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Critics / Publications / Weekly Planet (Tampa, FL)
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• Lance Goldenberg

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Weekly Planet (Tampa, FL)

  
   (1-36) of 36
  

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2/5
     The Alamo (2004)      "It wavers between traditional period adventure, cynical, revisionist history and meandering, multi-character mini-series. The action scenes aren't very good either."       Lance Goldenberg  
  
4/5
     Bad Education (2004)      "...Almodovar's meta-movie teases us with Big Ideas about those of us who love our fantasies so much that we turn them into our realities."       Lance Goldenberg  
  
4/5
     Before Sunset (2004)      "For all the talk, there's always something unspoken bubbling away in the space between these two ex-lovers..."       Lance Goldenberg  
  
1/5
     The Brown Bunny (2004)      "...M. Knight Shyamalan trapped in a pornorgraphic art flick."       Lance Goldenberg  
  
4.5/5
     City of God (2003)      "We've seen this story before, more or less -- the blood, the budding psychopaths, the all-too-young victims of urban decay -- but never quite like this."       Lance Goldenberg  
  
1/5
     Diary of a Mad Black Woman (2005)      "...a passion play with a guy in drag (who could ask for anything more?)..."       Lance Goldenberg  
  
4/5
     Dogville (2003)      "...an experience that's both grueling and, in its way, glorious."       Lance Goldenberg  
  
3.5/5
     The Door in the Floor (2004)      "...a film both fluid and hermetically sealed, inviting multiple interpretations and yet ultimately reluctant to give up its secrets."       Lance Goldenberg  
  
3.5/5
     The Dreamers (2004)      "The erotic parlor games in Bertolucci's film don't get quite get debauched or deep enough, and once they've run their course, the movie doesn't know what to do."       Lance Goldenberg  
  
5/5
     El Bruto (1952)      No article available.       Lance Goldenberg  
  
3.5/5
     Eternal Sunshine of the Spotless Mind (2004)      "It's a strange trip, to be sure, sort of like what Fantastic Voyage might have been if some acid-gobbling metaphysicians had been at the helm."       Lance Goldenberg  
  
3/5
     Ghost (1990)      No article available.       Lance Goldenberg  
  
4/5
     Hero (2004)      "...an astonishingly graceful ballet performed with swords, arrows and fists."       Lance Goldenberg  
  
2/5
     A Home at the End of the World (2004)      "The naughty bits were eventually cut (so to speak) for being too "distracting," but the publicity surrounding the deletion may be the best thing the movie has going for it."       Lance Goldenberg  
  
4.5/5
     In the Realms of the Unreal (2004)      "...a fascinating sort of connect-the-dots that allows us to essentially piece together our very own personalized portrait of this most curious of artists."       Lance Goldenberg  
  
4/5
     Kandahar (2001)      "As with so much in the Islamic world, there are things here that are profoundly beautiful, as well as much that is profoundly scary."       Lance Goldenberg  
  
4/5
     Kill Bill Vol. 2 (2004)      "KB2 is still basically a cartoon, albeit a more elaborately illustrated one..."       Lance Goldenberg  
  
3/5
     Ladykillers (2004)      "...nowhere near the Coens' funniest or most distinctive or even most endearing work."       Lance Goldenberg  
  
3/5
     The Last Samurai (2003)      "...doesn't seem particularly interested in the nuances and points of frisson that are bound to occur when East meets West."       Lance Goldenberg  
  
4.5/5
     Le Cercle Rouge (1970)      "It's a languorous and uncompromising work that will drive some to distraction, but also a movie of dark, still beauty that will have others weeping tears of pure, noir joy."       Lance Goldenberg  
  
4/5
     Les Cousins (1958)      No article available.       Lance Goldenberg  
  
4/5
     Marius (1931)      No article available.       Lance Goldenberg  
  
3.5/5
     Mean Girls (2004)      "...a lean, mean entertainment that manages to be both playful and subversive while exhibiting plenty of mainstream appeal."       Lance Goldenberg  
  
3.5/5
     Millions (2005)      "...Millions pulls off the neat trick of affirming that money can't buy happiness, even as it has a ball pretending that it can."       Lance Goldenberg  
  
4/5
     Mr. Smith Goes to Washington (1939)      No article available.       Lance Goldenberg  
  
4/5
     My Architect: A Son's Journey (2003)      "A film with all the passion, mystery, tears and joy of first-rate, fully fleshed fiction."       Lance Goldenberg  
  
4/5
     Off the Map (2005)      "...eloquently written but not overwritten, with a story that ultimately feels less like a literary construct and more like a spontaneous celebration of a few lived lives..."       Lance Goldenberg  
  
2.5/5
     Open Water (2004)      "...Daniel and Susan just float around bitching at each other, so the movie frequently seems like a production of Who's Afraid of Virginia Woolf in scuba gear."       Lance Goldenberg  
  
2/5
     The Passion of the Christ (2004)      "The movie's biggest sin lies not in where it chooses to cast blame, but in its bungled attempt at manufacturing what I suppose you'd have to call an epiphany of excess."       Lance Goldenberg  
  
5/5
     Paths of Glory (1957)      No article available.       Lance Goldenberg  
  
3.5/5
     The Punisher (2004)      "It's dark and gritty and even a little tawdry, pushing ... deep into Death Wish territory, which is exactly as it should be."       Lance Goldenberg  
  
4.5/5
     The Saddest Music in the World (2004)      "...a little bit like what Matthew Barney's Cremaster Cycle might have been without the illusions of grandeur or pretentious aftertaste."       Lance Goldenberg  
  
1/5
     She Hate Me (2004)      "...a movie that spews so much random, senseless, undigested matter that it seems more like projectile vomiting than filmmaking."       Lance Goldenberg  
  
4/5
     Sin City (2005)      "...might just be the most extravagantly brutal live-action cartoon ever made."       Lance Goldenberg  
  
4.5/5
     The Son (2003)      "...a work of enormous moral and spiritual depth, where sacrifice, forgiveness and redemption are revealed as the natural extensions of the movie's humdrum landscape."       Lance Goldenberg  
  
4.5/5
     Talk to Her (2002)      "Almodovar continues to refine the form of melodrama ... without sacrificing one iota of emotional texture or resonance."       Lance Goldenberg  

  
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