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8/10 |
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A.I. Artificial Intelligence (2001) |
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"Spielberg should thank the heavens that Haley Joel Osment exists. The movie's success entirely depends on his performance, and his performance is incredible." | |
Jeffrey Chen | |
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9/10 |
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About a Boy (2002) |
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"Both Grant and Hoult carry the movie because they are believable as people -- flawed, assured of the wrong things, and scared to admit how much they may really need the company of others." | |
Jeffrey Chen | |
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9/10 |
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About Schmidt (2002) |
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"Funny and yet depressing, Schmidt's bemused observations of his world made me laugh, but the exposure of that world's lack of warmth made me want to cry." | |
Jeffrey Chen | |
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7/10 |
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Across the Universe (2007) |
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"I'll go ahead and say it: I'm embarrassed by how much I liked this movie." | |
Jeffrey Chen | |
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10/10 |
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Adaptation (2002) |
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"Great movie. It's hilarious and mind-boggling." | |
Jeffrey Chen | |
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8/10 |
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Akeelah and the Bee (2006) |
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"If there's ever any evidence that originality and predictability aren't necessarily absolute elements by which to judge a movie, Akeelah and the Bee is it." | |
Jeffrey Chen | |
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4/10 |
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The Alamo (2004) |
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"Even if a 'realistic' approach had to be taken, better to show the roots of such legends, rather than spend so much time making them ordinary." | |
Jeffrey Chen | |
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4/10 |
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Alex and Emma (2003) |
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"I got the feeling [Reiner] auto-piloted himself through this project; so much of it is corny and panders to its target audience." | |
Jeffrey Chen | |
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5/10 |
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Ali (2001) |
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"Had a chance to be a joyous celebration of this special athlete, but for much of the running time the atmosphere was funereal." | |
Jeffrey Chen | |
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2/10 |
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Alien vs. Predator (2004) |
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"Took a premise rife with potential and created perhaps the most boring story possible to accomodate the two sci-fi races." | |
Jeffrey Chen | |
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4/10 |
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All The King's Men (2006) |
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"Possesses what any attempted 'prestige picture' should dread: a conspicuous sense of self-importance." | |
Jeffrey Chen | |
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8/10 |
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All the Real Girls (2003) |
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"Isn't likely to win over the romance audiences who look for fluffy distractions ... [but] will please those who like their relationship movies honest, realistic, and understated." | |
Jeffrey Chen | |
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8/10 |
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Amelie (2001) |
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"'Cute' is the primary word to describe this film." | |
Jeffrey Chen | |
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5/10 |
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America's Sweethearts (2001) |
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"Disappointment comes from the sense that the picture started off with the promise of being something different, maybe even something scathing, but then settles for something rather routine." | |
Jeffrey Chen | |
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8/10 |
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American Gangster (2007) |
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"Sure we've seen this sort of thing before. But every time we see it, we're entertained." | |
Jeffrey Chen | |
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7/10 |
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American Pie 2 (2001) |
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"It's all about sex again, but, like the first movie, it handles it with a sense of balance between the lewdness and the awkwardness of the subject." | |
Jeffrey Chen | |
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10/10 |
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American Splendor (2003) |
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"Makes a good case for the constructiveness of working out the questions, issues, and problems one faces in life through the output of art." | |
Jeffrey Chen | |
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4/10 |
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American Wedding (2003) |
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"Not only is Stifler taking over this [movie], he's also engaging in one ridiculous experience after another, most of them humiliating." | |
Jeffrey Chen | |
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8/10 |
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Amores Perros (2001) |
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"The biggest strength of Amores Perros is its display of humanity at its worst when it is driven by primal attachments." | |
Jeffrey Chen | |
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6/10 |
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Anchorman: The Legend of Ron Burgundy (2004) |
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"Isn't as strong as Dodgeball or Starsky and Hutch primarily because the satire inherent in these flicks isn't paid as much attention to this time around." | |
Jeffrey Chen | |
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7/10 |
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Andrew Lloyd Webber's The Phantom of the Opera (2004) |
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"If you loved the show, you'll likely love the movie; if you detest the show, you'll hate the movie. Personally, I fall closer to the middle." | |
Jeffrey Chen | |
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9/10 |
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Andy Goldsworthy - Rivers and Tides: Working With Time (2003) |
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"Goldsworthy's approach to his art speaks volumes to me ... [his] works find their value in the changing moments of their existence." | |
Jeffrey Chen | |
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6/10 |
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Angel Eyes (2001) |
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"Viewers are going to feel pretty cheated if they walked in hoping to bite their nails and then left realizing they should've brought a hanky instead." | |
Jeffrey Chen | |
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5/10 |
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Anger Management (2003) |
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"Nothing in the film comes close to the glorious potential its poster teases us with, featuring Sandler and Nicholson, forehead to forehead, screaming at each other." | |
Jeffrey Chen | |
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8/10 |
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Animatrix (2003) |
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"The Animatrix may be commercial in its purpose, but it's also rapturously artistic in its execution." | |
Jeffrey Chen | |
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3/10 |
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Annapolis (2006) |
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"These aren't characters, these are character templates, and the story they've been cut-and-pasted into couldn't be more cornball." | |
Jeffrey Chen | |
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10/10 |
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Annie Hall (1977) |
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"I love how honest this movie is. It's raw, it's awkward, and it's ugly, but it's all right there and right on." | |
Jeffrey Chen | |
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5/10 |
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The Ant Bully (2006) |
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"If we have to use insects to teach the value of cooperation, how about switching to bees for a change?" | |
Jeffrey Chen | |
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6/10 |
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Antwone Fisher (2002) |
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"An uplifting drama ... What Antwone Fisher isn't, however, is original." | |
Jeffrey Chen | |
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5/10 |
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Aquamarine (2006) |
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"Just enough to satisfy its undiscriminating intended audience, but it'll be neither here nor there for anyone else." | |
Jeffrey Chen | |
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7/10 |
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Around the World in 80 Days (2004) |
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"Trippy, goofy, and nearly senseless concoction [is] one of the more entertaining cases of 'What-in-the-heck?' out there." | |
Jeffrey Chen | |
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8/10 |
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Atlantis: The Lost Empire (2001) |
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"It carries with it the spirit of those old science fiction stories." | |
Jeffrey Chen | |
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9/10 |
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Audition (2001) |
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"No movie before this one literally made me quake." | |
Jeffrey Chen | |
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6/10 |
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August Rush (2007) |
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"Its almost desperate earnestness actually turns out to be its greatest appeal -- August Rush does believe in fairy tales, it does it does it does!" | |
Jeffrey Chen | |
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9/10 |
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Away From Her (2007) |
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"This is a really wrenching film, and all the better for it." | |
Jeffrey Chen | |
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