| |
|
|
|
|
|
|
|
|
 |
|
| |
|
|
A Scanner Darkly (2006) |
|
"[Linklater] has made the first close adaptation of a Dick novel." | |
Richard Corliss | |
|
|
|
| |
4/5 |
|
A.I. Artificial Intelligence (2001) |
|
"Spielberg laid the burden of the film on Osment like a backpack, and the young trouper carries it." | |
Richard Corliss | |
|
|
|
| |
4/4 |
|
About Schmidt (2002) |
|
"Payne also understands what it has taken me most of a lifetime to comprehend: that the Schmidts of this world are not to be easily dismissed." | |
Richard Schickel | |
|
|
|
| |
|
|
Across the Universe (2007) |
|
"Even those resistant to or unmoved by the story can appreciate Taymor's settings of the songs, and the arrangements by T-Bone Burnett and other studio masters." | |
Richard Corliss | |
|
|
|
| |
|
|
After The Wedding (2007) |
|
"It speaks the universal language of high romance in the distinctly unromantic Danish tongue. But don't be put off by that. It is a kind of treat we are only rarely offered these days." | |
Richard Schickel | |
|
|
|
| |
|
|
Air Force One (1997) |
|
"The stalking struggle between reason and unreason that precedes it is much more gripping--and fun." | |
Richard Schickel | |
|
|
|
| |
|
|
Alexander (2004) |
|
"A long, lumpy trip with a charismatic guide and some brilliant detours." | |
Richard Corliss | |
|
|
|
| |
|
|
Alien Resurrection (1997) |
|
"Less frightening, but as much fun as ever." | |
Richard Schickel | |
|
|
|
| |
|
|
All The King's Men (2006) |
|
"Zaillian's movie is much more a reimagining than a remake, and it's much more faithful to the tone of the novel, which is by no means easy to duplicate." | |
Richard Schickel | |
|
|
|
| |
|
|
All the Right Moves (1983) |
|
"his naive little movie hopes to prove itself the Flashdance of football." | |
Richard Corliss | |
|
|
|
| |
|
|
American Gangster (2007) |
|
"An intelligent, well-made and seductive movie." | |
Richard Schickel | |
|
|
|
| |
3/5 |
|
American History X (1998) |
|
"A confused, randomly compelling family melodrama." | |
Richard Corliss | |
|
|
|
| |
|
|
The American President (1995) |
|
"As bustling and impassioned as the best Sturges and Capra movies." | |
Richard Corliss | |
|
|
|
| |
|
|
American Teen (2008) |
|
"It's hard not to root for these teens." | |
Richard Corliss | |
|
|
|
| |
5/5 |
|
Amores Perros (2001) |
|
"[The] sense that even hair-trigger lives, always poised on the edge of self-destructive lunacy, deserve to be sympathetically understood is Amores Perros' redeeming grace." | |
Richard Schickel | |
|
|
|
| |
|
|
Angel Eyes (2001) |
|
"The movie works because Lopez gives such a terrific performance." | |
Richard Schickel | |
|
|
|
| |
|
|
Anger Management (2003) |
|
"Even a longtime Adamophobe has to admit that Sandler is an agreeable presence here, and that the film has some funny filigree work to offset the oppressive schematics." | |
Richard Corliss | |
|
|
|
| |
|
|
Apocalypto (2006) |
|
"Gibson is a primitive all right, but so were Cecil B. DeMille and D.W. Griffith, and somehow we survived their idiocies. Doubtless there will come a day when he joins them in the Valhalla of the vacuous." | |
Richard Schickel | |
|
|
|
| |
|
|
Apollo 13 (1995) |
|
"From lift-off to splashdown, Apollo 13 gives one hell of a ride." | |
Richard Corliss | |
|
|
|
| |
|
|
The Aristocrats (2005) |
|
"A master class in comedy, in all its cruel, larkish, obsessive creativity." | |
Richard Corliss | |
|
|
|
| |
|
|
Armageddon (1998) |
|
"...doesn't give a hoot about making a deep, humanistic impact on us." | |
Richard Schickel | |
|
IGN RSS Feeds
