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3/4 |
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Abandon (2002) |
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"What begins as yet another school-set thriller gradually evolves into something more psychologically layered." | |
Josh Larsen | |
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2/4 |
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About Schmidt (2002) |
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"The story of an eternal optimist told by confirmed pessimists." | |
Josh Larsen | |
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3/4 |
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Accepted (2006) |
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"...restores your faith in low budgets and dumb ideas. It reminds you both can be fun." | |
Josh Larsen | |
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3/4 |
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Adaptation (2002) |
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"Very clever about being very clever." | |
Josh Larsen | |
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1/4 |
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Adventures of Sharkboy and Lava Girl in 3-D (2005) |
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"...best left hanging on the Rodriguez family refrigerator, not in theaters for all to see." | |
Josh Larsen | |
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3/4 |
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After the Sunset (2004) |
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"...could only be more fun if you were able to watch it while relaxing on a beach." | |
Josh Larsen | |
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2/4 |
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Against the Ropes (2003) |
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"If `Erin Brockovich' is the role model here, `Against the Ropes' falls far short." | |
Josh Larsen | |
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3/4 |
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Agent Cody Banks (2003) |
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"...less about gadgets and spies than the awkward, hollow feeling a boy gets in his stomach the first time he calls a girl." | |
Josh Larsen | |
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3/4 |
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Akeelah and the Bee (2006) |
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"Keke Palmer has a studied air of concentration that keeps not just her character but the entire movie on track." | |
Josh Larsen | |
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1.5/4 |
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The Alamo (2004) |
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"...rigidly epic..." | |
Josh Larsen | |
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2/4 |
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Alex and Emma (2003) |
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"...a romantic comedy with two opportunities to be romantic and comic -- and the picture fails on both counts." | |
Josh Larsen | |
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1/4 |
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Alexander (2004) |
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"...has all the makings of a camp classic, including the crucial element: deadly serious intentions." | |
Josh Larsen | |
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2/4 |
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All The King's Men (2006) |
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"Penn is ... playing the part of Great Actor more than the part of Willie Stark." | |
Josh Larsen | |
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4/4 |
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All the Real Girls (2003) |
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"As we stumble and trip our way through romance, hearts aren't just broken -- they deflate until they disappear. Watching `All the Real Girls' is like listening to the hissing sound." | |
Josh Larsen | |
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1.5 |
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Almost Salinas (2003) |
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"Contrived as a drama and hokey as a comedy." | |
Josh Larsen | |
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3/4 |
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Along Came Polly (2004) |
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"...far more entertaining than its derivative nature would suggest." | |
Josh Larsen | |
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2/4 |
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Alpha Dog (2007) |
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"Alpha Dog, like most of its cast, is posing." | |
Josh Larsen | |
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1.5/4 |
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Alvin and the Chipmunks (2007) |
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"Should be sent to the same movie pound as the recent Garfield pictures." | |
Josh Larsen | |
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3.5/4 |
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Amazing Grace (2007) |
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"How do you make the slavery debates of 18th-century British parliament feel cinematic? By casting some of the best brogues around." | |
Josh Larsen | |
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3.5/4 |
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American Dreamz (2006) |
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"...will undoubtedly come under fire for being all over the place, but that's like complaining a trapeze artist shouldn't be performing so far up in the air. The movie exhilarates precisely because it takes random, high-altitude risks." | |
Josh Larsen | |
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2/4 |
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American Gangster (2007) |
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"What are the chances you would leave a movie starring Denzel Washington and Russell Crowe shrugging your shoulders?" | |
Josh Larsen | |
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3/4 |
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American Splendor (2003) |
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"The film's greatest feat is an honorable but meek one: It has kept Pekar's vision intact." | |
Josh Larsen | |
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2/4 |
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American Wedding (2003) |
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"Like someone smacking the bottom of an empty ketchup bottle, desperately hoping to force out a dollop or two..." | |
Josh Larsen | |
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2/4 |
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The Amityville Horror (2005) |
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"...it all seems a bit silly when things easily could have been avoided simply by moving out." | |
Josh Larsen | |
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1.5/4 |
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Anacondas: The Hunt for the Blood Orchid (2004) |
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"...mainly a series of false alarms involving a pet monkey." | |
Josh Larsen | |
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2/4 |
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Analyze That (2002) |
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"...a series of rim shots in search of a punch line." | |
Josh Larsen | |
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3/4 |
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Anchorman: The Legend of Ron Burgundy (2004) |
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"...Burgundy barely qualifies as a character. Better to think of him as a living one-liner, albeit a very funny one." | |
Josh Larsen | |
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1.5/4 |
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And Now Ladies and Gentlemen (2003) |
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"...the French version of a botched Hollwood blockbuster: It's misguided, self-indulgent and nonsensical." | |
Josh Larsen | |
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2/4 |
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Andrew Lloyd Webber's The Phantom of the Opera (2004) |
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"...a particularly unconvincing perfume ad." | |
Josh Larsen | |
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2/4 |
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Angel-A (2007) |
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"Surprise, surprise - Luc Besson envisions a celestial being as a leggy, skinny super model." | |
Josh Larsen | |
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3/4 |
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Anger Management (2003) |
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"...a spoof of the contemporary need to pigeonhole people according to their perceived problems." | |
Josh Larsen | |
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1.5/4 |
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Annapolis (2006) |
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"...grimacing is about all Franco manages." | |
Josh Larsen | |
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3/4 |
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The Ant Bully (2006) |
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"Kids have always had a love-hate relationship with ants...and The Ant Bully ingeniously explores this childhood inconsistency." | |
Josh Larsen | |
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3/4 |
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Antwone Fisher (2002) |
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"...a triumphant, three-way debut." | |
Josh Larsen | |
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1.5/4 |
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Anything Else (2003) |
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"Woody Allen hits a new narcissistic low..." | |
Josh Larsen | |
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3/4 |
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Apocalypto (2006) |
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"As confessional as any Diane Sawyer interview..." | |
Josh Larsen | |
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2/4 |
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Aqua Teen Hunger Force Colon Movie Film For Theatres (2007) |
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"...conjures up the surreal adolescent daydreams of stuffy high-school classrooms. You might as well be watching the doodling in some kid's notebook come to life." | |
Josh Larsen | |
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1/4 |
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Aquamarine (2006) |
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"...a sparkly endorsement of what can best be described as Barbie culture." | |
Josh Larsen | |
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1.5/4 |
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Arctic Tale (2007) |
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"...suffers from happy feet." | |
Josh Larsen | |
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3.5/4 |
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The Aristocrats (2005) |
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"If you can get past the obscenity -- although there probably is something wrong with you if you can -- it works as a revealing study of what, in effect, is so funny." | |
Josh Larsen | |
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2/4 |
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Around the World in 80 Days (2004) |
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"...Chan's random kung-fu sequences feel like just another plate spinning in the air." | |
Josh Larsen | |
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2/4 |
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Arthur and the Invisibles (2007) |
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"Besson ... even dresses up the main female character in the sort of action-babe getup assigned to Milla Jovovich in his own The Fifth Element." | |
Josh Larsen | |
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2/4 |
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Ask the Dust (2005) |
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"If only writing in real life could be as romantic as it often is in the movies." | |
Josh Larsen | |
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3.5/4 |
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The Assassination of Jesse James by the Coward Robert Ford (2007) |
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"Are these the thoughts that ran through Pitt's head after he was hugged in Venice by that aggressive fan?" | |
Josh Larsen | |
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3/4 |
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Assassination Tango (2003) |
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"You get the feeling Duvall took a tango trip to Buenos Aires and haphazardly decided to make a crime movie while staying there." | |
Josh Larsen | |
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4/4 |
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The Astronaut Farmer (2007) |
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"...exists in its own lovely little universe, and the best way to appreciate it is to not hold it up to the rules and expectations of ours." | |
Josh Larsen | |
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3/4 |
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ATL (2006) |
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"...serves as the Kanye West to gangster-rap movies such as `Never Die Alone.'" | |
Josh Larsen | |
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3/4 |
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Atonement (2007) |
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"There is a lot of yearning going on in Atonement, and not all of it is confined to the actors on the screen." | |
Josh Larsen | |
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4/4 |
|
Au Hasard Balthazar (1966) |
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"...has the transcendent beauty of a Renaissance painting and the inspiring fire of a sermon." | |
Josh Larsen | |
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1.5/4 |
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Austin Powers in Goldmember (2002) |
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"Witnessing `Goldmember' is...akin to monitoring a patient for signs of exhaustion." | |
Josh Larsen | |
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