Devor's' style as a filmmaker is visual and almost impressionistic, and he seems as enamored of the beauty of the landscape and the snow-capped volcano hovering protectively over Enumclaw as he does by his subject matter.
Zoo (2007)
Tomatometer
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Reviews Counted:43
Fresh:24
Rotten:19
Average Rating:6/10
Consensus: While a marginally fascinating look at a taboo subject, Zoo is bogged down by its overly artistic presentation.
Theatrical Release:30-05-2008
Synopsis: One of the many challenges of documentary filmmaking can often be how to present shocking or outrageous events without sensationalizing them. With ZOO, film writers Robinson Devor and Charles... One of the many challenges of documentary filmmaking can often be how to present shocking or outrageous events without sensationalizing them. With ZOO, film writers Robinson Devor and Charles Mudede certainly had their work cut out for them. In 2006, a news story broke that a man in Washington state had died while trying to have sex with a horse. Using a rather unconventional documentary style, Devor and Mudede decided to explore the incident, and delve into the secretive subculture of zoophilia. Foregoing the traditional interview techniques generally favored in documentaries, the film is composed almost entirely of scene reenactment, with actors standing in for all of the key players. The real people involved would lend only their taped voices, as they did not wish for their true identities to be revealed. Visually, the film is quite beautiful, and flows across the screen with a dreamy, ethereal quality. Scenes are often shaded in deep violets and midnight blues, and the many shadowed, slow motion shots move as though underwater. Contrary to what one might expect, it is devoid of graphic imagery (save for one extremely brief scene), and anyone interested for shock value alone will be greatly disappointed. However, those wishing to learn more about the psychology of zoophilia will also find the film lacking. Rather than educate its audience, the film's sole purpose seems to be to humanize the people involved, and to ask for empathy. This is a noble enough goal, and one that the filmmakers achieve to a certain degree. However, by the film's end, the world of zoophiliacs still feels cloaked in mystery. If their lives are lived in shadow, ZOO doesn't do much in the way of shedding any light. Viewers will doubtless be stirred emotionally by the film, but they are likely to walk away with more questions than answers. [More]
Starring: John Paulsen, Russell Hodgkinson, Michael Minard
Starring: John Paulsen, Russell Hodgkinson, Michael Minard
Director: Robinson Devor
Director: Robinson Devor
Screenwriter: Charles Mudede
Producer: Peggy Case, Alexis Ferris
Composer: Paul Moore
Studio: ThinkFilm
Reviews for Zoo
In the context of Zoo, you’re usually too busy trying not to fall asleep due to the score, or trying not to scream 'lighten up' at the people onscreen, to really allow the visuals the proper respect they deserve.
Robinson Devor and his accomplished crew expand our concept of the documentary film.
This film will confuse and surprise you. For the most part these guys seem like gentle, lonely and odd people, poorly socialized to human life.
The film's dramatic re-enactments, shot in lush 16mm by cinematographer Sean Kirby, create a fascinating blurring of the line between narrative and documentary storytelling, reminiscent of the work of Werner Herzog and Errol Morris.
Latest News for Zoo
September 18, 2007:
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April 26, 2007:
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