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Critics / Publications / Independent on Sunday
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• Nicholas Barber

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Independent on Sunday

  
   (1-13) of 13
  

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        Avenue Montaigne (2007)      "Ah, the hardship of being rich and famous!"         
        Bamako (2006)      "That the G8's policies have been disastrous for Africa won't come as news to anyone who goes to see African art-house films."       Nicholas Barber  
        Blood Diamond (2006)      "DiCaprio deserves his Oscar nomination for the breathtaking intensity of his performance."       Nicholas Barber  
        Bobby (2006)      "It makes you wish you were watching a biopic of Robert Kennedy instead."       Nicholas Barber  
        The Fountain (2006)      "The Fountain's message is that life is short, so we should make the most of it, and that's a message which should take one of two centuries, and one or two hairstyles, at most."       Nicholas Barber  
        The Good Shepherd (2006)      "It's a film for fans of John Le Carre, rather than Ian Fleming."       Nicholas Barber  
        Letters From Iwo Jima (2006)      "Doesn't have much to say except that Japanese are human beings, too."       Nicholas Barber  
        Lives of the Saints (2006)      "Comes across as an obscure Renaissance play which has been badly modernised."       Nicholas Barber  
        The Number 23 (2007)      "The answers to the story's questions are even sillier than the questions."       Nicholas Barber  
        Old Joy (2006)      " Like a Raymond Carver story, it seems nothing much at first sight, but its crystallised moment reveals further dimensions the more you muse on it."       Nicholas Barber  
        School for Scoundrels (2006)      "It's funny at first, but then loses its way so badly that it somehow winds up as a high-tech espionage thriller."       Nicholas Barber  
        Sheitan (2006)      "An eyecatching calling card for its first-time director."       Nicholas Barber  
        Venus (2006)      "A threadbare comedy-drama, with an insubstantial story and the patronising, post-Pygmalion theme of a working-class slob being reformed by the power of art."       Nicholas Barber  

  
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