Rodriguez Raw Again for "Grindhouse"
Robert Rodriguez’s last few movies, the family friendly "Spy Kids" and the technologically glossy "Sin City" seem to have evolved greatly from his cheap and dirty early work. Now he’s taken his old "El Mariachi" style to the extreme.
"Planet Terror," his half of "Grindhouse," is not only gory and violent, but it even uses bad filmmaking as an artistic device, with jump cuts and scratched up film.
“We'd be shooting really quick and trying to get everything as perfect as we can,” recalled Rodriguez. “And just before we'd start a take, somebody would verily say, 'Oh wait, we can see the light back there.' I'd say, 'Oh, it's a 'Grindhouse' movie, keep shooting. We can't pause for that. No one's going to notice that.' It was very much like 'Mariachi.' It felt a lot of times where it was one take here, one take there and really just getting the more raw feel of it, just to make it more authentic.”

Of course, Rodriguez still had the budget to replace Rose McGowan’s leg with a machine gun via CGI. No real "Grindhouse" movie could do that. “What we wanted to do here was take the spirit and the idea of the Grindhouses from the '70s but make something completely that seemed like it was from another planet so when people saw it, they'd really enjoy it and go back and try to find movies like it and not be able to find any. So that was sort of the idea.”
Still, Rodriguez can knock out a movie fast. It’s his partner, Tarantino, who likes to take his time. “I shoot really fast for what we had to do because we just had a lot of action. I had to shoot fast in order to keep my budget lower because of all the special effects and all that. Since his was mostly dialogue, he doesn't have to shoot it that quick. He can concentrate more on getting those performances where since I'm having, if you look at how much stuff my movie has, it's just so jam packed with production value. The only way to afford that is if I shoot quick so I have to make myself shoot faster if I want to have all those bells and whistles.”
Check out our "Grindhouse A to Z" feature for a fast and furious rundown of all the best exploitation classics that inspired Tarantino and Rodriguez' double feature sleaze-fest!!
"Planet Terror," his half of "Grindhouse," is not only gory and violent, but it even uses bad filmmaking as an artistic device, with jump cuts and scratched up film.
“We'd be shooting really quick and trying to get everything as perfect as we can,” recalled Rodriguez. “And just before we'd start a take, somebody would verily say, 'Oh wait, we can see the light back there.' I'd say, 'Oh, it's a 'Grindhouse' movie, keep shooting. We can't pause for that. No one's going to notice that.' It was very much like 'Mariachi.' It felt a lot of times where it was one take here, one take there and really just getting the more raw feel of it, just to make it more authentic.”

Of course, Rodriguez still had the budget to replace Rose McGowan’s leg with a machine gun via CGI. No real "Grindhouse" movie could do that. “What we wanted to do here was take the spirit and the idea of the Grindhouses from the '70s but make something completely that seemed like it was from another planet so when people saw it, they'd really enjoy it and go back and try to find movies like it and not be able to find any. So that was sort of the idea.”
Still, Rodriguez can knock out a movie fast. It’s his partner, Tarantino, who likes to take his time. “I shoot really fast for what we had to do because we just had a lot of action. I had to shoot fast in order to keep my budget lower because of all the special effects and all that. Since his was mostly dialogue, he doesn't have to shoot it that quick. He can concentrate more on getting those performances where since I'm having, if you look at how much stuff my movie has, it's just so jam packed with production value. The only way to afford that is if I shoot quick so I have to make myself shoot faster if I want to have all those bells and whistles.”
Check out our "Grindhouse A to Z" feature for a fast and furious rundown of all the best exploitation classics that inspired Tarantino and Rodriguez' double feature sleaze-fest!!
Related Items
| Celeb: | Robert Rodriguez |
| Rose McGowan | |
| Movie: | Grindhouse |
|
Mikeal420 writes: on Apr 06 2007 07:09 AM I saw Grindhouse last week and loved it. But one reviewer got it right about Rodriguez's film-- it does seem like he was explained to what a Grindhouse movie was supposed to be like without ever watching them and Planet Terror is simply his vision of what it should be. For all the ctriticsm that Tarantino's film does not have enough strait-through, bloody action, he did truly captured what those 60's and 70's exploitation films were like. He didn't try to modernize for today's audience. (Reply to this) |
|
Mattmovies writes: on Apr 06 2007 11:39 AM The more I look at it, the more I think Rodriguez is a leech. A wannabe Tarantino. Tarantino is a bit of hack, but he still has an original edge. He turns B material into an A film. Rodriguez never made a good film without Miller or Tarantino involved. Tarantino's worst received work is always in conjunction with Rodriguez. I'm glad that lately I've been reading that Death Proof is a great film. So much praise has been leveled at Planet Terror's digital gross fest, that Death Proof's true cinematography and style has not been appreciated until now. (Reply to this) |
|
gratefuldawg writes: on Apr 06 2007 05:37 PM Just got back from seeing GRINDHOUSE. Certainly the most fun Ive had since seeing THE DEPARTED. And yeah DEATH PROOF is the better of the two. Hopefully both directors continue this idea, just please dont include Eli Roth. Talk about a hack worse than Rodriguez (Reply to this) |
|
thegoodlife08 writes: on Apr 06 2007 08:41 PM I can't believe that you wouldn't want another Grindhouse with any Eli Roth contribution after "Thanksgiving." I thought it was right up there with "Don't" as the top two trailers. (Reply to this) |
|
Holly Jolly writes: on Apr 06 2007 09:58 PM Death Proof was horrible. Yeah it was a throw back but why live in the old when we can have something totally new? Robert is doing stuff no one else dare do. Spy Kids, Sin City, Planet Terror, I can respect that a lot, and I actually enjoy this stuff. Planet Terror was totally over the top, hilarious and awesome at the same time. A book wouldn't cut it, however I could have read Tarantino's story just fine. Planet Terror is a pure cinema event. (Reply to this) |
|
TheIceGhost writes: on Apr 07 2007 01:59 AM I just got back from GRINDHOUSE. I must say, I really dug both movies. I can't even say which I liked more just because I found them to be two completely different animals. I thought each accomplished what they set out to do, and I enjoyed both for completely different reasons, which (to me) makes for a better end result. It matched, and exceeded my expectations so, I'm more than happy. I'll just put it this way: It's three hours of my life I'll never regret. Kudos to the both of them. I would say A.) Make sure to see this in a theater and B.)Make sure there is a nice crowd present (which I'm usually not a big fan of by the way) if you plan on seeing this film. The experience will be 100x better if you follow through. ..Oh yeah, and the trailers sprinkled throughout are awesome as well. MACHETE!! (Reply to this) |
|
liono86 writes: on Apr 07 2007 07:27 AM No offense, but, I doubt you could read that last scene of Death Proof. Or, at least not to full justice. And, yeah, Planet Terror was over-the-top, but, Death Proof was the better of the two. And, I agree with the guy/girl about the Thanksgiving and Don't trailers. Even though I hated Hostel, Eli's trailer was quite enjoyable. (Reply to this) |
|
Ultimale069 writes: on Apr 07 2007 02:56 PM There is something very much wrong with you people who are praising these movies. I had no intention of seeing these movies, but under the belief i was going to see a free showing of 300, i found myself regretting the loss of three hours of my life. While I could shut off my brain for most of planet terror, which was a waste of celluloid in itself, Quentin Tarrentino's Death proof solidified my extreme hatred of this man. I couldn't help but vividly see him jacking off to his "movie" the entire time the movie was running. The films he makes are his masturbatory implulses turned film. And then there are the sheep. All you people saying he is brilliant. I think if he filmed himself taking a shit, critics and movie asses alike would proclaim it some bold, daring new direction in film. I was the only crazy person in the theater who criticized the movie, or maybe i was the only sane one. I can't tell anymore. These are not great films, these are attempts at bad movies from the seventies trying to be brought back for a present day audience when in fact there is a good reason why these movies stopped being made. I wanted to be remibursed for the time I spent sitting through them, and somebody very well my have been murdered and robbed had i actually had to pay for it. (Reply to this) |
|
tycox writes: on Apr 07 2007 03:41 PM In reply to this comment (#860377) FOR SHAME!!!!!!! (Reply to this) |
|
Mikeal420 writes: on Apr 07 2007 08:53 PM In reply to this comment (#860377) I noticed nowhere in your statement did you make any real criticisms toward the films. You went in there with a bias and chose these movies as a way to vent your bitterness. I for one liked "Death Proof"- just because for as much Tarintino tried to make a bad movie he couldn't help but make a good one. The dialogue felt real, the last 20 min are a cinemtographers wet-dream. "Planet Terror" was pretty repetitive though, Rodriguez definitly made the bad movie he intended. There are an infinite number of gruesome ways to kill a man, but a movie should not just revolve around that and cheesy one-liners. You seemed to let your own personal morals get in the way of enjoying good filmaking. In my opinion, this makes you not a true fan of art at all. (Reply to this) |
| You must be registered to post comments. Login or Register. |





