| |
|
|
|
|
|
|
|
|
 |
 |
| |
3.5/4 |
|
A Scanner Darkly (2006) |
|
"Movies as rich as this can be habit-forming." | |
Robert Cashill | |
 |
 |
 |
| |
2.5/4 |
|
After The Wedding (2007) |
|
"The weakest of the Oscar-nominated foreign-language films, but still pretty good." | |
Robert Cashill | |
 |
 |
 |
| |
2/4 |
|
Apocalypto (2006) |
|
"More interesting to read about than to actually see." | |
Robert Cashill | |
 |
 |
 |
| |
3/4 |
|
As Tears Go By (1988) |
|
"A reminder that Wong, who is content with still lifes these days, used to shoot motion pictures." | |
Robert Cashill | |
 |
 |
 |
| |
2/4 |
|
The Assassination of Jesse James by the Coward Robert Ford (2007) |
|
"I struggled to stay awake..." | |
Robert Cashill | |
 |
 |
 |
| |
3/4 |
|
Attack of the Crab Monsters (1957) |
|
"It's just so creepy..." | |
Robert Cashill | |
 |
 |
 |
| |
2/4 |
|
The Aura (2006) |
|
"Its effect is meant to be hypnotic, drawing you into the dream state where its main character functions best, and from time to time it works--that is, if you can stay fully alert." | |
Robert Cashill | |
 |
 |
 |
| |
3/4 |
|
Autumn Leaves (1956) |
|
"Coming at a time when Aldrich was making punishing pictures like Kiss Me Deadly, Attack!, and The Big Knife, Autumn Leaves is (as you can tell by the title) an unusually sensitive change-of-pace, not without cruelty but never unkind." | |
Robert Cashill | |
 |
|
|