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12 Monkeys (1995) |
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"Though it takes a while to get moving, Twelve Monkeys becomes a thrilling, haunting and exceedingly well-acted film." | |
Scott Renshaw | |
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4/10 |
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The 13th Floor (1999) |
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"This is genre film-making at its most superficially plot-driven, compounding its shallow characterizations with a ridiculous degree of self-importance." | |
Scott Renshaw | |
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5/10 |
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The 13th Warrior (1999) |
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"The whole mess is often too busy to get down to business." | |
Scott Renshaw | |
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5/10 |
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54 (1998) |
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"The plotting and pacing are so relentlessly predictable that the film doesn't even work well as a sociology lesson." | |
Scott Renshaw | |
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8/10 |
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American Beauty (1999) |
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"Simultaneously gripping and frustrating, American Beauty is the best film of the year that irritated the hell out of me." | |
Scott Renshaw | |
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5/10 |
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American Pie (1999) |
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"In 1999, apparently, you need to be more socially responsible in your portrayals of high school horn-dogs." | |
Scott Renshaw | |
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The American President (1995) |
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"An extremely savvy observation on politics in the media age." | |
Scott Renshaw | |
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5/10 |
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Analyze This (1998) |
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"A series of botched opportunities." | |
Scott Renshaw | |
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7/10 |
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Angela's Ashes (1999) |
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"Too much of it is admirable without necessarily being engaging, serving as a mere litany of childhood miseries." | |
Scott Renshaw | |
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8/10 |
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Antz (1998) |
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"A clever and appealing piece of work!" | |
Scott Renshaw | |
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Apollo 13 (1995) |
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"There is no denying that on many levels it is an extremely taut piece of filmmaking, but frequently it is too much about a situation and too little about the people in the situation." | |
Scott Renshaw | |
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7/10 |
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Apt Pupil (1998) |
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"Morbidly intriguing!" | |
Scott Renshaw | |
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6/10 |
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Armageddon (1998) |
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"For all the uneven visceral enjoyment that it's worth, Touchstone Pictures proudly presents Armageddon: a blockbuster a la carte." | |
Scott Renshaw | |
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7/10 |
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As Good as It Gets (1997) |
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"It's funny but fitful." | |
Scott Renshaw | |
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5/10 |
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Austin Powers: International Man of Mystery (1997) |
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"Myers and director Jay Roach seem to have no sense of how long is too long to stick with an extended gag." | |
Scott Renshaw | |
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5/10 |
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Austin Powers: The Spy Who Shagged Me (1999) |
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"When a satirical comedy loses its sense of discovery, there's not much reason for it to exist." | |
Scott Renshaw | |
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5/10 |
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Babe: Pig in the City (1998) |
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"It's a nice change of pace to find a sequel that doesn't merely try to remake the original, but Babe: Pig in the City lacks any of the original's endearing gentle spirit." | |
Scott Renshaw | |
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4/10 |
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The Bachelor (1999) |
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"The problem are a beginning and middle that are equally warm-n-fuzzy -- there's no spark, no energy, no humanity." | |
Scott Renshaw | |
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6/10 |
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The Beach (2000) |
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"A lazy film that thinks it's being profound." | |
Scott Renshaw | |
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9/10 |
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Beloved (1998) |
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"Full of cathartic emotion and earnest dignity!" | |
Scott Renshaw | |
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5/10 |
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Bicentennial Man (1999) |
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"Bicentennial Man's few simple pleasures can't make up for its shallow philosophizing." | |
Scott Renshaw | |
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4/10 |
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Big Daddy (1999) |
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"Cheap emotions, sloppy writing." | |
Scott Renshaw | |
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10/10 |
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The Blair Witch Project (1999) |
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"The Blair Witch Project is a work of genre-redefining brilliance, a strong early candidate for the best film of 1999, and one of the most unnerving psychological thrillers ever made." | |
Scott Renshaw | |
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8/10 |
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Blue (1993) |
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"A complex and fascinating character study of grief, directed with a mesmerizing grace." | |
Scott Renshaw | |
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4/10 |
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Chill Factor (1999) |
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"It's hard to believe that a film this weightless would waste so much time on setting up the premise, then never exploit the premise." | |
Scott Renshaw | |
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6/10 |
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The Cider House Rules (1999) |
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"The Cider House Rules walks an awkward tightrope between edgy humanism and dangerous sentimentality." | |
Scott Renshaw | |
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7/10 |
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Committed (2000) |
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"Actually, Committed only teases with subtext, since it's not much of a commentary on anything." | |
Scott Renshaw | |
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6/10 |
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Cradle Will Rock (1999) |
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"A reach exceeding Robbins' grasp." | |
Scott Renshaw | |
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8/10 |
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Crouching Tiger, Hidden Dragon (1999) |
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"It's pure Indiana Jones fun with an unexpected sense of consequence." | |
Scott Renshaw | |
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6/10 |
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Croupier (1998) |
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"It's a testimony to how well Croupier works for 90% of its running time that the train wreck of a conclusion can't derail the whole film." | |
Scott Renshaw | |
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2/10 |
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Cruel Intentions (1999) |
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"A stupid and pandering film!" | |
Scott Renshaw | |
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6/10 |
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Deep Blue Sea (1999) |
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"Deep Blue Sea is full of half-completed characters doing generally stupid things." | |
Scott Renshaw | |
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6/10 |
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Dick (1999) |
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"The stuff of fairly average entertainment." | |
Scott Renshaw | |
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5/10 |
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Dogma (1999) |
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"Dogma should be offensive to anyone who expects more from a movie than two hours of a filmmaker's musings on every religious notion that ever came into his head." | |
Scott Renshaw | |
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7/10 |
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Drop Dead Gorgeous (1999) |
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"When it's funny, it's quite entertaining, but there's always the suspicion that it could have been hilarious with a bit of care." | |
Scott Renshaw | |
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6/10 |
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Enemy of the State (1998) |
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"A solid thriller!" | |
Scott Renshaw | |
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4/10 |
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Entrapment (1999) |
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"It's about theft, all right...of your money, your time, and the devices of a dozen other trite Hollywood star projects." | |
Scott Renshaw | |
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8/10 |
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Erin Brockovich (2000) |
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"Erin Brockovich always seems to find an unexpected angle just when it's most necessary." | |
Scott Renshaw | |
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7/10 |
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Forrest Gump (1994) |
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"Good but flawed." | |
Scott Renshaw | |
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The Fugitive (1993) |
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"In a genre where one is almost always asked to allow leaps of logic, the script repeatedly astonished me with its intelligence, its attention to detail and its respect for the audience." | |
Scott Renshaw | |
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6/10 |
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The Green Mile (1999) |
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"The Green Mile is a well-crafted film." | |
Scott Renshaw | |
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5/10 |
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Groove (2000) |
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"Harrison is too serious about this milieu; he seems to be making the suggestion that kids really have found party nirvana this time." | |
Scott Renshaw | |
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8/10 |
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High Fidelity (2000) |
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"Thoroughly entertaining." | |
Scott Renshaw | |
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7/10 |
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Hilary and Jackie (1998) |
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"A revelation when it allows us to see what people surrender for art, as well as why people surrender their art." | |
Scott Renshaw | |
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1/10 |
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Idle Hands (1999) |
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"Idle Hands is either idiotic or pandering, when it isn't both." | |
Scott Renshaw | |
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7/10 |
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The Insider (1999) |
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"Mann does know how to make a moment of truth crackle; he knows how to create compelling human stories." | |
Scott Renshaw | |
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7/10 |
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The Iron Giant (1999) |
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"Entertaining!" | |
Scott Renshaw | |
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5/10 |
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Jack Frost (1998) |
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"What makes it hard to swallow is that it's utterly inconsequential while pretending to be both hipper and more emotional than it really is." | |
Scott Renshaw | |
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5/10 |
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Jakob the Liar (1999) |
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"I am of the depressing opinion that Williams is growing less assured as an actor in his 'serious' roles with every passing year." | |
Scott Renshaw | |
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5/10 |
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Jawbreaker (1998) |
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"Another teen-sploitation flick!" | |
Scott Renshaw | |
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