed its characters to grow out of the holding pattern the basic premise requires.
[The] thrill is gone, but we shouldn't discount the place for epilogues and endings in pop culture.
The true mystery of The X-Files, then, is not only whether the connection between Mulder and Scully, but also the one between the charismatic characters and their fans, would be able to withstand the resultant strain.
There may be no going back, as much as we might want to believe otherwise.
...an intelligent and moody thriller [that] may send newcomers off to discover what the original series was all about.
To Carter and Spotnitz's credit, such weighty concerns aren't the stuff of most mainstream genre movies. But they're also not sufficiently gripping to transform a middling thriller into something truly provocative or haunting.
Astute readers will note that I have abstained from making cheap cracks about the I Want to Believe title, an almost superhuman feat given this movie's abundance of sheer nonsense.
In the end it's all about these very full and rewarding lead characters.
Carter doesn't try to meet or exceed fans' expectations so much as create an intimately scaled dramatic universe for his fiercely beloved characters, Dana Scully and Fox Mulder, to inhabit, circa 2008.
What's most surprising is the filmmakers' treatment of two key characters. Linked by the story to a hot-button topic, these characters are presented in a most unenlightened fashion.
In not knowing who it needs to please, I Want to Believe pleases no one.
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