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 |
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-- |
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A.I. Artificial Intelligence (2001) |
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Click here to see the review. | |
Jill Cozzi | |
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C |
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About Schmidt (2002) |
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"A lazy effort peppered only sparingly with inspiration." | |
Gabriel Shanks | |
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B- |
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Adaptation (2002) |
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"Kaufman's script is wildly imaginative but only intermittently entertaining, dredging up troubling questions about artistic responsibility that he ultimately doesn't answer." | |
Gabriel Shanks | |
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D |
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Adored - Diary of a Porn Star (2004) |
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"An unfortunate exercise in ego run amok, coupled with inexperience and ineptitude." | |
Gabriel Shanks | |
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|
| |
-- |
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The Adventures of Felix (2001) |
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Click here to see the review. | |
Gabriel Shanks | |
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|
|
| |
-- |
|
After Innocence (2005) |
|
Click here to see the review. | |
Jill Cozzi | |
|
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C- |
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The Alamo (2004) |
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"As exciting as a big, flat cyclorama exhibit at your local historical society.
" | |
Gabriel Shanks | |
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B |
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Alfie (2004) |
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"The problem with casting someone like Jude Law in this role is that it's not difficult to imagine women falling head over heels for [him]before he even turns on the charm." | |
Jill Cozzi | |
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Alien vs. Predator (2004) |
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"If you're aching for lines like, 'Well, that tunnel didn't dig itself,' and 'My enemy's enemy...is....my friend?,' run don't walk to AVP." | |
Martin Scribbs | |
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A |
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All About My Mother (1999) |
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"Both an expansion of Almodovar's famous candy-colored vision and a maturation of his ingenious directorial style." | |
Gabriel Shanks | |
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| |
A- |
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All the Pretty Horses (2000) |
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"Part elegy, part romance, and part myth, it's a sweeping paean to the lost West, a dreamy chronicling of the end of an age." | |
Gabriel Shanks | |
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| |
-- |
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Almost Famous (2000) |
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Click here to see the review. | |
Jill Cozzi | |
|
|
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| |
|
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Along Came Polly (2004) |
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"99.8% probability obvious but valuable lessons will be learned." | |
Martin Scribbs | |
|
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B |
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America Brown (2005) |
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"The rites of passage into adulthood have rarely been so textured." | |
Gabriel Shanks | |
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| |
-- |
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American Beauty (1999) |
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Click here to see the review. | |
Jill Cozzi | |
|
|
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B- |
|
American Psycho (2000) |
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"Succeeds in entertaining the audience, but diminishes the overall power of the social critique Ellis had in mind." | |
Gabriel Shanks | |
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|
| |
-- |
|
American Psycho (2000) |
|
Click here to see the review. | |
Jill Cozzi | |
|
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| |
|
|
American Splendor (2003) |
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"Directors Berman and Pulcini demonstrate a very real understanding of the graphic novel universe in which they're filming." | |
Jill Cozzi | |
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|
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-- |
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Analyze This (1998) |
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Click here to see the review. | |
Jill Cozzi | |
|
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| |
|
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Anchorman: The Legend of Ron Burgundy (2004) |
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"All hail Will Ferrell, King of the man-children!" | |
Martin Scribbs | |
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| |
|
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Animation Show - Volume 1 (2003) |
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"Boasting six Academy Award nominees for best animated short, the program richly rewarded its audience with comedy, kitsch, and wisdom." | |
Martin Scribbs | |
|
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|
| |
-- |
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Antitrust (2001) |
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Click here to see the review. | |
Jill Cozzi | |
|
|
|
| |
-- |
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The Apostle (1997) |
|
Click here to see the review. | |
Jill Cozzi | |
|
|
|
| |
B+ |
|
The Assassination of Richard Nixon (2004) |
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"A moving, poignant parable of another America, where the dreams aren't quite so rosy." | |
Gabriel Shanks | |
|
|
|
| |
5/5 |
|
Auntie Mame (1958) |
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"Possibly the greatest comedy of all time, with a performance by Rosalind Russell that can only be described as 'bravura'." | |
Gabriel Shanks | |
|
|
|
| |
-- |
|
Austin Powers: The Spy Who Shagged Me (1999) |
|
Click here to see the review. | |
Jill Cozzi | |
|
|
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| |
B |
|
The Aviator (2004) |
|
"Scorsese seems haunted by the Academy's repeated snubs...this most visceral of filmmakers is entirely too cautious...this very good film falls just short of being a great one." | |
Jill Cozzi | |
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