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A Scanner Darkly (2006) |
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"Linklater's low-key, meandering humanism is a bad match for Dick's obsessive, clammy suspicion. We never feel the desperation of these characters. They're merely painted figures on a screen -- shimmering somewhere far away.
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Sean Burns | |
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A.I. Artificial Intelligence (2001) |
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"Spielberg has never walked such a dangerous tightrope, never made a movie so fearless." | |
Sean Burns | |
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Across the Universe (2007) |
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"I saw a film today, oh boy." | |
Sean Burns | |
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Adaptation (2002) |
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"Playfully profound... and crazier than Michael Jackson on the top floor of a skyscraper nursery surrounded by open windows." | |
Sean Burns | |
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Adventures of Sharkboy and Lava Girl in 3-D (2005) |
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"In order to review a movie, the first step is to look at the screen, which is sadly something I could not bear to do throughout most of Sharkboy and Lavagirl." | |
Sean Burns | |
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After the Sunset (2004) |
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"Slack, ambitionless Elmore Leonard-lite. Brett Ratner has matured into one of the dullest young filmmakers working today." | |
Sean Burns | |
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The Agronomist (2004) |
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"Rousing, heartbreaking... and occasionally discombobulated. Still, the movie is aglow with its subject's clear-eyed optimism." | |
Sean Burns | |
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Alexander (2004) |
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"Alexander is Oliver's most stupidly awesome (and awesomely stupid) movie since The Doors." | |
Sean Burns | |
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Alfie (2004) |
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"This funnier, glossier Alfie is a mite too watered down. In the end, we're having so much fun we don't feel his soul-sickness. It's lightweight desolation.
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Sean Burns | |
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Ali (2001) |
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"A challenging, uncompromising film with the same hardheaded integrity as the man it profiles." | |
Sean Burns | |
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Alien 3 (1992) |
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"Fox's DVD restoration/mea culpa of Fincher's original edit is cause for celebration. The studio cut seemed glibly nihilistic --this time when she jumps, it means something." | |
Sean Burns | |
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Alien vs. Predator (2004) |
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"When not busy contradicting the lore we picked up in the previous pictures, Alien Vs. Predator is the world's murkiest, most incomprehensible video game." | |
Sean Burns | |
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All The King's Men (2006) |
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"Sometimes I wish they'd just cancel the Oscars, because then gaseous, lumbering elephants like All the King's Men would have no reason to exist." | |
Sean Burns | |
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All the Real Girls (2003) |
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"Girls is front-loaded with strange, offbeat non-sequitors subtly coloring in the lines of this community. Alas, the film shrinks as it goes along." | |
Sean Burns | |
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Along Came Polly (2004) |
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"Timid and predictable, yet almost worth seeing for two fantastic supporting performances (by Philip Seymour Hoffman and Alec Baldwin) that seem to have come from outer space." | |
Sean Burns | |
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American Gangster (2007) |
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"Even a stale old tune can sound great if it's covered properly..." | |
Sean Burns | |
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American Splendor (2003) |
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"But it's hard to shake the feeling that the movie is less than the sum of its parts. I called it 'brilliant' the day I saw it, and I haven't thought about it once since then." | |
Sean Burns | |
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Anything Else (2003) |
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"Unlike the wan doodles Woody's been cranking out for the past few years, this dark, often hilarious cacophony boasts a mile-wide ugly streak I found immensely satisfying." | |
Sean Burns | |
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Apocalypse Now Redux (2001) |
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"...a more user-friendly, politically correct Apocalypse Now with kinder, gentler characters, blabbermouth political diatribes, comic relief and mind-numbing repetition." | |
Sean Burns | |
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Apocalypto (2006) |
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"A work of searing, go-for-broke intensity... these relentless, lunatic ravings feel like what would happen if Werner Herzog directed Rambo IV. Mel Gibson might be a cretinous, bigoted drunkard, but he's a fascinating filmmaker." | |
Sean Burns | |
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The Aristocrats (2005) |
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"The movie is a scandal. It is an outrage. It is a joy." | |
Sean Burns | |
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Around the Bend (2004) |
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"...the kind of movie that gives sincerity a bad name." | |
Sean Burns | |
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Art School Confidential (2006) |
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"An admittedly amusing, completely miserable picture filled with too-easy yuks that make you feel cheap and dirty the second you're done chuckling.
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Sean Burns | |
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Ask the Dust (2005) |
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"Eventually, I was on the edge of my seat... wondering what kind of wrong choice Towne could possibly make next." | |
Sean Burns | |
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The Assassination of Jesse James by the Coward Robert Ford (2007) |
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"The mosaic of moods conjures something that feels both ancient and startlingly contemporary -- with the same doom-laden DNA as great druggy, fatalistic 1970s anti-Westerns like McCabe & Mrs. Miller and Pat Garrett And Billy The Kid." | |
Sean Burns | |
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The Assassination of Richard Nixon (2004) |
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"A case study devoid of empathy, it's Taxi Driver from Cybill Shepherd's point of view." | |
Sean Burns | |
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Assault on Precinct 13 (2005) |
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"...attempts to update John Carpenter's 1976 no-nonsense drive-in classic--primarily by adding an enormous amount of nonsense." | |
Sean Burns | |
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Atonement (2007) |
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"It's impossible not to marvel at Wright's technical virtuosity." | |
Sean Burns | |
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Austin Powers in Goldmember (2002) |
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"Every joke is repeated at least four times. Every joke is repeated at least four times. Every joke is repeated at least--annoying, isn't it?" | |
Sean Burns | |
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Auto Focus (2002) |
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"At times Auto Focus feels so distant you might as well be watching it through a telescope. Yet in its own aloof, unreachable way it's fascinating." | |
Sean Burns | |
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The Aviator (2004) |
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"Marty's most crowd-pleasing, well-behaved movie -- The Aviator is the first Scorsese picture that feels housebroken.
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Sean Burns | |
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Away From Her (2007) |
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"It's heartening that a movie so wise, patient and thoughtful can come from a filmmaker so young." | |
Sean Burns | |
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