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300 (2007) |
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"I still wish David Wenham weren't the narrator, but everything else about the movie is a brutal kind of hypnotic that keeps me coming back." | |
Luke Y. Thompson | |
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Adjust Your Color: The Truth of Petey Greene (2008) |
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"...even [Don] Cheadle is no substitute for the man himself." | |
Luke Y. Thompson | |
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Aliens Vs. Predator: Requiem (2007) |
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"Where does this movie rank in the grand pantheon of Alien and Predator movies? Next to last. It's still better than ALIEN RESURRECTION." | |
Luke Y. Thompson | |
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American Teen (2008) |
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"...a refreshing antidote to the overly beautified "teenagers" and excessively clean buildings that populate Hollywood's phony high school stories." | |
Luke Y. Thompson | |
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The Art of Travel (2008) |
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"...cloying and a structural mess" | |
Luke Y. Thompson | |
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Big Man Japan (2007) |
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"...we follow middle-aged bachelor Dai around Tokyo while he feeds his cat, rides the subway, and periodically transforms into a 50-foot tall tattooed wrestler who battles giant monsters." | |
Luke Y. Thompson | |
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Captain Abu Raed (2008) |
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"If there's a flaw to the film, it's that the hero has none -- he's such a saint that this sometimes feels like a scripture lesson." | |
Luke Y. Thompson | |
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Caterpillar Wish (2006) |
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"A well-done movie all-around -- but what teenager today uses film in her camera?" | |
Luke Y. Thompson | |
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Choose Connor (2007) |
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"The ending is also note-perfect. However...it could have used perhaps a bit more restraint in some areas." | |
Luke Y. Thompson | |
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The Chronicles of Narnia: Prince Caspian (2008) |
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"...as inferior to the first book as the second one is, so is the second film from the first. Which is about right." | |
Luke Y. Thompson | |
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Cloverfield (2008) |
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"...the swiftness, economy, and momentum of the storytelling is enough to sweep right over the rough parts." | |
Luke Y. Thompson | |
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The Edge of Heaven (2008) |
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"And you thought you had trouble connecting with your parents!" | |
Luke Y. Thompson | |
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The Forbidden Kingdom (2008) |
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"Bloodless, but just make sure your young 'uns are past the stage of copying all the moves they see." | |
Luke Y. Thompson | |
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Frost (2008) |
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"...it's kind of like Van Wilder with fewer laughs and a really horrible soundtrack." | |
Luke Y. Thompson | |
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Fugitive Pieces (2008) |
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"If you haven't had enough of Holocaust-related tales onscreen, this is a perfectly serviceable one" | |
Luke Y. Thompson | |
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Garage (2008) |
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"A wonderfully knowing portrait of the fading small-town lifestyle in the Emerald Isle, Garage doesn't quite make the "must-see" list because of its ending" | |
Luke Y. Thompson | |
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In the Name of the King: A Dungeon Siege Tale (2008) |
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"Though Boll now has his own fan base who love his awfulness -- the crowd I saw the movie with cheered when his name came up onscreen at the end -- he isn't consistent enough for my liking/disliking." | |
Luke Y. Thompson | |
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Indiana Jones and the Kingdom of the Crystal Skull (2008) |
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"[George Lucas] and Steven Spielberg have earned back a lot of goodwill with this one. It's the only Spielberg movie in over a decade that actually ends when it's supposed to." | |
Luke Y. Thompson | |
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Kabluey (2008) |
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"Prendergast is clearly a force to be reckoned with -- his fearless performance as Salman/Kabluey is a thing of beauty, and his sense of story and humor are note-perfect." | |
Luke Y. Thompson | |
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King of Ping Pong (2008) |
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"If this kid were your classmate in school, you'd avoid him. Doing likewise with the movie won't hurt." | |
Luke Y. Thompson | |
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Mister Foe (2008) |
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"Presented as a sort of romantic neo-fairy-tale, the movie rarely acknowledges the inherent creepiness of its premise." | |
Luke Y. Thompson | |
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One Missed Call (2008) |
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"One missed opportunity." | |
Luke Y. Thompson | |
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Pathology (2008) |
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"When a movie opens with the diner scene from When Harry Met Sally as performed by cadavers, and later proceeds to sex scenes involving scalpels and needles, the actual plot becomes inconsequential." | |
Luke Y. Thompson | |
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Romance & Cigarettes (2007) |
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"...you have not lived till you've seen Walken belt out a Tom Jones tune." | |
Luke Y. Thompson | |
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Sherman's Way (2008) |
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"Not an uncontrived moment goes by." | |
Luke Y. Thompson | |
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Shoot 'Em Up (2007) |
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"...arguably the best-directed movie of the year." | |
Luke Y. Thompson | |
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Son of Rambow (2008) |
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"Some of the dialogue is overly cinema-savvy for naive kids ("We're losing light!"), but...director Garth Jennings gives the proceedings a charmingly surreal and imaginative tone." | |
Luke Y. Thompson | |
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Spine Tingler! The William Castle Story (2008) |
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"Gone are the days when you could rig a movie theater's seats with electric buzzers to simulate a monster attack...but you can relive them via this exuberant tribute" | |
Luke Y. Thompson | |
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Steep (2007) |
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"I'm not a skier. My balance is bad, and that stuff scares me. So more power to those who are - this flick's for you. And probably not anyone else." | |
Luke Y. Thompson | |
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Street Kings (2008) |
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"Ayer keeps upping the ante, to the point where finally you go, "Okay, NOW this [stuff] they're doing is definitely unacceptable."" | |
Luke Y. Thompson | |
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Superhero Movie! (2008) |
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"Note to screenwriters: it's clear you think that jokes ending in the words "Myspace," "YouTube," or "Wikipedia" are automatically funny, but it just ain't so." | |
Luke Y. Thompson | |
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The Good Life (2007) |
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"As a director, Stephen Berra makes this all quite palatable, but as a writer, he frequently mistakes platitudes for profundity." | |
Luke Y. Thompson | |
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Time Crimes (2007) |
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"one of the best movie opening sequences in recent memory...The rest, unfortunately, is a bit more predictable." | |
Luke Y. Thompson | |
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The Tracey Fragments (2008) |
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"Likely to overwhelm and annoy viewers hoping for Juno Part II, it is nonetheless an audacious and imaginative work that's sure to remain one of the year's best." | |
Luke Y. Thompson | |
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