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6/10 |
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A Scanner Darkly (2006) |
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"Too talkie to be legitimately entertaining, too dark to be wholly enjoyable and too muddled to be entirely comprehensible, A Scanner Darkly stands as a creative, if unengaging interpretation of its source materia" | |
Brandon Fibbs | |
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8/10 |
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All The King's Men (2006) |
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"...a lush melodrama about the corruptibility of us all." | |
Brandon Fibbs | |
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7/10 |
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Amazing Grace (2007) |
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"Who'd have thought that the most compelling and thoughtful film to be presented during Black History Month would be a formal British import set in 18th century England with men running around in wigs?" | |
Brandon Fibbs | |
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8/10 |
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American Teen (2008) |
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"Who needs fiction when the truth is funnier, richer and far more moving?!" | |
Brandon Fibbs | |
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4/10 |
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Angel-A (2007) |
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"Ultimately Angel-A never takes flight, weighted down by an overabundance of metaphysical clichés stolen from other films." | |
Brandon Fibbs | |
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5/10 |
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The Astronaut Farmer (2007) |
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"We should be routing for Farmer and delighted that his dreams are finally becoming a reality, but, instead, the implausibility of the whole thing, the sheer Disneyification of its premise, the Capra-corn nature of its "follow your dreams and never, ever q" | |
Brandon Fibbs | |
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6/10 |
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Avenue Montaigne (2007) |
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"Life and Art come together in Avenue Montaigne, a charming and accessible French export. Not too fluffy, not too deep %u2014 just right." | |
Brandon Fibbs | |
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