When Is A DVD Worth $400? A Look At Criterion Collectibles
When is a DVD worth $400? To DVD enthusiasts, it's when said disc is a rare Criterion white-ring issue of Pier Pasolini's 1975 film "Salo," which can go for upwards of a few Benjamin Franklins in today's collectors' market.
You see, Criterion -- that bastion of cinematic preservation bringing classic films, foreign titles, and director's cuts to North American armchair cinephiles -- has released over 300 titles in its 23-year reign as every movie fiend's best friend. That oeuvre is composed nearly entirely of critical classics ("The Rock" and "Armageddon" notwithstanding) that usually sell for between $30 and $40 -- until, that is, distribution rights to a film expire. Once a disc goes OOP (Out Of Print), its Criterion value shoots skyward.
Currently at least 18 Criterion titles have gone out of print; if one is so lucky as to own the Criterion issues of , say, "RoboCop," "This Is Spinal Tap," "Rebecca," or John Woo's "The Killer," that DVD can be worth over $100 alone. (And if anyone has a Criterion copy of Perry Henzell's "The Harder They Come," our own Tim Ryan may fork over a fortnight's pay to get his hands on it.)
That isn't to say these titles aren't available in standard issues -- you can find a non-Criterion (read: barebones) version of Pasolini's "Salo" on EBay for the cost of $5.95. But as many cinema lovers know, when Criterion issues a DVD, it gives a film the royal treatment: movies presented in their original aspect ratios, in discs packed with in-depth special features and bonus materials.
Adding covetousness to the allure of OOP discs is the designation of the "white ring." Signifying a particular film's limited Criterion release, a Criterion DVD bearing a frosted white center can boost a rare issue's value into the realm of extreme cost. The white ring means hard-to-find. The white ring means expensive (that is, if you can find it for sale and verify its legitimacy). The mere mention of the white ring is enough to make any true DVD collector drool with desire, like a Pavlovian dog with a home video fetish.
Thus is born the $400 DVD. Arguably the most expensive disc these days is the Criterion issue of "Salo" (also known as "Salo, or the 120 Days of Sodom"), Pasolini's 1975 film adapted from the Marquis de Sade's satirical story of wealthy libertines holed up in a castle to defile and debauch a group of adolescent children. Pasolini transferred the story to a 1944 Fascist setting, but the graphic nature of the film's numerous rape, sex and torture scenes led to widespread banning in multiple countries.
Released by Criterion in 1998, the DVD was only available a short time before licensing conflicts intervened and the edition was pulled. The desirable Criterion white ring edition of "Salo" is rumored to go for as much as $500 at times; one current EBay listing offers it for the Buy It Now price of $399.95.
However, the folks over at Criterion have announced that they've regained the rights and intend to re-release "Salo" sometime in 2007 (and in HD!), so you'd better hurry up and unload that cache of white ring "Salo" DVDs fast. (Incidentally, Criterion's On Five blog is a great read for a behind-the-scenes look at the company's goings-on, including their process for choosing cover art for Jules Dassin's "Night And The City" and "Thieves' Highway.")
Oh, and if anyone's in the market for the entire Criterion Collection to date -- 320 titles in all -- get ready to fork over a cool $7,000 for the lot of 'em. (Hey, at least shipping is free!)
[Thanks to our great Forum members for bringing such interesting topics to mind!]
You see, Criterion -- that bastion of cinematic preservation bringing classic films, foreign titles, and director's cuts to North American armchair cinephiles -- has released over 300 titles in its 23-year reign as every movie fiend's best friend. That oeuvre is composed nearly entirely of critical classics ("The Rock" and "Armageddon" notwithstanding) that usually sell for between $30 and $40 -- until, that is, distribution rights to a film expire. Once a disc goes OOP (Out Of Print), its Criterion value shoots skyward.
Currently at least 18 Criterion titles have gone out of print; if one is so lucky as to own the Criterion issues of , say, "RoboCop," "This Is Spinal Tap," "Rebecca," or John Woo's "The Killer," that DVD can be worth over $100 alone. (And if anyone has a Criterion copy of Perry Henzell's "The Harder They Come," our own Tim Ryan may fork over a fortnight's pay to get his hands on it.)
That isn't to say these titles aren't available in standard issues -- you can find a non-Criterion (read: barebones) version of Pasolini's "Salo" on EBay for the cost of $5.95. But as many cinema lovers know, when Criterion issues a DVD, it gives a film the royal treatment: movies presented in their original aspect ratios, in discs packed with in-depth special features and bonus materials.
Adding covetousness to the allure of OOP discs is the designation of the "white ring." Signifying a particular film's limited Criterion release, a Criterion DVD bearing a frosted white center can boost a rare issue's value into the realm of extreme cost. The white ring means hard-to-find. The white ring means expensive (that is, if you can find it for sale and verify its legitimacy). The mere mention of the white ring is enough to make any true DVD collector drool with desire, like a Pavlovian dog with a home video fetish.
Thus is born the $400 DVD. Arguably the most expensive disc these days is the Criterion issue of "Salo" (also known as "Salo, or the 120 Days of Sodom"), Pasolini's 1975 film adapted from the Marquis de Sade's satirical story of wealthy libertines holed up in a castle to defile and debauch a group of adolescent children. Pasolini transferred the story to a 1944 Fascist setting, but the graphic nature of the film's numerous rape, sex and torture scenes led to widespread banning in multiple countries.
Released by Criterion in 1998, the DVD was only available a short time before licensing conflicts intervened and the edition was pulled. The desirable Criterion white ring edition of "Salo" is rumored to go for as much as $500 at times; one current EBay listing offers it for the Buy It Now price of $399.95.
However, the folks over at Criterion have announced that they've regained the rights and intend to re-release "Salo" sometime in 2007 (and in HD!), so you'd better hurry up and unload that cache of white ring "Salo" DVDs fast. (Incidentally, Criterion's On Five blog is a great read for a behind-the-scenes look at the company's goings-on, including their process for choosing cover art for Jules Dassin's "Night And The City" and "Thieves' Highway.")
Oh, and if anyone's in the market for the entire Criterion Collection to date -- 320 titles in all -- get ready to fork over a cool $7,000 for the lot of 'em. (Hey, at least shipping is free!)
[Thanks to our great Forum members for bringing such interesting topics to mind!]
Related Items
| Celeb: | Pier Paolo Pasolini |
| Movie: | The Killer |
| This Is Spinal Tap | |
| The Rock | |
| Armageddon | |
| Salo, Or The 120 Days of Sodom |
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Jofo1185 writes: on Apr 27 2007 03:12 PM [b]CC[/b] I have many Criterion collection dvds, and I must say they are the best of the best when it comes to dvds. (Reply to this) |
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blank blank writes: on Apr 27 2007 04:15 PM royal tennenbaums rules (Reply to this) |
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gratefuldawg writes: on Apr 27 2007 07:47 PM Two things wrong with Criterion. First, is thier licensing deal with the studios which allows the films available in limited quanities. And secondly is the price which is absurdly high for a DVD for the average working stiff. You really half to pick and choose carefully. Which is unfortunate considering thier superb production values. (Reply to this) |
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dracula68 writes: on Apr 27 2007 08:23 PM Criterion's reissue of "Carnival Of Souls" is one of the best packages. Criterion's overall pricing of 30-40 bucks -- let's put it this way. For what they give you, it's a cinephile's dream at relatively inexpensive prices. That's 30-40 for multi-disc sets with hours of extra features if you're into that sort of thing. Would love to see Criterion reissues of "The Red Balloon" and "Breakfast Club". (Reply to this) |
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TheAnswerMVP2001 writes: on Apr 27 2007 09:54 PM A DVD is never worth $400, maybe to the fanatics but not to the regular viewing public. Extra features are nice but I have to say, I hardly ever watch the bonus features on any DVD. Also many Criterion DVD's are available for rent on Netflix I know Carnival Of Souls is. (Reply to this) |
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eastern2western writes: on Apr 27 2007 10:03 PM could I put those dvds on my block buster on line list? (Reply to this) |
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mssk8erboy writes: on Apr 27 2007 10:53 PM Blank Blank is right on... I have the Royal Tenenbaums Criterion DVD along with Rushmore and Life Aquatic with Steve Zissou, they are amazing. -MIKE (Reply to this) |
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filmfascist writes: on Apr 28 2007 12:39 AM Criterion Collection is my boyfriend. (Reply to this) |
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luckystar writes: on Apr 28 2007 07:39 AM Considering that Criterion charged $70 - $90 for Laserdiscs I bought such as "Breaking the Waves" and "The Silence of the Lambs", the $30 - $40 for their DVDs is discount pricing. $400, though.....Too rich for my blood. (Reply to this) |
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FireflyFan4evr writes: on Apr 28 2007 10:02 AM I've never really been into any of the films that Criterion has released, mainly because: I haven't seen them before, they are way too expensive to blindly purchase (they go for between $40-$110 in Canada, and HMV is the only place that carries them in regular stock), and most of the films I haven't even heard of. I'd like to see Fellini's 8 1/2, along with the new release of La Haine and whenever they get around to releasing Breathless. (Reply to this) |
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WeaponAndy writes: on Apr 28 2007 03:08 PM I don't care how good the damn thing is. $400 is just too much for a frakkin' DVD. (Reply to this) |
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jubarmh writes: on Apr 29 2007 08:23 AM Okay, I have one major problem with the above article. The criterion release of Salo is total crap. Two major studios have put out (non region 1) DVDs which are far superior in quality to the Criterion disc (and they sell for about $15). And as far as special features go, there are none on the Criterion DVD ("non-Criterion (read: barebones)"...please...the writer of this article should do their research first). So why then would people spend $400 for this? Because arthouse idiots worship Criterion, even though a large number of their releases are rather bare bones and subpar. (Reply to this) |
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taran72 writes: on Apr 29 2007 10:34 AM Brazil Criterion rocks. (Reply to this) |
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homeimp writes: on Apr 29 2007 11:58 AM In reply to this comment (#863083) I have noticed the barebones approach on some Criterion DVD's as well. For example David Lean's Great Expectations & Oliver Twist, also Pygmalion. Kind of disappointing, especially as the price remains high. (Reply to this) |
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Flim Springfield writes: on Apr 29 2007 03:58 PM I want a Criterion "Star Wars". Just "Star Wars", none of the other ones, and keep George Lucas far away when working on it. (Reply to this) |
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zgberg writes: on Apr 29 2007 11:31 PM [b]This is npt pne fpr feint hearted[/b] Funny thing about Passolini' s Salo is he was killed a shortwhile later making homosexual advances on an unsuspecting, and offended, hitch hiker. This movie one of those where you question how important it really is - on the surface its about torture, sex gratiuitous violence. On the other hand, it is commentaty on the breakdown of a facist state like Mussilini's (incendentally, the town of Salo was his last retreat before the fall of facist italy. BTW, Marian Keane was one of my professors before she didnt get tenure at CU Bouilder - she runs the collection now (rot in hell Marian!) Keep ripping off peeps on a movie that most peoplet think is the most vile film ever made Also Prof Kean, Gong li sold out!!! (Reply to this) |
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