Vividly depicts the power and influence of "escapist" entertainment.
Yang Ban Xi - The Eight Model Works (2006)
Runtime: 90 mins
Synopsis: A documentary musical about the rise and fall of Madam Mao's colorful propaganda opera's during the 1965-1975 Cultural Revolution in China and their renewed popularity in modern day China. These 8 Revolutionary model operas were called the Yang Ban Xi. Based on traditional Chinese... A documentary musical about the rise and fall of Madam Mao's colorful propaganda opera's during the 1965-1975 Cultural Revolution in China and their renewed popularity in modern day China. These 8 Revolutionary model operas were called the Yang Ban Xi. Based on traditional Chinese stories and adapted to the likes of Mao's wife Jiang Qing Min, the first lady of the Cultural Revolution, these operas presented the world in a much simpler way. All the good guys were farmers and revolutionary soldiers, singing and dancing in the broad spotlight. All the bad guys were landlords and anti revolutionaries with dark make-up. They were pure propaganda told in beautiful images, incorporating the most modern techniques of cinematography, song, and dance. It was the only culture allowed in China for 10 years. Although Madame Mao was ultimately convicted as a member of the Gang of Four and committed suicide in prison, the operas have recently regained popularity with the younger generation, who see it as a marvelous mixture of high and low culture. They are performed again and are now also available in Karaoke versions in the Chinese Supermarket. Exquisite original film segments from the Yang Ban Xi, combined with interviews with those who played in them at the time and contemporary performances, open a window into present-day urban China and its burgeoning cultural scene, and make for a visually striking and captivating film. [More]
Genre: Education/General Interest
DVD Info
Release:
Oct 4, 2007
DVD Features:
- Widescreen - 1.78
Audio:
- Dolby Digital 2.0 Stereo - Chinese
- Subtitles - English - Optional
Reviews
The result often feels disorganized or confusing...but the basic material is fascinating.
Comes to some obvious conclusions, but for the most part is pretty fascinating.
Yan opens a window on the past that Westerners in particular will find almost too bizarre for words, yet which never degenerates to the level of outright mockery.
This enthralling documentary, a Dutch production by Hong Kong–born female director Yan Ting Yuen, not only reclaims the Chinese propaganda opera but niftily positions it in the rush of Chinese cultural history.
A proper labor of love profiling many of the principles involved in the making of the films, peppered with a generous helping of wonderful clips.
Too often ... the film remains a hostage to its ambitious construction rather than simply using the opportunity to draw back the veil on a little-documented era.
It's a worthy subject, but its credibility is damaged by some banal fabrications.
Mao shows his fun side in world class camp taken very seriously.
Director Yan Ting Yuen has made an odd combination of the documentary and musical genres that is worth seeing simply for its bizarre feel.
The director Yan-Ting Yuen revisits China's recent past to explore the history and legacy of one of the strangest byproducts of totalitarian madness: the revolutionary spectacular.
What lingers is the observation of the thoughtful young artist who admires these productions: He believes it's the function of art to hide the reality that makes you shudder. Yuen would have been better off exposing more of that reality.
Entertaining and informative, but it suffers from distracting voice-overs of what are supposed to be Madame Mao's thoughts. Too bad.
Filmmaker Yuen applies a patina, not only of acceptance, but of humor and irony, to what is often and easily viewed with a dour expression.
What might have been a very enlightening documentary about Chairman Mao's Cultural Revolution has some very strange artistic choices that blunt the impact.
The social and political upheavals of the Cultural Revolution are glanced over to make way for a series of ineffectually meta-movie counterpoints to the great abundance of talking head footage.
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